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Weekly Pick: Ennio Morricone

Started by Raymond Walker5 · · 👁 10 views · 94 replies

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Participants Raymond Walker5Larry Walker24Jessica Morris6Casey Cox2vivideagle7silverpanther13analogbear40Dennis Hall41Michael Roberts7Patrick Cooper2Sam WatsonPatrick MartinRichard Brown51Elizabeth Rivera6granitecyclistgoldenscout14
Dennis Hall41 Dennis Hall41 Active Member
55 messages
joined Jan 2018
#61 ·
Solid breakdown. You really reminded me of that scene from *The Godfather*—where Ennio Morricone’s score hits just right while Al Pacino is losing it at the cemetery, frantically searching for that buried treasure.

I've honestly never seen music and visuals hit that hard together. I remember actually tearing up watching it—just completely floored by how beautiful it was.
Raymond Walker5 Raymond Walker5 Active MemberOP
79 messages
joined Jul 2017
#62 ·
Honestly, I don't know what it is about me, but even those Ennie-style things—the ones that aren't even trying to be sad—just hit me right in the feels because they're so damn heavy-handed 😁
Dennis Hall41 Dennis Hall41 Active Member
55 messages
joined Jan 2018
#63 ·
Raymond Walker5 said:Ran into a prime example of pure musical banality today:

God dammit. 🤦

I’m being generous here—this isn't just banal, it's straight-up trash.
Dennis Hall41 Dennis Hall41 Active Member
55 messages
joined Jan 2018
#64 ·
Raymond Walker5 said:Honestly, nothing hits harder than when I start tearing up over those Ennie things—you know, the ones that aren't even trying to be sad, they're just so damn beautiful it gets to me.😁

It’s not even "sad" in the usual sense. It’s super rare for me to actually cry just because of how perfect a certain form is—it feels more like some kind of mystical experience, honestly.
Raymond Walker5 Raymond Walker5 Active MemberOP
79 messages
joined Jul 2017
#65 ·
Dennis Hall41 said:Good grief. 🤦Give me a break.

Today you’re being quite mild. This isn't just trivial; it's downright crude.

But then again, that's just the standard formula for 90s music.
Elizabeth Rivera6 Elizabeth Rivera6 Member
14 messages
joined May 2017
#66 ·
Raymond Walker5 said:I look at his music as if he’s a philosopher first and a musician second. It’s about how you actually bridge that gap between a scene's emotion and the listener... how do you keep someone hooked instead of just letting the score drift into nothingness? Morricone really had the secret sauce for it. He could pivot through any vibe, whether he was working with different directors or jumping between genres in Hollywood... he just knew how to make it hit.

Nice work...

I feel like he really elevated so many flicks, both the directors and the actors... I honestly can't imagine what a movie like *Once Upon a Time in the West* would have been like without Morricone. When you take a solid film and add a genius composer like that to the mix, you just get something legendary... 😁
Gotta admit, that soprano vocal really made the difference in Leona's film... The legendary voice of cinema... just pure magic...Just like his other classics, you know... stuff like The Good, the Bad and the Ugly...
Her vocals in that theme from *Once Upon a Time in the West* just hit different with Morricone’s melody. Total perfection to me... I still get goosebumps when that climax kicks in and her voice takes over... Jill's finally getting here... It’s got those heavy hitters too, like that final showdown between Charles Bronson and Faye Dunaway...

Man, this movie totally hits me right in the feels... reminds me of growing up in the eighties with that unforgettable TV intro for MTV... Just catching up on the news from 7 News... stays pretty wild...That's actually one of the tracks from the *Farewell to Cheyenne* soundtrack. Glad you added it to the list since it's usually missing from most collections...

Honestly, listening to some Ennio Morricone is doing wonders for this cold I've been fighting...👍I don't think there’s a better soundtrack for feeling this low... Currently revisiting some old scores from those obscure indie films. Haven't really sat down with them since I first heard them, so now feels like the right time to dive back in...
Just one of the tracks from that compilation we were talking about... simple stuff... Just vibing to some classic jazz standards...

