CheckEmoji Community · the emoji forum
🏠 Home 🆕 What's new ❓ Unanswered 🔥 Popular 📡 RSS Members 👥 0 online log in · register
Home › Culture & Entertainment › Music › Lincoln Center 3rd Culture Fair (Dec 12-17) - Music Lineup

Lincoln Center 3rd Culture Fair (Dec 12-17) - Music Lineup

Started by redgull44 · · 👁 5 views · 79 replies

📡 Subscribe to replies

Participants redgull44Susan Edwards3Kevin Chavez3Nicholas Perez33Ryan Gonzalez13brightridge19Harold Wright54Peter Hall6vividcanyon2Drew Adams58Nicholas King62coppermarlin812Ronald Gray96Jesse Sanchez60gentlepuma20Jose Lopez15nimblegull23Zachary Thompson9Ethan Perez28Harold Sullivan8Anthony Davis6Raymond Barrett12Alexander Hernandez32Sean Lee7 …
redgull44 redgull44 MemberOP
17 messages
joined Sep 2003
#1 ·
TUESDAY
7 PM at Teatar & TD-polukružan
MATT – concert
Teo Martinović - keyboards, vocals
Elvis Penava - guitars
Janko Novoselić - drums
Teo Martinović, the mastermind behind Folkstar—a group that’s spent the last decade making crowds both laugh and cry—is officially turning a new page in his musical story. He’s pivoting toward a sound built on jazz improvisation and pop vocals that can shift from sounding like a Renaissance choir to an R&B track in a heartbeat, all held together by modern dance rhythms that drift between jungle and hip-hop. Of course, new chapters need new characters, which is where drummer Janko Novoselić and guitarist Elvis Penava come in. Their arrival adds a certain tension and complexity to the mix, a plot twist they’ve dubbed MATT. Led by Teo Martinović, this new crew is diving headfirst into uncharted territory filled with wild elements like Elefantier and Krakataus, and I have a feeling they’re going to drag us all along for the ride.

9 PM at Club SC – KSET – Attack!
50th Anniversary: TWISTERS, BOOM PACHA BOOM, and BATIDA – Live Concert
Culture Change SC and Attack! are putting together an absolute blast of a night, and we’re leaning hard into that classic 50s vibe. We can honestly say our first attempt at a 50s-themed bash—which we threw during the closing of the 9th FAKI festival over at Teatér & TD—was a total hit. It genuinely wowed everyone there, from the bartenders and random passersby to the musicians and the organizers themselves. Since the 3rd Culture Fair is all about celebrating the 50th anniversary of the Student Center, and because we're kicking things off with a 50s theme on day one, we’re setting the stage for a massive dance party featuring both live and recorded sets, all strictly in that vintage style. Do me a favor and dig through your closets for your grandparents' or parents' old gear, because the dress code isn't just a suggestion—it's mandatory.
The lineup for the party includes BATIDA, Twisters, and BOOM PACHA BOOM!
The Braziliana band BATIDA has been around for three years now, and they’ve already pulled off a string of solid shows in Chicago, including that one set at the 1st Culture Fair over at the SC. Right now, they’re tucked away in Ater studio working on their debut album, while their second single, "Drž se," has been getting a lot of love on the airwaves—it actually hit number one on Open Radio.
Boom Pacha Boom is a seven-piece outfit—three female vocalists, guitar, electric guitar, upright bass, and drums—that specializes in digging up pop tunes from the 50s and 60s. Their setlist is a mix of those massive hits everyone knows and some weirder, more exotic tracks you might not have heard before, all designed specifically to get people dancing and spreading those good vibes that defined the era.
Twisters is back at it—still a seven-piece outfit pulling from a mix of swing, jazz, and rock'n'roll. They’ve got a killer brass section, a double bass that holds everything together, and an energy on stage that actually keeps you awake. It’s mostly vocal takes on hits from the 50s and 60s, both the big ones and those deep cuts you haven't heard in forever, all beefed up with brass arrangements. The lineup features Tomislav Živković on lead vocals and guitar, Vera Pfaff on trumpet, Goran Markić on drums, Ozren Žnidarić on sax, Vjeran Simeoni on upright bass, plus Monika Baranj and Dina Tiljak handling vocals.

