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Jean-Michel Jarre @ Madison Square Garden, 10/11/2011

Started by Morgan Campbell22 · · 👁 6 views · 41 replies

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Participants Morgan Campbell22Samuel Morgan40Gregory Harris8Sean SandersJoseph Ward3Casey Hayes2Karen Smith9Charles Ross3Paul Davis51Rachel Collins3silentfalcon3nimblegull23Benjamin Castillo34mellowseal1steelrider16Olivia Kim66Jose Reyes88Jason Adams69Sandra Chavez7Rebecca Castillo4Ashley Grant66Linda Anderson7George Robinson43
Morgan Campbell22 Morgan Campbell22 NewcomerOP
4 messages
joined Jul 2011
#1 ·
Jean-Michel Jarre is finally hitting the States!

The pioneer of electronic music and one of the most massive contemporary composers ever is set to make his big American debut on October 11th at Madison Square Garden.

Tickets go on sale this Friday, June 17th, through Ticketmaster, but you better move fast because there are only 8,000 tickets available since it’s an all-seated show.

Here is how the ticket tiers break down:
VIP floor: $117
Center floor: $100
Floor: $83
Stands: $93
Box seats: $200

Jean-Michel Jarre is bringing this show to America as part of his massive "World tour 2011." This guy is a legend—he’s moved over 80 million albums worldwide, starting with that absolute game-changer, "Oxygene," back in 1976, which alone sold about 12 million copies.
Samuel Morgan40 Samuel Morgan40 Active Member
178 messages
joined Mar 2010
#2 ·
Man 👋, I missed Jean-Michel Jarre when he played in New York a few years back—maybe two or three, I guess—so I really shouldn't even be considering this unless I declare bankruptcy in the meantime 😛.
Gregory Harris8 Gregory Harris8 Newcomer
6 messages
joined Sep 2007
#3 ·
I really hope Madison Square Garden finally gets some use after sitting idle for so long... although, while I’d much rather see a different lineup of electronic legends, having Jean-Michel Jarre show up is definitely a win. It’s just a bit of a bummer that tickets are going on sale so soon when money is tight lately, especially since they might sell out before anyone can grab them... this could easily end up being the second greatest show ever held at the arena, right up there with Depeche Mode.
Sean Sanders Sean Sanders Member
43 messages
joined Aug 2011
#4 ·
I caught his show back in 2008 at the Tivoli, and man, it was incredible. He played through the entire old Oxygene album using all that classic analog gear from the era. I heard a rumor he’s playing material from Oxygene 7-13 now, though... who knows what the setlist will actually look like.
Joseph Ward3 Joseph Ward3 Newcomer
1 message
joined Jun 2011
#5 ·
I'm heading out. I can hardly wait!
Now if only Mike Oldfield would show up...🙂
Casey Hayes2 Casey Hayes2 Newcomer
1 message
joined Oct 2011
#6 ·
Jean-Michel Jarre!!! 🙂 🎉 🙂 🙂
Karen Smith9 Karen Smith9 Active Member
183 messages
joined Apr 2013
#7 ·
Jarre was absolutely incredible during those first four or five albums—truly top-tier stuff. After that, though? It just turned into a massive technological circus... basically just sterile, overproduced tracks aimed at the masses.
Sean Sanders Sean Sanders Member
43 messages
joined Aug 2011
#8 ·
I headed out today to grab tickets since they just went on sale this morning. For the floor section right next to $83, over 100 tickets have already vanished... At this rate, they’ll be completely sold out before we know it.
Gregory Harris8 Gregory Harris8 Newcomer
6 messages
joined Sep 2007
#9 ·
It’s probably just because they're the cheapest tickets available... I honestly feel like it doesn't even matter where you sit for a show like this since he'll be so preoccupied behind his synthesizers anyway (unless he decides to pull out the laser harp)... I'm guessing the acoustics will be at their best somewhere in the middle, so I think I'll just aim for a spot in the center of the floor.
Charles Ross3 Charles Ross3 Active Member
84 messages
joined Jun 2024
#10 ·
Just got back from the concert.

The man is truly in a league of his own; honestly, it was absolutely incredible.

🙂
Paul Davis51 Paul Davis51 Member
36 messages
joined Nov 2006
#11 ·
The translator was absolutely terrible, and after everyone started booing him, he just shut down and stopped talking. 😁

But Jean-Michel Jarre? He absolutely crushed it—truly a one-of-a-kind audiovisual spectacle. 🙏
Rachel Collins3 Rachel Collins3 Newcomer
3 messages
joined Jul 2005
#12 ·
Jaooo, that was incredible! If he ever decides to play in the States again, I am absolutely going. He is truly one of a kind; the sheer amount of energy and passion he brings to the stage—especially being in his 60s—is nothing short of remarkable. A true artist.
silentfalcon3 silentfalcon3 Active Member
66 messages
joined May 2017
#13 ·
Joseph Ward3 said:I'll be there. I can hardly wait!
If only Mike Oldfield would show up too....🙂

You might just be talking yourself into a miracle!
🙏🙂
nimblegull23 nimblegull23 Member
16 messages
joined Oct 2006
#14 ·
Man, for a guy with "that many" years on him, he jumps around like he’s on springs.

