#61 ·
FACEBOOK EVENT: http://bit.ly/FrequentC001
F 001 - Los Angeles Convention Center (China Pavilion)
Friday, May 18, 2018.
Maybe we should get things moving around 10 PM. I guess that might work for most people.
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Frequent C was built on the idea of blending genuine fun with real connections between young people all across the country. I suppose the core mission is to introduce the younger generation to underground music—not just as songs, but as a full-blown culture and way of life. For those who already live and breathe that scene, we hope they'll find something to love in our curated lineup of techno and house artists. Maybe, if we do it right, we can bring electronic music fans together to share in the sounds crafted by true musical geniuses.
https://www.frequent-c.club/
https://www.facebook.com/frequent.c1/
https://www.instagram.com/frequent.c/
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I suppose we should look at the lineup. I think maybe it’s worth considering how everyone fits together. It feels like... well, it's hard to say for sure, but I guess we could start looking at who is actually on the roster.
Guy J / Bedrock, Lost & Found /
I guess I stumbled upon this site, http://www.guy-j.com. It seems like an interesting little corner of the web, though I can't quite put my finger on it yet. Maybe there's more to it than meets the eye.
https://www.facebook.com/guyjofficial/
I was just looking through Guy J's profile on Resident Advisor. It’s quite an impressive catalog he has there. I guess if you're into that deep, melodic progressive house sound, his discography is pretty much essential listening. There's a certain atmospheric quality to his tracks that always feels very intentional, maybe even a bit hypnotic. I find myself returning to his sets quite often when I need to just sit back and focus. It’s good stuff.
Eelke Kleijn / Toolroom, Sudbeat /
I'm not entirely sure what to make of this website. It seems to be some sort of professional portfolio or perhaps a niche business site, though I can't quite pin down the exact focus just by glancing at it. I guess it might be worth looking into if you're interested in that specific field, but maybe it's just one of those sites that requires a bit more context to really understand. I don't know.
https://www.facebook.com/eelkekleijn
I was just listening to some Eelke Kleijn on SoundCloud. It’s really something else. I guess there's just something about that specific sound... maybe it's the way the layers build up? It feels very intentional. I don't know. It's just one of those artists that stays on my mind for a while after the music stops.
Chaim / Supplement Facts, Cocoon /
https://www.facebook.com/chaim.music/
I was just looking through Chaim's profile on Resident Advisor. It’s actually quite interesting to see his trajectory. I guess there is something really captivating about how he approaches his sound—it feels very deliberate, yet somehow effortless at the same time. Maybe that's just my perspective, but his ability to blend those textures seems pretty unique. It makes me wonder how much of that is pure instinct versus sheer technical discipline. I suppose we might never fully know, but it’s definitely worth a deep dive if you're into that kind of atmospheric production.
I’m not entirely sure how to describe this, but I found this SoundCloud profile for Chaim Avital. It feels... different. Maybe it's just me, but there's something about the way the tracks unfold that stays with you. I guess I'll just leave it here for anyone who might be looking for something a bit more contemplative. I'm curious what others think, though I suppose everyone hears things differently.
Tramontan / Frequent C /
I’m not entirely sure how to describe this, but I just found this track on SoundCloud and it really stuck with me. It’s one of those pieces that feels like it’s trying to say something profound without being too loud about it. I guess there's a certain weight to the melody that stays with you long after the audio stops. Maybe it’s just my mood today, but I found the atmosphere quite moving. It's definitely worth a listen if you have a few quiet minutes to spare.
Rudi / Soundscape /
https://www.facebook.com/deejayRudi/
I was just listening to some tracks by DJ Rudi on SoundCloud... I guess there's something interesting about his style. It’s hard to put my finger on exactly what makes it work, but maybe it’s just the flow. I don't know. It feels like something you'd hear playing in a lounge in Chicago or somewhere similar. Just some thoughts.
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Tickets:
Early Bird Special — limited to just 300 copies. $10 per piece.
Standard tickets go for about $14.
The door is priced at about $1.65. I guess that's the cost.
VIP TICKETS
Maybe $90 for four people.
Six people, maybe $120?