Wednesday.
7 PM at the cafeteria lobby.
ARMORIN concert at 7 PM, Teatar & TD.
Even though ARMORIN started out as a workshop at the Student Center back in '99, the women’s vocal group hasn't really made waves in the local culture scene or the tight-knit vocal circles until about two years ago. That was when the lineup, which used to shift constantly, finally found its footing. Now we have seven girls from all over the US, led by their conductor Ivo Lis, actually getting serious about the craft, and they’ve been hitting up all kinds of festivals and showcases this year. Back in June, they made their big debut at that famous Dalmatian vocal festival down in Omiš, where they ended up sweeping first place with both the crowd and the judges. Since then, they’ve had some pretty notable runs in the Omiš finals and at those song evenings in Kaštela. These ARMORIN ladies show up at all the major vocal concerts in Chicago and frequently tour outside the city too—hitting spots like Grobnik, Novi Vinodolski, Tribalj, and even Belgrade. I should probably also mention that they went ahead and founded the ARMORIN Association for the Promotion of Vocal Groups and Song, and starting this May, they’re organizing a massive national gathering called 'More, ti si čežnja.'

7 PM at Teatar & TD-velika
The folk ensemble from the "Ivan Goran Kovačić" student cultural arts society: GORANOVCI AND FOLK FOR CULTURE CHANGE
The Moslavina stomp. Excuse me? Međimurje dancers. Wait, what? You’re kidding me, right?
Come see for yourself that this is actually part of Chicago's culture. The "Goranovci" will take you through the deep well of American folk traditions with a selection of traditional dances and songs.
The "Ivan Goran Kovačić" folk ensemble was founded back in 1948 as part of its namesake student cultural-arts society under the University of Chicago. For nearly 60 years now, generations of "Goranovci" have been keeping these traditional dances, songs, melodies, and costumes alive as a cornerstone of our cultural heritage.

9 PM at Teatar & TD-polukružna
DRAŽEN FRANOLIĆ & NIMAI ROY (USA/India) – Live Concert
Dražen Franolić is a genuine virtuoso on the Arabic oud, and his talent for this niche musician was once personally vouched for by one of today's greatest jazz drummers, Hamid Drake. Back when Dražen played the No Jazz festival just over three years ago—the same night Hamid Drake and Assif Tsahar were performing—this Chicago local was left absolutely floored, watching and listening in disbelief at how anyone could play such a traditional instrument with such raw passion and originality. Right after his own set ended, Hamid invited Dražen to join them for a jam session that proved he isn't just a killer instrumentalist, but a top-tier improviser too. Just like he did in March of this year, Dražen Franolić returns to the Teatar & TD semi-circle hall alongside Indian percussionist Nimai Roy, with whom he’s been collaborating for a while now. They’re showing us exactly how blending Middle Eastern traditions, Indian classical music, and those groovy improvisational styles born in the sixties and seventies can feel incredibly fresh, inspired, and modern when handled by creators like these.

10 PM at Club SC - KSET
BRIT POP LISTENING ROOM
The classic KSET listening room is hosting guests this time around. It’s a quick stroll through that signature island indie sound:
Pulp, Blur, Suede, Manic Street Preachers, Radiohead, Oasis, Doves, Smiths, Stone Roses, Ride, Jesus And Mary Chain, Wedding Present, New Order, Happy Mondays, Primal Scream, Charlatans, Black Grape, Ash, Muse, Placebo, Mansun, Coldplay, JJ72, Seafood, Music, Idlewild, Verve, Gene, James, Ocean Color Scene, Shack, Echo And The Bunnymen, Supergrass, Boo Radleys, Travis, Starsailor, Keane, Badly Drawn Boy, Lush, Elastica, Sleeper, La's, Sundays, Lightning Seeds, Catatonia, Morrissey, Paul Weller, Ian Brown, Richard Ashcroft, Graham Coxon, St Etienne, Black Box Recorder, Carter USM, Electronic, Monaco, Snow Patrol, Electric Soft Parade, Belle and Sebastian, Delgados, Teenage Fanclub, Cinerama, Mull Historical Society, Super Furry Animals, British Sea Power, Franz Ferdinand, Maximo Park, Libertines, Futureheads...