Man, there’s gonna be enough material here for at least one more poll... Seriously though, huge shoutout to you for putting in all that work to break down Morricone for us... 👍 Probably nobody on this board knows his work better than me...
Raymond Walker5 Raymond Walker5 Active MemberOP
79 messages
joined Jul 2017
#67 ·
Edda was such a constant presence in his music, especially during that transition from the late 60s into the early 70s. She provided vocals, and by around 1970, she was even leaning into those soulful, gritty vocalizations.
I actually finished putting together a list just yesterday, which I’ll be posting sometime in the next few days. This particular track won't be part of the Forza G release since we're a bit behind schedule on that, but the main feature from Forza G will definitely be making an appearance soon. 😁
vivideagle7 vivideagle7 Active Member
135 messages
joined Oct 2014
#68 ·
Raymond Walker5 said:It’s hard to explain, but sometimes I just end up tearing up over those Ennio Morricone tracks—you know, the ones that aren't even trying to be sad, they're just so incredibly heavy and profound that they hit you right in the gut.😁

It’s like that specific feeling when something is just so brilliantly crafted that it actually moves you to tears.😬
Elizabeth Rivera6 Elizabeth Rivera6 Member
14 messages
joined May 2017
#69 ·
Raymond Walker5 said:Edda was such a huge influence on his sound, especially moving from the late 60s into the early 70s. She sang on a lot of tracks, and by 1970 she was basically moaning through them...
Already sorted out a playlist yesterday that I'll drop sometime soon. Won't be including this specific track from the Forza G series since we're running a bit late, but the main theme from Forza G is definitely coming 😁

Man, Edda... way more sultry than that classic "Je T'aime" vibe😁

Really hoping you don't skip those two killer tracks from ll Grande Silenzio, probably the best Spaghetti Western out there that most people here haven't even heard of. Also gotta include that epic theme from Red Sonja... tried finding a clip with Brigitte Nielsen, but it's really all about that Arnie moment😁

Plus, one of the favorites from the Veruschka movie would fit perfectly too.

Funny enough, Morricone killed it scoring those early horror flicks by Dario Argento. He’d transition so easily from Westerns and romances into that creepy giallo atmosphere. I think his spooky yet sweet style—using bells and kid vocals😁—actually influenced the band Goblin, who ended up scoring Argento's bigger hits like Deep Red and Suspiria.

The same year he did the score for Carpenter's The Thing, he had another big moment in the US genre with White Dog
...
Raymond Walker5 Raymond Walker5 Active MemberOP
79 messages
joined Jul 2017
#70 ·
If you’d been listening a little more closely, you would have realized that Veruschka’s track in this poll is actually titled 'La Bambola.' 😁
I completely understand that it can be exhausting to sit through everything, but for the sake of Ennio Morricone, it’s honestly worth the effort. Besides, the poll stays open for a full month, so there’s absolutely no need to rush through it all at once.

As for Red Sonja and Grande Silenzio, those will be featured in the next round.

Honestly, the man composed so many soundtracks that even I struggle to keep them all straight. It’s just an overwhelming amount of incredible music. I actually put together my own massive "best of" compilation that I listen to most of the time, though I still find myself drifting back to individual soundtracks every now and then.
Elizabeth Rivera6 Elizabeth Rivera6 Member
14 messages
joined May 2017
#71 ·
Raymond Walker5 said:If you’d been paying closer attention, you would've realized Veruschka's track in this survey is actually titled 'La Bambola'😁
I get that re-listening to everything is a grind, but it’s worth it for the sake of Ennio. Besides, the poll stays open for a full month—no need to rush through it all at once...

Major oversight here😵

I knew most of what was in the poll, and I listened closely to the rest from start to finish. It looks like 'La Bambola' just slipped past me. Maybe my brain subconsciously rejected the title because it sounded too much like Valensson's 'La Bambola'...😁

Titles can really throw even the biggest Ennio fans for a loop, especially when translations vary across the globe. Here's a perfect example. Back in the mid-nineties, I picked up an Ennio compilation on cassette, but the track titles were all in German. That famous theme from the movie 'The Outsider'—which stars Jean-Paul Belmondo—was listed as 'Der Aussenseiter.' If you're someone who relies on original titles when hunting for Ennio releases, you might pass on something if you don't see your favorite track listed, especially if foreign languages aren't your thing...😍

Speaking of Belmondo, I caught his movie 'The Professional' the other day. Not gonna lie, your poll definitely influenced my choice😁. It’s hard not to be when gems like 'Chi Mai' and 'Le Vent, Le Cri' are involved. I used Belmondo as proof for my theory that Ennio makes great artists even greater, specifically in cinema. Any recs for 'The Professional' (1981)

By the way, there's another Belmondo and Ennio collab besides 'The Outsider' and 'The Professional.' Check out 'The Heist' from 1971. Man, the symbolism in those creative titles...😁. That’s more for the film buffs, but those French flicks accidentally got hit by Ennio's talent in its purest form...

If I had to pick just one thing from the poll, hmm... it'd definitely be 'Chi Mai.'

Red Sonja and 'Grande Silenzio' will be part of the next poll.

