I see you’ve realized that I haven't actually said anything regarding my own take on the ideas presented in the movie, specifically its core essence...
...the visual identity of the film isn't what's being questioned here; rather, it's the viewer's sensory experience...
given that you claimed I didn't get it, well, heaven help you if you think you did...
look, perhaps I should clarify things slightly... 😁
the distinction between what exists in the film "as reality" versus "as The Matrix" doesn't necessarily imply that this "reality" is the actual physical reality we experience (though the concept of "physical" is debatable here, but for the sake of explanation...)
why wouldn't peace be included as a variable in The Matrix? ...or if it isn't, why couldn't it be. The Matrix, much like any software within it, is capable of reprogramming itself because it possesses a developed consciousness of its own existence.
see, that might be a flawed conclusion, considering Neo has already arrived at this exact same junction six or x times before, and since he decided in Reloaded to walk through a different door, they would simply revert to a state of war—destruction vs. creation, liberation vs. defeat—and slide right back into "the same cycle."
the very fact that Agent Smith entered "reality" might actually suggest that such a thing doesn't exist, or at least not in the way people currently interpret it... don't you think?
anyway, I am in complete agreement with you; all reflection is welcome, but limiting one's own thinking is precisely what I was addressing in my entire previous post, citing several comments from those who watched the film and debated the potential "ideas" being offered to us, just as we are bickering about them here...
personally, I like the film, and my own interpretation is that the original idea from the first installment was definitely a revolution that few other films will ever achieve, even though that idea sparked in human minds across the US long before The Matrix; the first part was undoubtedly a hit, and there's nothing to criticize there.
in the second (and let's say the third, even though it functions "as" one film), they delved into something that transitioned from a pure idea into entertainment, essentially offering the audience more of what people seek as substance. unfortunately, it was clumsy only in the sense that it tried to push the idea to its absolute limit, instead of falling back on the classic good vs. evil trope with noble goals and petty nonsense that we all know how that ends...
and when that doesn't happen, we start overanalyzing why things didn't turn out the way we expected...
perhaps it's simply a matter of the human need to define perfection? ...
btw, if we are currently using only 6-35% (okay, I'm exaggerating, probably closer to 10%) of our "brain capacity" (if we want to call it that), why do you think a program couldn't be "downloaded" into one of those other unused percentages?
regards