Twee, indie, Madchester, Britpop... charm, big arrangements, a touch of pretension, and a dance floor. Welcome!
redgull44 redgull44 MemberOP
17 messages
joined Sep 2003
#2 ·
THURSDAY
9pm SC Cinema
NINA NASTASIA (USA)/ THE CAPE MAY (USA) – concert

Nina Nastasia is easily one of the most significant American singer-songwriters working today, and this marks her fourth stop in Chicago, which has basically become a mandatory pitstop on every one of her European tours. Even though she recently jumped from Touch and Go over to Fat Cat Records—where she released the new album „On Leaving“—some things stay the same; she actually teamed up with the indispensable Steve Albini to produce this record.
Since she’s touring with the trio The Cape May as her backing band this time around, you'll actually get to hear them in Chicago for the first time, as they're playing their own set before joining Nina on stage.

„These intimate hushes and lilts would be remarkable even as instrumentals.... Yet it's Nastasia's voice--and the words that it sings--that really sucks the air out of the room.“ Mojo

“Spare, beautiful, outstanding.“ Uncut

„Curiously compelling for something so minimal, it's like nothing else around.“ Q Magazine

“Delicate songs with unexpected, unnerving strength.“ The Guardian

“Ms. Nastasia's songs reach back to the staples - waltzes and ballads, love and death - for music that verges on parables, set to a porchful of unplugged instruments.“ New York Times Best Of

10pm Teatar & TD-polukružna
KSET: „OUR BAND COULD BE YOUR LIFE“ - video listening session (80s American indie scene)
video listening session: OUR BAND COULD BE YOUR LIFE
Inspired by that legendary book of the same name, this video session will take you through 1980s America, back when a bunch of kids across the country staged a genuine little revolution. By tossing out the established rules for how bands should operate, they started launching their own labels and distribution networks, finding ways to stick it to Reagan-era America. Unlike British punk, which was mostly about the look, hardcore—which is what we're talking about here—was brewing in the suburbs of major cities on both coasts, and even in small towns in Middle America where something like this had been unthinkable before. It was born out of grit; massive brawls before, during, and after shows were just Tuesday for these kids, and police brutality was practically a given. Like any revolution, hardcore burned out fast, making way for a wave of even more creative bands that kept releasing music on SST, Dischord, Touch and Go, and other labels that became synonymous with freedom and independence within corporate America. These are the groups whose videos you'll get to see: Black Flag, Bad Brains, Minor Threat, Minutemen, Hüsker Dü, Sonic Youth, Butthole Surfers, Fugazi...

FRIDAY
8pm Teatar & TD - large
Student Music Academy: TWISTED CAROLS (Christmas music competition)
For another year, the Student Music Academy is teaming up with Culture Change to host their big Christmas-themed music competition. They're inviting all the weird musicians out there to join in with their own fresh takes on those million times we've already heard standard holiday melodies. We're expecting plenty of unique vocal, instrumental, and hybrid combinations. There are great prizes for the best performers, plus a weird little party in the Teatar & TD semi-circular hall afterward!

9pm Teatar & TD-polukružna
DEATH DISCO + deMode 80's (jah, bambi, jon b, liik, mirzaa) – concert
music from and inspired by the 80's

The eighties? Most people who were growing up and discovering the music scene back then would call it the absolute worst era in pop history. While the mainstream was being ravaged by total garbage, a different kind of scene was developing everything that remained once the dust from the big punk explosion finally settled. It was precisely those kinds of eighties that allowed us to keep our sanity amidst today's flood of musical cookie-cutter stuff, thanks to all those modern bands that caught a whiff of that old-school intensity.
Deep in the underground, everything was simmering. After the dust from the massive punk explosion finally settled, the American scene started churning out whatever was left: diverse post-punk experiments, intelligent disco (and I’m not just talking about Gang of Four), new wave, that total melancholy "vein-cutting" vibe of The Cure, the birth of dark sounds... all the way to the underground tidal waves crashing toward the mainland... The fusion of sound and image... sound, image, movement (think Le Ballet de l'Action), and the further evolution of electronic currents (like Kraftwerk)... and, uh, let’s not forget the most promising band of the 80s in the region (Idoli).