👍

Man, he has so many soundtracks that even I can't keep track of them all. There's just too much stuff out there. I just put together my own massive 'Best Of' playlist and listen to that, then jump over to specific soundtracks every now and then.


Have you actually seen even a third of those movies from the poll he scored?
I'm asking because I've been hunting down stuff like *The Fast and the Furious* or *Farewell Moscow* for ages now and can't find them anywhere...
granitecyclist granitecyclist Member
27 messages
joined Mar 2023
#72 ·
Raymond Walker5 said:... Even so, the poll stays live for an entire month...

If that's the case, why is the thread titled "A Week With Your Choice" then?🤔>
Raymond Walker5 Raymond Walker5 Active MemberOP
79 messages
joined Jul 2017
#73 ·
granitecyclist said:If that’s the case, then why on earth did they title the thread "A Week of Your Choice"? It feels a bit off, doesn't it?🤔

Here’s the reasoning I pulled from the introductory post for you:
The voting window for each artist or band will stay open for an entire month, though we’re going to try our best to roll out new groups on a weekly basis. I really wanted to set it up this way so nobody feels like they're being rushed through the process. I know how it goes—sometimes you get caught up with work or life gets in the way, and suddenly you realize you missed a deadline. By keeping the window wide open, everyone gets a fair shot to cast their vote, even if they couldn't jump in right away.
Raymond Walker5 Raymond Walker5 Active MemberOP
79 messages
joined Jul 2017
#74 ·
Michael Hughes said:Have you actually managed to watch at least a third of the films listed in the survey that he scored?
The reason I ask is because I’ve been fruitlessly hunting down certain titles like *G Force* and *Farewell Moscow* for quite some time now without any luck.


Not even close! I’ve seen all of the Leone classics, and I believe I’ve caught pretty much every American production he worked on. I remember watching that one Italian piece, *Il Cuore Nel Pozzo*, back in the day—it was pure right-wing propaganda if I recall correctly. I used to catch series like *The Octopus*, *The Secret of Sarah*, and I think even *Marco Polo* when I was much younger, though that feels like a lifetime ago... definitely a different era.
I also remember *Le Professionnel* being aired on TV several times, so I sat through that one too. Same goes for *Malena* and *Bagdad Café*. There’s probably more out there, but there are just so many obscure Italian films and various series that likely never even made it to the airwaves here in the States.
Raymond Walker5 Raymond Walker5 Active MemberOP
79 messages
joined Jul 2017
#75 ·
I’ve decided to go ahead and open up "Volume 2," mostly because a few folks on the boards requested it, but really just because I felt like it myself. To be clear, this isn't meant to replace the official poll coming out next week; rather, it’s a little extra something for those of us who just want to spend more time basking in his incredible discography.

Just like our first round, we have 50 tracks listed here and you're welcome to cast up to 20 votes.

Anguish and Pursuit
La Resa Dei Conti
The Meeting with the Daughter
The Disguise
Father Ramirez
The Story of a Soldier
Navajo Joe
Misterioso E Ostinato
The Rover
Death Rides a Horse
Guns for San Sebastian
Morton (extended version)
Tepepa
Harry's Ranch - Main Theme
Abolicao
The Great Silence
Barbara E Tagliente
Ouverture del Mattino
Alla Luce Del Giorno
Muerte Donde Vas
Sacco and Vanzetti
Forza G
Without Apparent Motive
La Lucertola
For Love One Can Die
La Cosa Buffa
Forse Basta
Questa Pazza, Pazza Corsa
Orca
Regan's Theme
Addio a Palermo
Laringomania
Il Prato
Mia Cara Nonnina
Pour Barbara
Marco Polo
Hundra's Love Theme
Eternity
Poverty
Mille Echi
Red Sonja
Baci Dopo Il Tramonto
The Mission Theme (remix)
The Strength of Righteous
Four Friends
The Beginning of the Case
On the Riverbank
The Abandoned Houses
Moving South
The Limping Man
Raymond Walker5 Raymond Walker5 Active MemberOP
79 messages
joined Jul 2017
#76 ·
I’m actually quite pleased that this selection features some lesser-known gems this time around. It encourages people who truly care about the craft to really sit down and listen, rather than just reflexively voting for the two most obvious blockbusters.
It feels less like a "greatest hits" commercial list and more like a curated collection for true Ennio aficionados.
Narrowing this down was honestly much harder than the first list. With the first one, I went in knowing I had to slash almost everything, but this time? It was brutal. Trying to cut out so many incredible pieces just to make room for the absolute cream of the crop—while still maintaining a decent variety—was a struggle. In the end, though, I found myself gravitating back toward more traditional cinematic scores, mostly because if I included the more experimental stuff, the volume would have been completely unmanageable.

