How many years should pass before a reboot?
in Movies ·
Oh, please! I am begging you—no one needs a reboot of Lord of the Rings. Any attempt at this would be an absolute disaster because the bar has been set impossibly high.
12 posts shown.
Karen Richardson3 said:I think a ton of people interpreted it that way too 😁
But honestly, they totally butchered that scene in the adaptation.
In Part 1, they’re supposed to be about ten years old right then. She’s walking home starving because she couldn't find a single thing to eat, and she's just hit rock bottom and doesn't know what else to do—her mom is having a total mental breakdown and can't even get out of bed, plus she's got a little sister to worry about.
She’s scavenging through the trash when Peeta spots her from the bakery window, and he intentionally lets the bread burn just so he has an excuse. His mom hits him for it and tells him to just toss the burnt bread to the pigs, but instead, he gives it to Katniss. That bread ends up being the very first thing they eat for days, and it becomes this massive symbol of hope—it's the idea that a complete stranger actually cares enough to help her and give her the strength to keep going.
In the movie, they try to show they're younger just by giving Peeta that ridiculous haircut 😁 and it’s never actually clear if he's trying to humiliate her by throwing the bread or what the actual vibe is supposed to be.
silvergardener6 said:Well, let’s see what you actually explained:
It shows.I've already explained why THG isn't relevant to past, present, or future global situations, mainly because the movie's core premise feels illogical and unrealistic—the idea of regular public executions just to keep neighbors compliant, where nobody even knows who might be next in a year's time.
Oh, what an incredible argument and explanation. You find it unrealistic and illogical. Honestly, I'm almost speechless at this line of reasoning. It's just... irrelevant. You seem to have completely ignored the entire history of uprisings, the existence of District 13, and the way fascist regimes have systematically manipulated public opinion throughout history. To me, the unrealistic part would be believing that people fight wars over imaginary, politically constructed borders or false religious ideologies. It seems totally unconvincing to you, but once you convince people that it's for their nation, for their own good, or for some higher purpose—that it's a necessary sacrifice—then every brave soul will march off to war. The situation in THG isn't different at all. Is the Donetsk People's Republic a convincing enough reason for someone to go out and risk their life? Military drafts and training are really just preparation for the games themselves, where everyone is fighting to emerge as a winner. Humans are irrational creatures who often fail to grasp true reality, and THG captures that perfectly. Revolutions are moments of clarity—as Karl Marx might say, moments when a society begins to realize how unsustainable the systems they are trapped in actually are. Governments defend themselves much like how Recep Tayyip Erdoğan reached for military control to suppress his own people just to maintain his hold on power, and now he's been chosen as president; the people were undermined and lost their way, drifting back toward a hollow, puppet-like democracy. That isn't happening—or won't happen—to the people in THG.There's also a third possibility here: that I am perceiving depth differently than you are.
wow, such a powerful argument.For a large portion of film critics, "depth" simply means an actor hysterically displaying as much emotion as possible. Or playing some sort of madman. In those cases, they automatically become an Oscar contender.
That has nothing to do with depth—which is why I pointed to the consensus on Rotten Tomatoes. I'm not using an ad populum argument to claim the majority is always right; rather, I'm noting that there is a consensus, which happens to align with my own view, and you could easily find reviews that support this without any trouble.
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Confronting fear—wow—what original pathos and depth; it’s basically a cliché you’d find in an elementary school essay.To me, depth occurs when a story touches upon states of being or situations that transcend standard human functioning, specifically when scenes and characters evoke emotions that don't quite fit into our everyday spectrum. From that particular perspective, I suppose the Divergent bar has certain moments, like those where characters face their fears and choose to resolve them in unconventional ways, whereas I can't really think of anything like that in THG.
The same applies to those tired tropes about being "different." It feels entirely too grounded in reality, doesn't it? Honestly, did you actually watch how they supposedly took control through "mental" means? That seems zero percent realistic to me, and I doubt something like that could ever actually happen. The whole faction division feels a bit nonsensical and unrealistic for a very clear reason: it lacks any biological basis. Those tests and the supposed "exceptionalism" of people who don't fit into specific factions—which are clearly socially constructed—are presented as if they were biologically predetermined, even though such distinctions have never existed in their world or any other.As for Citizen Kane, I personally find it to be complete garbage. I can't recall a single redeeming quality or even one memorable scene. I would much rather watch the Hunger Games series ten more times than sit through Citizen Kane once. To me, Citizen Kane is just a textbook example of that kind of "depth" that doesn't actually feel deep at all.
No comment.
Roger Martin3 said:Quote: coppersailor28
It seems you didn't quite catch my point—I'm sorry, I must have been a bit unclear!
If you had been paying closer attention to the video, you would have seen that my critique is actually focused on the direction and the acting—not the message the movie was trying to convey. To me, the film was a complete disappointment—it was a great idea that was just poorly executed. And hey, that’s just my take—which I am certainly entitled to.
Grace Edwards said:The Dark Knight Rises
That trailer was pretty epic, honestly. Lots of heavy emotional beats and a top-tier performance by >. It feels like a real movie, though even if it doesn't end up being a total disaster, it definitely didn't trigger nearly the same level of nerdgasm as the trailer did.
On the flip side, I remember the previous > had some pretty dull trailers, yet the actual movie turned out to be fantastic.
As for >, that was easily the biggest letdown of last year. The trailer was one of the best in the whole superhero genre, especially with that soundtrack that everyone else basically ripped off until it became totally cliché. The movie itself might have had an impressive, high-energy opening, but it just seemed to get worse and worse as it went on.
Roger Martin3 said:For now, these are the ones coming to mind:
Hancock: It was a landslide—absolute chaos. 🙄
Changeling: It had all the hallmarks of being the ultimate drama—Eastwood directing, with Angelina Jolie playing the mother; yet in the trailers, the focus is entirely on Angelina's distraught expression, making it look like she’s lost her child... In reality, the film ended up being a complete failure, both in terms of direction and acting....
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