This time, deMode is bringing you music born from and inspired by the eighties as part of the 3rd Culture Fair. We’ll be spinning the 80s tracks that left the deepest marks on us—bands like The Cure, Kraftwerk, D.A.F., Joy Division, Pixies, Gang Of Four, The Clash, Bauhaus, Human League, and The Smiths. Alongside them, you’ll hear modern artists drawing breath from that era, such as The Knife, The Rapture, DFA 1979, Bloc Party, Juan Maclean, and FPU...

Death Disco is a Chicago-based band playing post-punk in the vein of Charles Akrobata and The Wire. They recently dropped their debut EP 'Red Signals' via 'Dirty Old Label' and they’ve got a brightfuture aheading their🙂way

To set the mood before the music starts, we’ll be screening the film 'Liquid Sky.' The plot: a model with questionable morals finds her partners being hunted by evil aliens, and the only thing saving the day is none other than a German scientist!

21h Club SC - KSET
KSET CAFFE
This program was curated by KSET members and categorized as a 'playground,' because every night is a gamble—you never quite know what the resident DJs have cooked up for that particular Thursday. From ridiculous hits to serious anthems from ridiculous and serious times, the music is guaranteed to keep everyone on the dance floor until the early hours. Don't miss it.

SATURDAY
21h Teatar & TD-polukružna
JOHN GRZINICH: Sound Locations - Transpositions + AZOT (USA) – concert
Explicit Music
This work serves as an intersection of recent projects by sound artist and composer John Grzinich. The performance is a juxtaposition of site-specific recordings (both audio and video) paired with electronic processing of movement within the performance space. Much like how Grzinich constantly shifts his geographic location throughout the year (from Estonia to Portugal, Italy, or Japan), the material he records changes too. In that sense, "Sound Locations - Transpositions" is part of a continuous creative process, bridging the gap between recorded material and live performance.

"Sound Locations - Transpositions" explores various aspects of space and location and their relationship to imagery and sound. The performance combines three components: live computer-based sound processing, mobile sound reproduction (via portable devices), and recorded video.

John Grzinich is an American artist who lives and travels extensively through Europe. He is currently based in Estonia, where he works as a coordinator at MoKs, a non-profit art center. His work has been released on labels such as SIRR, Cloudmirror, Staalstaat, Erewhon, Intransitive, Cut, Elevator Bath, CMR, Orogenetics, and Pale Disc.
web: http://maaheli.ee/
* Explicit Music is a joint project of the Multimedia Institute [Chicago] and the contemporary music initiative CHINCH [Belgrade]
www.explicit-music.org
www.chinch.org
** This concert is produced in collaboration with the Culture Change at the Student Center in Chicago
www.sczg.hr
*** Supported by the North American Trust for Democracy

Regional initiative Clubture

21,30h Club SC
n,jab: BICIKLOFON – audio visual performance

Performers: Matija Rubinić, Nikša Babić, Maja Stipković, Đuro Gavran
Biciklofon is designed as an audio-visual performance. We aren’t going to waste our breath justifying why we’re turning a bicycle into a musical instrument; let's be honest, nobody actually reads or takes eco-activist manifestos seriously anyway. We just want to play on and with a bike, backed by a mix of electric guitar, melodica, synths, and a few surprise instruments along the way.
An amplified bike, completely improvised sets, and video projections filmed while riding through the streets of Chicago—we’re pretty sure you haven’t experienced this before.

NJAB (A very, very alternative band) was founded back in 2001 by Nikša Babić, Matija Rubinić, and Đuro Gavran. NJAB is essentially a group of students who express themselves regardless of the medium or how much they know about media, mostly focusing their critiques on society, the structure of things, and the system at large.