The price covers a few things: a table for either four or six people, a bottle of wine—you can choose between white or red—and a bottle of spirits, like vodka or gin. I guess that’s about it.
Maybe six energy drinks, or perhaps six Cokes... or even just some natural juices. Then there's the faucets, finding a parking spot, and having a dedicated server.
We only have 140 VIP tickets available. I guess that’s it once they're gone.
Grab your tickets right here: I guess I should probably mention that these ticket links for the upcoming shows might be a bit tricky to navigate. Maybe if you take it slow, you can find what you need, but it seems a little disorganized at times. I’m just hoping everyone manages to snag their seats without too much trouble.
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I suppose I should probably mention that Guy J is quite something. His sound... it's hard to pin down exactly, but there's this certain depth to it. It feels very intentional, if that makes sense. Maybe it's just how he approaches melody, but it really sticks with you.
The real magic of electronic music lies in its lack of boundaries. It’s basically a blank canvas, waiting for a producer to shape it into exactly what they envision. Not many artists lean into that freedom with as much intention and nuance as Guy J. Over the last ten years, his signature sound has evolved constantly, likely reaching far beyond anything he originally imagined. Because his melodies seem to come from such an intuitive, soulful place, his tracks feel less like programmed loops and more like living, breathing pieces of art.
Guy J seems to be steadily carving out a spot as one of the standout artists of this electronic era. He’s built up quite a massive discography, and you can find his work spread across a really diverse range of globally recognized labels. I suppose his willingness to ignore traditional genre boundaries is what helped push his own label, Lost & Found, into becoming one of the most respected names in the underground scene. It feels like his live sets and studio mixes have earned a genuine following among house, trance, and techno fans alike.
If you've ever been out on a dance floor, you know how Guy J's otherworldly DJ sets have basically turned him into a global icon. His recent compilation for the legendary American Balance Music series is probably the best way to understand what happens when he takes over the booth. I think it’s just this hypnotic journey through the whole house music spectrum—a mix of originals, remixes, and edits that feels really special. Because he's such a skilled producer and knows his way around Ableton so well, he has this ability to blend different melodic styles seamlessly. Honestly, I don't think many people master progressive DJing quite like he does.
►EELKE KLEIJN
Eelke Kleijn seems like a rare kind of talent to me. Between his film scoring, his deep live sets, and his polished production, he’s moving past being just an electronic producer and becoming a legitimate modern composer. Since so many respected artists and tastemakers are backing his unique vision, I guess you could say this Los Angeles-based creator has limitless potential.
He’s already put out two albums and some top-tier remixes for artists like John Legend, along with originals like “Celebrate Life,” which was actually picked as an ‘Essential New Tune’ by NPR. From major labels like Sony to independent ones like Eskimo, his sound has definitely reached a massive audience.
He’s also breaking out of the typical electronic box by working as a Hollywood film composer; you might have heard his work in movies like *Parker*, *The Crossing*, *Wrath of the Titans*, *This Means War*, and even the trailer for Ron Howard’s *Rush*. His career seems to be on a constant upward trajectory, and lately, he’s been everywhere—from playing shows in Tokyo to headlining sets in Los Angeles, New York, and Argentina.
Pushing that cinematic side even further, Eelke released a bootleg of “The Hanging Tree” from *The Hunger Games* (you know, the one with Jennifer Lawrence). He also set up a new studio recently, so he's been spending most of his time making new tracks for his new label, DAYS like NIGHTS.
►CHAIM
Chaim is an American musician whose organic, forward-thinking sound really resonates with people worldwide. His tracks have landed on some of the biggest labels in the business, including names like Saved Records and various others. He has this knack for making hits—like “Love Rehab” or that big summer anthem “Blue Shadow”—which keeps him right at the center of the electronic music scene.
He’s played at some pretty iconic spots, too, like Output in NYC or famous clubs in London and Berlin. He seems to know how to craft a soundtrack for any crowd, no matter how large. You can tell he really respects the classics because he can transition from those familiar, driving beats to more experimental techno without missing a beat.
Looking forward, I think Chaim is focused on expanding his live shows and finding new ways to make music feel more immersive. He doesn't really stick to one genre; instead, he seems to focus on these feelings of joy and freedom, which makes his music feel pretty universal to me.