It was killer—the whole show was top-tier. I spent countless nights coding and learning stuff while blasting his hits, so I just had to see it live. 👍

Though, I really don't get why some people act like total jerks and boo the translator. What a joke.

On a side note, since I'm an engineer, I'm curious about the technical setup. Was all that massive analog gear actually being played live, or was it just a highly choreographed playback show? Just wondering. 😬
Benjamin Castillo34 Benjamin Castillo34 Newcomer
1 message
joined Oct 2011
#15 ·
[MuzikaHR]
Has an instrument ever died on you mid-set? Like maybe that first VCS3 synth you’re still lugging around to shows?

[JMJ]
It's a massive gamble for this tour since I'm actually bringing those vintage pieces out. It puts a lot of pressure on the road crew, too. So far, fingers crossed, everything's been smooth sailing. But accidents happen, and honestly? People dig it. Unlike those sterile shows where everything goes perfectly to plan, a little glitch creates this raw tension between the band members. If the crowd catches on, they love it—it proves you aren't faking anything. You're out there taking risks on stage.

nimblegull23 said:Man, for someone his age, he jumps around like he’s on pure adrenaline.

The whole show was incredible. I spent countless nights programming and learning his hits, so I just had to go see it live. 👍

Though I don't get why we act like such jerks and boo the translator?!

Anyway, looking at it from the technical side (engineer brain kicking in here), was all that heavy analog gear actually being played live, or was it just a highly choreographed show running off a sequence or something? : suspicious look : : Ilia Čvorović: 😬
Charles Ross3 Charles Ross3 Active Member
84 messages
joined Jun 2024
#16 ·
nimblegull23 said:I mean, honestly, for a guy who’s seen as many years as he has, you have to admit there's something almost supernatural about how he jumps around like he's been wound up like a clockwork toy, don't you think?

It was absolutely incredible—just a complete, breathtaking spectacle from start to finish. You know, I’ve spent countless late nights hunched over my desk, learning and programming away with his greatest hits playing in the background, so when the chance came up, I knew I simply had to be there to see it live. How could I possibly pass that up? 👍

I honestly can't wrap my head around why we act like such a bunch of lowlifes sometimes, you know? Like, seriously, what goes through our minds when we decide to sit there and boo the translator? Why do we feel the need to be so incredibly disrespectful toward someone who is just doing their job?

I can't help but wonder about the technical side of things—you know how I am, I can't help looking at everything through an engineer's lens. Was all that massive, heavy analog gear actually being played live, or was the whole thing just a highly choreographed spectacle running off a sequencer or some pre-programmed matrix? Is there any truth to the suspicion that it was all just a polished show rather than raw, real-time performance? 😬

Is there anything quite like the electric anticipation that builds right before a legendary artist takes the stage? I was just reading this fascinating piece about Jean-Michel Jarre and his upcoming performance, and it really got me thinking about how much the landscape of electronic music has shifted since those early days. It’s one thing to listen to an album on your headphones, but it’s an entirely different beast to experience the sheer scale of a production like his live in a massive venue like Madison Square Garden. The article dives deep into the technical wizardry involved, which honestly sounds both intimidating and absolutely breathtaking. Can you imagine the level of precision required to sync those massive visual elements with the pulsing rhythm of the synthesizers? They mention his use of specific gear—like the VCS3—and it makes you wonder if modern digital setups can ever truly capture that raw, analog soul that defined the pioneers of the genre. It’s almost poetic, isn't it? How these machines, once considered cutting-edge tools of the future, have become the very heartbeat of musical history. I found myself reflecting on how much we owe to these visionaries who weren't afraid to experiment with soundscapes that most people at the time couldn't even wrap their heads around. Whether it's the legacy of the Oxygene era or the way he pushes the boundaries of what a live concert can actually be, Jarre continues to prove that electronic music isn't just about beats; it's about creating entire worlds through sound. Does anyone else feel that sense of awe when they think about the sheer ambition behind these kinds of shows? It feels like we're witnessing more than just a concert; we're watching a masterclass in sonic architecture.

