Honestly, I’ve just got this small pile of cheap LPs taking up space—I'm ready to just get them out of my house and move on. 😁
Asia — Asia EX/EX $3.25
Alphabet City VG+/EX status—honestly, just a solid find if you can snag it. $3.25
So, I finally managed to get my hands on a VG+/EX copy of ABC’s *The Lexicon of Love*. Honestly? It’s one of those records that just feels like it was meant to be held in your hands rather than just streamed through some tiny earbuds while you're commuting on the subway. There’s something about that mid-80s production—that lush, sweeping, almost cinematic pop sound—that hits different when you're actually sitting in your living room with a drink in hand. It’s got that perfect blend of being incredibly polished but still feeling raw enough to hurt a little. I remember hearing this album for the first time back in college, spinning it on a beat-up receiver in a cramped apartment in Chicago, and thinking, "Man, how can music sound this expensive and this lonely at the same time?" Condition-wise, for a VG+ rating, it’s holding up pretty beautifully. A few light scuffs here and there if you look closely under a bright lamp, but nothing that messes with the vibe. The audio is crisp, the bass is punchy without being muddy, and it honestly sounds better than most modern digital remasters I've tried lately. If you're looking to add some sophisticated, high-gloss New Wave to your collection, this is a no-brainer. Just don't blame me when you end up staring out a rainy window feeling way more dramatic than you actually are. $3.25
Just picked up a VG+/VG+ copy of ABBA’s *The Visitors* on vinyl—honestly, such a vibe. It’s one of those records that feels way ahead of its time, especially with that polished, almost electronic production they were playing around with back then. Most people just think of them for the massive disco hits, but this album has this moody, slightly darker edge to it that I can't get enough of. I was spinning it last night while catching up on some work, and man, the soundstage is incredible. Even with a setup like mine, you can really hear the layers they built into tracks like "S.O.S." or "When All Is Said and Done." It’s got that perfect balance of being catchy enough to hum along to, but sophisticated enough that you actually want to sit down and listen to the nuances. If you ever get the chance to snag a clean copy, don't sleep on it. Definitely one of those gems that deserves a spot on the turntable. $3.25
Just picked up a copy of Arcadia - So Red The Rose in VG/EX condition. Honestly, finding these older pressings that haven't been absolutely trashed by decades of sloppy handling is getting harder by the day. It’s in really solid shape for its age—nothing crazy, but definitely holds up if you're looking to spin it without constant pops and clicks ruining the vibe. Definitely a win for the collection. $3.25
Al Corley – Square Rooms EX/EX $3.25
Just picked up a VG+/EX copy of Average White Band’s *Shine*—and man, let me tell you, this thing is a total gem. If you haven't spun this one yet, you're seriously missing out on some top-tier funk. The pressing quality is surprisingly tight for a record that’s been floating around the collectors' market for a while. I gave it a quick listen on my old Technics setup last night—just after finishing a massive burger at a local diner—and the clarity is honestly impressive. There's hardly any surface noise, which is a huge win when you're hunting through crates at places like Amoeba Music. It’s got that warm, punchy groove that makes you want to just sit back, crack a beer, and forget about your inbox for an hour. It’s one of those albums where the musicianship just hits you immediately. No filler, just pure, infectious rhythm. Definitely a solid addition to the collection. $3.25
So, I was just revisiting some old classics—you know how it goes, late night, maybe one too many drinks—and ended up back with Barbara Streisand’s *Wet*. Honestly? It’s such a trip. There’s something about that specific era of production that hits different when you’re older. It’s got that polished, almost cinematic sheen that feels so much more intentional than the stuff we get pumped out by major labels in LA these days. It’s funny, because everyone always talks about her powerhouse vocals—which, obviously, are insane—but for me, it’s the atmosphere of the tracks. It’s moody, it’s lush, and it’s got this certain... I don't know, "expensive" feeling to it. Like, you can practically smell the high-end studio equipment and the expensive perfume used in the sessions. It’s not just music; it’s an entire vibe. Definitely worth another spin if you're looking to decompress. $3.25
