#21 ·
Deckard, those previous versions worked because they actually respected the comic—everything from the atmosphere to the characters and the mythology...
As for this reboot, it looks like the studio finally killed the movie by trying too hard to cater to today's generation. Hellboy is pretty bad; he comes across like a giant red toddler bickering with his dad, plus he lacks any real sense of being a monster hunter.
The Resident Evil vibes are the best part of the film, but the point is lost. They crammed way too many characters and subplots into a two-hour runtime. And I highly doubt this ghost fighter or Ananga ever showed up in the comics.
There's some political correctness at play, visible through decent acting that feels thrown in just for the sake of having it. That pig character, who barely gets five or six panels in the comic, didn't work for me at all.
The scene from the comic involving the baby is pure tragicomedy.
The only redeeming quality is the level of violence—brutal stuff in the style of the anime Devilman, where people are ripped in half quite explicitly. The action is solid. The old hag is the only interesting villain. Everything else suffers from cheap humor, poor dialogue, and a weak ending. I’ll have to read up on the Hellboy origin story, but I suspect it's just more of their nonsense...
I wish it had been at least fun, like Hansel and Gretel, but mostly I just felt indifferent toward the film. It’s a shame; it had potential. They even left the door open for a sequel.
I’m putting this in the same category as the new Predator: I’m going to pretend these movies don't exist.
As for this reboot, it looks like the studio finally killed the movie by trying too hard to cater to today's generation. Hellboy is pretty bad; he comes across like a giant red toddler bickering with his dad, plus he lacks any real sense of being a monster hunter.
The Resident Evil vibes are the best part of the film, but the point is lost. They crammed way too many characters and subplots into a two-hour runtime. And I highly doubt this ghost fighter or Ananga ever showed up in the comics.
There's some political correctness at play, visible through decent acting that feels thrown in just for the sake of having it. That pig character, who barely gets five or six panels in the comic, didn't work for me at all.
The scene from the comic involving the baby is pure tragicomedy.
The only redeeming quality is the level of violence—brutal stuff in the style of the anime Devilman, where people are ripped in half quite explicitly. The action is solid. The old hag is the only interesting villain. Everything else suffers from cheap humor, poor dialogue, and a weak ending. I’ll have to read up on the Hellboy origin story, but I suspect it's just more of their nonsense...
I wish it had been at least fun, like Hansel and Gretel, but mostly I just felt indifferent toward the film. It’s a shame; it had potential. They even left the door open for a sequel.
I’m putting this in the same category as the new Predator: I’m going to pretend these movies don't exist.