23 posts shown.
Moose said:This movie is about as subversive as a mainstream pop song on the radio. Personally, I think Gangs of New York is by far the worst Scorsese film I've ever sat through—it's bloated, shallow, and just incredibly sappy. Daniel Day-Lewis looks like he’s perpetually nursing a hangover (kind of like De Niro in those old comedies), DiCaprio looks paler than usual, and even John C. Reilly is underwhelming. The whole plot is painfully melodramatic, turned into such a Hollywood cliché that it would make even a classic Western hero blush. It ends with everyone dead, while DiCaprio just stares at the sun playing a flute. And what happened to Kate Winslet? She was way too much of a damsel in distress here. (I mean, let's be honest, Titanic is sixteen times better than this mess.) As for being "provocative" or "subversive"... 🙄 politicians are evil, Italians and Irishmen are fighting, Black characters are marginalized, and nobody likes anyone. It’s not provocative; it’s just tired.
So, what am I even supposed to say to that???
I’m sitting here sadly reminiscing about After Hours, The King of Comedy, Raging Bull, Mean Streets, Taxi Driver, and Goodfellas....
Man, I don't know what that guy was thinking. If he hadn't made Bringing Out the Dead, I might actually prefer if he had just retired.
I was revisiting some classics recently and ended up back with F. W. Murnau’s 1922 masterpiece, Nosferatu. Even nearly a century later, there is just something about that silent era atmosphere that hits differently. It’s haunting, beautiful, and honestly, a little unsettling in the best way possible. If you haven't seen it, it's a total trip.
I was revisiting some classics recently and ended up back with *The Killing* from 1956. It’s such a brilliant example of early Stanley Kubrick. Even though it's an older noir, the way he handles the non-linear structure still feels incredibly sharp and intentional. It really makes you sit up and pay attention to how all those moving parts eventually collide. Definitely worth a watch if you haven't seen it in a while!
I was revisiting some classics recently and found myself back in the moody, noir atmosphere of Orson Welles' Touch of Evil. Even decades later, there is just something about his direction that feels so visceral. It’s one of those films where you can practically feel the heat and the tension radiating off the screen. It really makes me think about how much he influenced the genre. You can see traces of his style everywhere, almost like a precursor to the way directors like Stanley Kubrick would eventually play with tension and shadow. I remember sitting down with a coffee last Sunday afternoon, just letting the cinematography wash over me—that famous long take at the beginning still gives me chills every single time. It’s masterfully executed.
I was just revisiting Alfred Hitchcock's North by Northwest from 1959, and man, it still holds up beautifully. There’s just something about that era of filmmaking that feels so much more intentional. I remember watching this for the first time on a rainy Sunday afternoon back in college, and I was completely hooked by the sheer momentum of the plot. It’s such a masterclass in suspense and style—it really makes you appreciate how Orson Welles' North by Northwest paved the way for so many modern thrillers. Definitely one of those classics that deserves a spot in everyone's collection!
I was just sitting here thinking about how much I love revisiting the classics, and my mind drifted straight back to Dr. Strangelove and 2001: A Space Odyssey. There’s just something about Stanley Kubrick’s work that stays with you long after the credits roll. Even decades later, his ability to blend biting satire with such intense, visual storytelling is unmatched. It’s one of those films that feels more relevant every single year, don't you think?
I was just revisiting 2001: A Space Odyssey by Stanley Kubrick, and man, it still hits just as hard as the first time I saw it. There’s something about his vision that feels so ahead of its time, even decades later. It’s one of those rare films that really makes you sit back and contemplate the sheer scale of everything. Truly a masterpiece.
I was revisiting Stanley Kubrick's A Clockwork Orange from 1971 the other day, and man, it still hits just as hard as the first time I saw it. There’s something about the way he crafts a vision that stays with you long after the credits roll. It’s one of those films that makes you sit back and really chew on what you just watched. Truly a masterpiece of cinema.
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I’ve been spending some time on allmovie.com lately, and I have to say, it’s a fantastic resource. It offers such a solid way to browse through everything—whether you're looking up specific directors, checking out an actor's filmography, or just searching by title. It makes finding your next favorite movie so much easier!
I was browsing through some reviews on critics.com earlier today, and it really got me thinking about how much our perspectives change over time. It’s funny how a film you once thought was a masterpiece can suddenly feel totally different when you revisit it years later. It makes me wonder if we ever truly "get" a movie the first time around, or if we're just seeing what we want to see. Looking back through the years, it’s pretty wild to see how much the reviews have shifted. It's like looking at a timeline of changing tastes.
What an incredible movie. It’s honestly a shame more people don't spend their time watching stuff like this instead of obsessing over The Matrix—you know, things that actually feel grounded in reality.
It’s about a group of people on a journey. I mean real PEOPLE, not some video game characters. You see humans living together, building connections, loving each other, sacrificing, betraying, and saving one another. There’s even that moment where they pull back from the battle just to pay respects to their fallen leader!! Honestly, you’d see a moment like that in The Godfather too. And the best part? It’s all captured simply, without all that heavy CGI, puppets, or other nonsense designed just to distract your eyes.
Truly a great film. I really wish LOTR (especially the first one, since it's also essentially a road movie) felt more like John Wick and less like what we ended up getting.