So, I was just revisiting some old tracks, and honestly? "Guilty" by Barbra Streisand is one of those songs that hits differently when you actually sit down and listen to the production. It’s got that classic, polished late-70s sheen—very much that era where everything felt slightly more dramatic and sweeping than what we get today. I remember hearing this back in the day when I was first getting into high-fidelity audio setups—back before I had my current rig, obviously—and thinking about how much layers go into a vocal performance like hers. It’s not just singing; it’s storytelling. You can hear the tension in the arrangement, especially with that duet dynamic. It’s smooth, it’s sophisticated, and yeah, it’s a little bit over-the-top if you’re looking for something gritty, but that’s kind of the whole point, isn't it? It’s pure pop craftsmanship from an era that really knew how to build a mood. Just one of those timeless pieces that stays in your head without being annoying about it. $3.25
Just snagged a copy of Belinda Carlisle’s *Runaway Horses* on vinyl—VG+/EX condition. Honestly, this thing sounds incredible. There’s just something about that late 80s production that hits different when you aren't listening through some tinny Bluetooth speaker. I was flipping through a crate at a local shop downtown last weekend and couldn't pass this one up. It’s easily one of those records where the whole vibe just flows perfectly from start to finish. If anyone else is hunting for this one, let me know—it’s a total gem. $3.25
So, I finally got my hands on the *In Your Mind* reissue—the one with all the extra studio outtakes and the expanded liner notes—and man, it’s a trip. You know how it is when you revisit an old favorite? You expect it to hit the same way, but then you realize how much the texture of the sound changes once you strip away the polished layers and hear what was actually happening in the room. Listening to these tracks, I can't help but think about that mid-70s era where everything felt just a little bit more experimental, a little less "safe." It's that specific kind of sophisticated melancholy that only Bryan seems to nail—that smooth, almost detached delivery that somehow still feels like he's whispering a secret right in your ear while you're sitting in a dim lounge in Chicago or something. I spent most of last night just sinking into the deep cuts. There’s this one particular demo track they included—it’s raw, kind of unpolished, definitely lacks that radio-ready sheen—but honestly? I think I prefer it. It has this grit to it that makes the whole experience feel more intimate. It reminds me of those late nights back in college, just spinning vinyl in a cramped apartment while the city hummed outside the window. If you're a fan of the original, this isn't just a cash grab for more content; it's actually worth the listen for the context alone. It gives you a glimpse into the process, showing how a song goes from a rough idea to that seamless, velvet production we all know. Definitely worth adding to the rotation if you need something classy but slightly moody for a rainy afternoon. $3.25
Just picked up a copy of Bryan Ferry’s *Boys And Girls*—it's in that sweet spot of EX/NM condition, which is honestly a miracle for a record this age. I was digging through some bins the other day and thinking about how much I miss that specific era of polished, moody art-pop. There’s just something about Ferry’s voice that hits different when you’re winding down after a long week; it’s like velvet wrapped around a bit of grit. This particular pressing sounds incredibly clean, too—no surface noise to kill the vibe while you're sitting back with a drink. If you haven't spun this one lately, do yourself a favor and give it a listen. It’s pure class. $3.25
Just picked up a decent copy of the Bee Gees’ *Children of the World* on vinyl—graded it as VG+/VG+, which honestly feels pretty spot on for a record this age. It’s got that nice, clean sheen without being quite "mint," if you know what I mean. Man, looking back at this era of disco... it's such a trip. You can really hear them leaning hard into that polished, high-production sound that defined the late '70s. Some people always try to dismiss the whole genre as just mindless dance music, but when you sit down and actually listen to the arrangements on tracks like this, the musicianship is undeniable. The harmonies? Absolutely airtight. They were basically a vocal machine at this point. I remember finding an old, beat-up copy of this back in college while I was hanging out in Austin—it was scratched to hell and sounded like it was being played through a tin can, but I used to blast it in my dorm room anyway. There’s just something about that warm, analog crackle paired with those lush disco strings that hits different than a digital stream. Even if you aren't a die-hard disco fan, there's a certain vibe here that’s impossible to ignore. Definitely glad I added this one to the shelf. $3.25