"He could have easily just loaded every single track he ever wrote onto a MacBook or spun them on two turntables, but Jean-Michel Jarre, being the true pioneer of electronic music that he is, probably understands that doing so would feel like a total sham. He didn't fly all the way to the States just to let a computer do the heavy lifting for him, nor did he show up to perform some mediocre DJ set like so many of the younger, much less talented figures dominating today's electronic scene. Instead, alongside three fellow musicians, he delivered a truly spellbinding performance, bringing to life an incredible array of about seventy analog synthesizers, keyboards, drum machines, electronic drums, and even a Theremin. In a way, the concert by the Jarres felt a bit intimate, wasn't it? Even though there were only about 5,000 people in attendance, I found the whole experience to be incredibly beautiful and truly purposeful. Can we take a moment to appreciate the sheer depth of the lessons we can learn from the evolution of electronic music? It’s more than just synthesizers and drum machines; it’s a masterclass in how technology and human creativity dance together to redefine what we consider "sound." When you look back at the pioneers who were first tinkering with analog gear, wasn't it fascinating how they turned cold, mathematical signals into something that could actually make us feel something deep in our souls? It makes you wonder, if those early innovators had access to the processing power we carry around in our pockets today, where would the genre have gone by now? There is such a profound connection between the hardware limitations of the past and the limitless sonic landscapes we explore today, and honestly, isn't that the most beautiful part of the whole journey? It feels like such a profound journey back to her golden era—that specific, magical window of time when we were all collectively immersed in that kind of groundbreaking electronic music, wasn't it? It was just so brilliantly composed, wasn't it? And what really struck me was seeing actual, world-class musicians bringing those pieces to life on stage."They were dreaming of a brighter future—one that, unfortunately, we just didn't get to see." — Aleksandar Dragaš

👍

That’s exactly how it’s done—bravo, you absolute legend!

I mean, seriously, he’s 63 years old—born back in '48, right?—and honestly, you have to hand it to him. The guy is jumping around like he’s been plugged into a socket! You can just feel that pure enthusiasm and positivity radiating off him, can't you? 😁 👍 🙏

It was truly a beautiful experience, wasn't it? Though, I have to say, our crowd felt a little bit lifeless at times. It seemed like most people were more interested in just sitting there and quietly observing rather than actually jumping around or showing a bit of genuine energy and enthusiasm—though, honestly, who can blame them? They probably save all that jumping for when they're listening to classic country hits or old-school folk music at home!

Man, I danced my heart out and jumped around so much that I’m finally back home now, just absolutely buzzing with all this incredible positive energy! 😁
Man, that guy totally electrified me—and I wasn't even on anything to make it happen! 😬

If only tonight were happening all over again, I’d be right back there in an instant! 😍 😛
mellowseal1 mellowseal1 Member
36 messages
joined May 2023
#17 ·
Maybe the seating arrangement wasn't even the right call... honestly, it felt a bit off to me...
And I have to admit, seeing those half-empty stands in the back felt a little awkward. It probably would've been better in a more intimate venue. Even if all 8,000 tickets had sold out, it might've still felt a bit sterile... luckily the crowd pushed their way up to the front later on.

As for the show itself, it was fantastic—just pure vibes. And look, as a musician, there’s really no point in overanalyzing his talent; everyone already knows the deal. Plus, the set ran longer than two hours, which is pretty rare for big stars these days... that says everything you need to know.

Translator 🤦
Sean Sanders Sean Sanders Member
43 messages
joined Aug 2011
#18 ·
It was a solid show. My only impression was that the crowd didn't seem to consist mostly of die-hard Jarre fans, if I caught that correctly. Also, the setlist leaned heavily toward the louder tracks; there were only about three pieces that felt truly profound. Personally, I gravitate toward his more serious, atmospheric work—those relaxing compositions—rather than these high-energy dance numbers. To me, the upbeat stuff feels a bit geared toward the casual masses, which isn't bad, but it’s just not my preferred style. Having seen him before, I feel he could have pushed even further by playing what he does best: those deep, meditative tracks. I suspect half the audience might have headed home early if he had played them, simply because they wouldn't have "gotten" it. It seems he opted for a more commercial setlist this time around. Ultimately, he can do better and go deeper. Reading the concert review on Teletext, one point really hit home: everything here in the States seems to be running twenty or thirty years behind. Regardless of what anyone says, Jarre is gradually entering his twilight years. Just imagine if he had toured during his absolute peak in the late 70s or 80s! The atmosphere would have been 100% different. But all in all, it was a good experience.
steelrider16 steelrider16 Member
13 messages
joined Jan 2009
#19 ·
What time did it all kick off?

I actually only caught wind of the concert yesterday morning while listening to NPR at 7 AM 😢; otherwise, I might have been able to pull something together... but as it stands, I won't be back in town for another five years when he makes his next tour stop. 🙂
Charles Ross3 Charles Ross3 Active Member
84 messages
joined Jun 2024
#20 ·
Sean Sanders said:Jean-Michel Jarre is slowly but surely on his way down, no matter what anyone claims, and just imagine if he had shown up back in the late 70s or during the 80s when he was actually at his peak? The atmosphere at that concert would have been 100 percent different. But all in all, it was a good show.

I honestly can't wrap my head around why anyone would say Jean-Michel Jarre is on his decline 😕. I mean, I get what people mean by "on the decline"—like if some aging rock star was facing health issues, or maybe if a pop star like Taylor Swift were to lose her edge in twenty years or something... that’s how I interpret the term.

But personally, I don't think Jean-Michel Jarre will be on his decline even when he's gone, let alone right now while he's still pretty much alive. Jean-Michel Jarre is just Jean-Michel Jarre, plain and simple.

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