rapidmason22
Newcomer
8 messages
joined May 2017
I can totally relate to the guy in the fourth story; I've dealt with similar spider scares myself. Granted, I didn't neglect a kid (don't have one), lose my wife, or get fired over it, but it definitely frayed my nerves—much like how my budget for buying a place in Tuscany took a hit recently. I actually ended up getting into an argument with my girlfriend over the sheer greed of those types of people.
I'm curious how you all interpret this movie, but to me, it provides a very clear visualization—even with so many characters passing through—of a single person (the viewer) facing their own alter ego in various situations. Aside from the first story, which is shockingly lucid given when it was filmed (thinking about that recent tragedy), it’s clearly an escapist fantasy centered on morbid revenge.
Throughout the entire film, the director presents us with two (sometimes three or four) different options to choose from in every single story; essentially, the whole movie represents one single personality. For instance, in the second story, we could be the aggressor, the victim, that crazy old woman, or even the collateral damage like the aggressor's son. The film gives us clarity on who we *don't* want to be, while simultaneously warning us about the kind of psychopaths we inevitably run into in real life. Try merging all those characters into one person who just stands there contemplating the consequences of certain actions—which is exactly what the screenwriter/director is doing (one person). Then there's the sixth story, the wedding, which shows exaggerated reactions while portraying an impulsive mistake we might have all made, even though it vividly illustrates how such a thing could actually happen. This film tackles morality and the human psyche at an incredibly high level. I’d go so far as to say no other film explores the human mind quite like this. I'd love to pour out my full analysis to you, but honestly, I'm feeling a bit lazy. All in all, it's a brilliant film.