The books you never got around to reading
in Philosophy ·
Sure, a book has a set number of pages, and yeah, every language has a specific word count too.
But I think you’re overlooking one massive thing that both books and languages share: context.
See, any piece of writing only really starts making sense when you look at the context surrounding it.
And when you think about it, a language is such a living, breathing, dynamic system where meanings shift constantly and new slang pops up out of nowhere all the time.
If we really want to take this to the extreme—and I love a good thought experiment—you could ask if the total number of ways to arrange words in a standard 400-page novel is finite. Of course it is! And if you handed a supercomputer a task to churn through every single possible permutation of those words, sure, among those billions upon billions of combinations, you’d eventually stumble upon the greatest masterpiece ever written. But even then, it would only be a masterpiece within its own specific context.
So, if we just shuffle every possible context with every possible string of text... we'll eventually hit on the absolute greatest works of literature for their specific era and place.
But honestly, that’s basically what writers do every single day. They take the finite vocabulary they know and they sift through it, tossing out almost everything else to craft something they feel actually matters within the context they're working in.
In a way, authors are just literary critics who act as their own gatekeepers, rejecting all the combinations that don't work and holding onto the ones that truly sing.
But I think you’re overlooking one massive thing that both books and languages share: context.
See, any piece of writing only really starts making sense when you look at the context surrounding it.
And when you think about it, a language is such a living, breathing, dynamic system where meanings shift constantly and new slang pops up out of nowhere all the time.
If we really want to take this to the extreme—and I love a good thought experiment—you could ask if the total number of ways to arrange words in a standard 400-page novel is finite. Of course it is! And if you handed a supercomputer a task to churn through every single possible permutation of those words, sure, among those billions upon billions of combinations, you’d eventually stumble upon the greatest masterpiece ever written. But even then, it would only be a masterpiece within its own specific context.
So, if we just shuffle every possible context with every possible string of text... we'll eventually hit on the absolute greatest works of literature for their specific era and place.
But honestly, that’s basically what writers do every single day. They take the finite vocabulary they know and they sift through it, tossing out almost everything else to craft something they feel actually matters within the context they're working in.
In a way, authors are just literary critics who act as their own gatekeepers, rejecting all the combinations that don't work and holding onto the ones that truly sing.