I could have easily cast my vote for any of these, but I ultimately settled on the twenty tracks that resonate most deeply with me right now.
I have to highlight "Guns for San Sebastian"—there’s a moment around the 1:45 mark where one of the most gorgeous melodies I've ever heard kicks in, featuring that stunning Edda Del Orso.
Then there's "Ouverture Del Mattino," which is such a bright, playful little masterpiece.

This is the kind of music you don't just play in the background while doing chores; it's music you truly listen to. It’s layered, it’s challenging, and it is simply beautiful.
vivideagle7 vivideagle7 Active Member
135 messages
joined Oct 2014
#77 ·
Nice, Enni’s got a new poll going 👍 I’m definitely going to check out those few artists I don't recognize yet, while also taking a trip down memory lane with the classics I already love. Honestly, I can already see myself casting at least ten solid votes.
Raymond Walker5 Raymond Walker5 Active MemberOP
79 messages
joined Jul 2017
#78 ·
I’ve had this one specific melody stuck in the back of my mind for probably thirty years now—it was that unmistakable musical theme from *Ben-Hur* that always seemed to swell whenever there was a mention or an appearance of Jesus. Fast forward quite a few years, and I remember hearing the theme from "Guns for San Sebastian" for the first time. For some reason, it immediately triggered this deep, religious association in my head. It took me a while to connect the dots, but I eventually realized it was nudging my memory toward that old *Ben-Hur* score. I finally decided to track down the actual piece, and it turns out it's this beautiful work by the composer Miklós Rózse:
Raymond Walker5 Raymond Walker5 Active MemberOP
79 messages
joined Jul 2017
#79 ·
What Ennio crafted for *Once Upon a Time in the West* is truly a singular masterpiece. In my eyes, his score was perhaps the only element that subtly suggested Morton wasn't purely a villainous force.

The Cheyenne theme felt a bit like something out of a classic Western comic strip—that laid-back, cool whistling style Morricone used perfectly captured the very essence of that character.

On the other hand, I’ve always loved how Frank and Harmonica shared a certain thematic DNA, given their fated connection. That specific motif was quite haunting; it signaled right away that there was a dark, underlying history at play that we wouldn't fully grasp until the final act. Bronson had that chilling harmonica melody which would almost seamlessly bleed into Frank’s theme, often carried by an electric guitar; in some versions using different instruments, they really felt like two sides of the same coin. For me, the main orchestral and choral swell of that piece might actually be the most powerful moment in Ennio's entire discography. It provided such a perfect climax to the narrative.

Then there is Jill, with her stunning theme that simultaneously defines her character while offering a window into the sweeping grandeur of the American frontier and its breathtaking landscapes.

But honestly, the greatest miracle might be what he did with the least famous track—the one composed for Morton. At first glance, he’s just the antagonist who hires hitmen to clean up his mess. But Morricone approached him through the lens of his dreams—the longing to finally reach the Pacific Ocean and settle there for good. You can see it in the way he gazes out the train window, but those nuances wouldn't have landed nearly as hard if Morricone hadn't painted a portrait of his pathetic soul. He essentially gave the man a heart, showing us that he isn't a monster, just a man driven by ambitions that led him to make terrible, misguided choices. Ennio found the humanity in him and shared it with the audience, and that is just one of the many reasons why Ennio remains the absolute GOAT of film scoring.

By the way, Morton was played by Gabriele Ferzetti, who is actually the sole survivor of the main male cast from that film. He's 90 years old now.

It is also incredibly grim to note that at least two actors from this film later took their own lives. One even happened during production. Al Mulock, appearing as a cowboy, jumped from a hotel window while they were still filming. He’s the character you see right at the start:
https://en.wikipedia.org/wiki/Al_Mulock
Then, about three years later, Wolff ended his life in a hotel:
https://en.wikipedia.org/wiki/Frank_Wolff_%28actor%29
vivideagle7 vivideagle7 Active Member
135 messages
joined Oct 2014
#80 ·
Raymond Walker5 said:The score Ennio put together for Once Upon a Time in the Wild West is really something else—a true masterpiece. Honestly, looking back, his music was probably the only thing in that movie that made you feel like the main villain, Morton, wasn't actually a total monster.

I felt pretty bad when he passed away.

Man, there are so many great entries on this list... I'm not ready to cast my vote just yet. For the ones I haven't heard before, I think I need to sit with them, listen a few more times, let them really sink in.

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