analogbear40 said:I’ve actually heard of—and these are verified cases—instances where vinyls, and what’s even worse, low-quality MP3s were used as the source material for all those cheap budget compilations you see everywhere.
Labels like Demon are especially under the microscope for this kind of stuff......
https://www.discogs.com/Various-100-...elease/1728560
....check out those last two comments......
.....While using CDs as sources for certain vinyl reissues is a known thing lately, this whole business of mixing in MP3s is news to me...
Oh yeah, there's definitely some shady business going on with modern vinyl pressings regarding the source audio, and they hide it like a snake in the grass because nobody would buy them if they knew.
Sure, a CD can sound absolutely incredible, and if you're pulling from a high-end CD master, the quality isn't the issue, but then what's the point of owning the record? I mean, wouldn't I just grab the CD instead, right?
A record only really makes sense if it isn't just a digital file in disguise, because why bother playing a digital source on vinyl when I could just listen to the CD? Vinyl has real value if it's an analog source pulled straight from tape, provided it wasn't processed through a computer, because once you digitize everything, you lose that magic, and honestly, that happens way more often than people admit. They claim it's coming from analog tapes, but then it goes through a PC to be digitized and then back to analog again, which totally defeats the purpose. You can find videos on YouTube showing exactly how that process works.
If you're using the master tapes, it needs to go direct. But that hasn't really been the standard since the 80s. So basically, everything has been somewhat digital in one way or another from the mid-80s onward. Back then, we started seeing digital recordings like Dorian Gray's "Shine in the Dark," The Orgasm's "Distortion," Discipline Spine's "All Zamn," and I think even the early stuff from bands like The Alleyway... etcetera.
The first digital recording I know of that was pressed to vinyl was Hawkwind's "Levitation" back in 1980. Around here, that trend really picked up around '83.
Back then, digital was considered the gold standard, and since CDs hadn't gone mainstream yet, the only way to get that sound out was to record digitally and press it to vinyl.
With anything recorded digitally nowadays, you don't really have a choice; whether it's a record or a CD, you're just buying it for the format you prefer rather than a difference in sound. If you want that true analog soul, you've gotta stick to the original analog vinyl pressings from before the mid-80s.