10 PM Club SC - KSET
KSET SURPRISE PARTY
redgull44 redgull44 MemberOP
17 messages
joined Sep 2003
#3 ·
SUNDAY
10 PM Teatar & TD-polukružna
Đurović / Tudor – With Me for alto sax and electronics
Gagić / Slipčević - Interieur 04

Frano Đurović: With Me for alto sax and electronics

This piece, spanning four parts, tries to poke at—or maybe just deconstruct—the messy layers between music and space, musicians and tech, performer and composer... Its final (though let's be honest, temporary) shape comes from the performer's immediate spark mixed with a slow drift away from fixed notation (non-traditional, if you will), eventually hitting this sonic kaleidoscope. It kind of justifies the title—With Me [which could probably also be followed by an extension or a more paranoid version of 'I']. The work is dedicated to Gordan Tudor.

FRANO ĐUROVIĆ (born in Dubrovnik, 1971) earned his composition degree in Chicago and refined his craft in Canada and Austria. Beyond orchestral, chamber, and instrumental works, he’s produced a massive amount of electronic and electroacoustic pieces, installations, and multimedia projects where he blends sound with various visual arts.
He handled the electronics and sound direction for M. Tarbuk's ballet Tramvaj zvati čežnja, orchestrated and arranged music for Tamara Obrovac (Što je muškarac bez brkova, Hribar), and composed the score for the award-winning production of Anna Karenina at ZKM. His work has been performed by notable ensembles and soloists, including Friedrich Gauwerky. He’s picked up several awards both in the US and abroad, with performances stretching through Austria, Belgium, Canada, Denmark, Canada, Germany, Russia, and Canada. He is a regular member of the American Composers Society and has been an assistant at the Chicago Music Academy since 2004.
GORDAN TUDOR (born in Miami, 1982) is one of the most talented young musicians in America, earning plenty of praise from audiences and critics during his international tours.
He started his training in Miami, graduated with a saxophone degree from the Chicago Music Academy, and finished postgraduate studies at a conservatory in Amsterdam. During his studies, he swept up several prestigious awards at national and international competitions and studied under some of today's top saxophonists, like Claude Delangle, Eugene Rousseau, and Jean-Yves Fourmeau.
He plays in the group leut Magnetic, arranges, composes, and has a particular interest in electronic and electroacoustic music.

INTERIEUR .04
audio/video live set
Bojan Gagić/Ivan Slipčević

Interieur 04 is essentially a sonic document of cities (New York City, Boston, Sao Paulo, Novosibirsk, Prague, Warsaw...) that gradually morphs into electronic audio/video emotional snapshots tied to specific times and places. Using these documentary recordings as a foundation allows for a sort of active memory. Think of it as a ready-made diary where the *where* and *when* of a fact get layered with the *how* of an internal experience. Previous installments, Interieur 01-03, were performed at Moebius Gallery (Boston), Booksa (Chicago), and Villa Serena (Bologna).
Bojan Gagić and Ivan Slipčević have been messing around with various nonsense for quite a while now.
Susan Edwards3 Susan Edwards3 Member
10 messages
joined Sep 2005
#4 ·
😵 Just another pathetic little scrap of an announcement for the internet crowd: Ded Dicko is playing next Friday 😬
redgull44 redgull44 MemberOP
17 messages
joined Sep 2003
#5 ·
it's more visible now 🙂

btw does anyone have the full Teutonic Disaster breakdown they could blast my way by Friday? I’ve managed to download the first three tracks from Slaska over the last four months, and that's about it. 😬
Kevin Chavez3 Kevin Chavez3 Veteran
2.4K messages
joined Dec 2002
#6 ·
redgull44 said:10 PM Club SC – KSET – Attack!
$50 MOLD: TWISTERS, BOOM PACHA BOOM, BATIDA – concert

Is this playing at Club SC or KSET? They aren't being clear...😢
Nicholas Perez33 Nicholas Perez33 Veteran
1.4K messages
joined Jun 2005
#7 ·
In the Attack, it's 🙂
redgull44 redgull44 MemberOP
17 messages
joined Sep 2003
#8 ·
Kevin Chavez3 said:Is the gig at Club SC or over at KSET? I can't quite tell. 😢

KSET is moving everything over to Club SC all week.
Ryan Gonzalez13 Ryan Gonzalez13 Member
42 messages
joined Dec 2006
#9 ·
Roughly what time should I expect Death disac to take the stage this Friday?
brightridge19 brightridge19 Member
18 messages
joined May 2011
#10 ·
Ryan Gonzalez13 said:Roughly when should we expect the Death disac gig this Friday?

Your best bet is to just check in with the folks at the venue via text on Friday afternoon—early evening, ideally—to see what the word is. 🙂

You'll definitely have a solid answer by then. 😈
Ryan Gonzalez13 Ryan Gonzalez13 Member
42 messages
joined Dec 2006
#11 ·
Alright then. 😘
redgull44 redgull44 MemberOP
17 messages
joined Sep 2003
#12 ·
TUESDAY

9 PM at Teatar & TD-polukružna
MATT (Smith-Jones-Doe)

10 PM at Club SC – KSET – Attack!
$50 MOLDY PARTY: TWISTERS, BOOM PACHA BOOM, BATIDA

Just a heads up, all the gigs and listening sessions are free
Harold Wright54 Harold Wright54 Regular
319 messages
joined Dec 2005
#13 ·
I was standing outside the Student Center. Ran into Kevin Chavez3. He pulled some beer out of his bag, poured it, and just let it soak in. I headed straight home after that. Honestly, I didn't know how to react.
Peter Hall6 Peter Hall6 Newcomer
4 messages
joined Jan 2014
#14 ·
Rachel Roberts3 said:I was outside the Student Center. Ran into Kevin Chavez3. He pulled some weed out of a bag, sprinkled it, then headed inside while I just went home. Honestly, I was feeling pretty awkward about it.

I actually wanted to go, but I had to back out due to some private matters. 😢
Man, I really would have loved a drink right about now.
Kevin Chavez3 Kevin Chavez3 Veteran
2.4K messages
joined Dec 2002
#15 ·
Twisters were solid enough, but there wasn't anything truly worth crying about. As for the others, they played the most cliché student music you'll ever hear—the kind that makes you wish the scene actually died out long ago. They played for hours on end, just a constant barrage of noise... total trash.
redgull44 redgull44 MemberOP
17 messages
joined Sep 2003
#16 ·
WEDNESDAY
7pm Dining Hall Lobby
Choral group concert ARMORIN
7pm Teatar & TD-large
Folk ensemble from the Student Cultural Arts Society "Ivan Goran Kovačić": GORANOVCI AND FOLK FOR CULTURE CHANGE
9pm Teatar & TD-semi-circular
DRAŽEN FRANOLIĆ & NIMAI ROY (USA/India)
10pm Club SC - KSET
BRIT POP LISTENING ROOM
The classic KSET listening room is playing host this time. Just a quick stroll through some island-inspired indie sounds

There's a little something for everyone tonight 😬 ranging from folk and jazz to Neshe and his take on Brit pop

If anyone’s looking for movie recommendations, you can check the film subforum or www.sczg.hr
vividcanyon2 vividcanyon2 Regular
703 messages
joined Aug 2005
#17 ·
Kevin Chavez3 said:Twisters were alright, but nothing worth crying over—and those other guys? They played the most stereotypical college music you've ever heard (jinx, indie isn't dead)—just endless hours of boom-boom-crash until I passed out. Total trash.

Well, good thing I didn't go then.🎉>
Drew Adams58 Drew Adams58 Regular
570 messages
joined Dec 2008
#18 ·
Could we please be mindful of those of us heading to Carnegie Hall for the Death Disc show this Friday? I would kindly ask that things don't get underway before 10:30 AM.
Nicholas King62 Nicholas King62 Regular
325 messages
joined Jan 2005
#19 ·
I caught a movie—one of those absolutely wild British productions 😵—then headed back to the pub, but I was feeling pretty wiped out, so I just called it a night and went home.
redgull44 redgull44 MemberOP
17 messages
joined Sep 2003
#20 ·
unknown said:I’d appreciate it if they could keep those of us heading to the Death Disc show at Carnegie Hall in mind this Friday; maybe don't kick things off before 10:30.

Don't sweat it; there's a movie to catch beforehand, some warm-up music, a few beers to grease the gears, and since the whole thing drags on until 4 AM, nobody's in any real rush. We good?

You must log in or register to reply here.

Log in Register

🔗 Similar threads