Just picked up a VG+/EX copy of the Bee Gees’ *E.S.P.*—honestly, finding this one in such clean shape feels like a minor miracle. It’s one of those records that always gets lost in the shuffle of their disco era, but man, the songwriting here is just top-tier pop craftsmanship. It’s got that soulful, melodic vibe that hits different when you actually sit down and listen to the whole thing from start to finish. I was digging through a crate at a local shop over in Chicago last weekend—you know how those places can be, smells like old paper and dust, but the finds are usually worth the trek—and I spotted this sitting there. Most copies are beat to hell, but this one? Pristine. It’s rare to find these older pressings without some massive surface noise ruining the groove. If you haven't spun this lately, do yourself a favor. It’s a total mood. $3.25
So, I’ve been digging into some stuff regarding Blue Yonder—specifically looking at their NM and EX modules—and honestly, it’s a bit of a rabbit hole. If you're working in supply chain or logistics, you know exactly the kind of headache these enterprise systems can cause when they aren't dialed in perfectly. I was chatting with Kevin Chavez3 about this the other day, and we were basically laughing through the pain about how much "optimization" actually means in practice versus what the sales deck promises. It's one thing to have all these fancy algorithms promising seamless flow, but once you're actually staring at the implementation, it feels less like a smooth ride and more like trying to fix a jet engine while the plane is mid-flight. The NM side of things is interesting, though. When you get the configuration right, the visibility is killer, but man, getting that data clean enough to actually use? That's where most companies trip up. It reminds me of that time I was trying to overhaul the inventory tracking for a warehouse out in Chicago—we thought we had everything synced, only to realize our legacy data was basically just wishful thinking. Anyway, if anyone’s currently knee-deep in an EX rollout or trying to make sense of the network modeling, I’d love to hear how you're handling the integration. Is it actually smoothing out your forecasting, or are you just spending half your week cleaning up messy data inputs? Let's talk. $3.25
So, I finally managed to track down this 12" of "Champs/Joeski Love–Tequila/Pee-Wee's Dance," and man, it’s sitting at a solid VG+/EX. Honestly, finding these specific pressings in such clean shape feels like winning a small lottery—especially if you know how much dust and scratches usually plague these old dance cuts. It’s got that perfect weight to it, too. If you're looking for something to test out your sub or just want to see if your setup can actually handle those deep, rhythmic grooves without skipping, this is a killer pick. Just a little gem for the collection. $3.25
Found this copy of Chicago's *Greatest Hits* sitting in a bin over at a shop in downtown Chicago—condition was listed as VG+/VG+, which honestly sounded a bit too good to be true for that price, but I figured why not? It’s one of those albums that just feels like a staple in any American living room from the 70s and 80s. You can’t really escape these tracks whether you're driving through the Midwest or just hanging out at a bar in Austin. The pressing is surprisingly clean. No major surface noise during the quiet parts of "If You Leave Me Now," which is usually where these older used copies fall apart on me. It’s got that classic, warm analog sound that makes you want to pour a drink and just sit there for forty minutes. Definitely a solid win for the collection. $3.25
So, I finally sat down to check out Cliff Richard’s memoir, *I'm Nearly Famous*, and man... it’s a bit of a trip. It’s one of those books where you realize just how much of a whirlwind life can be when you happen to stumble into the spotlight during that specific era of pop history. Reading through his accounts of the early days, you get this really vivid sense of the sheer chaos of being a rising star back then—no social media to curate the image, just pure, unadulterated momentum. He’s got this way of describing the madness of the music industry that feels pretty grounded, even when he’s talking about things that sound totally surreal to anyone living in the modern age. It’s not some glossy, over-polished Hollywood telling either; it feels more like a guy just sitting there, recounting how he navigated the sudden shift from being an ordinary kid to someone whose face was plastered everywhere. There are these little side notes and reflections sprinkled throughout—moments where he looks back at his younger self with a sort of wry, "what was I thinking?" attitude—that really make the whole thing work. It avoids that typical celebrity trap of sounding overly precious or defensive about their legacy. Instead, it feels honest, almost understated, which fits his vibe perfectly. If you're into music history or just enjoy a deep dive into how fame actually lands on someone's doorstep, it’s definitely worth the read. It isn't just a collection of "look what I did" stories; it’s more of a study on how to stay somewhat sane while the world decides you're a big deal. Definitely a solid pick for a long flight or a quiet weekend. $3.25
So, I was digging through some old archives today—just one of those deep dives that eats up your entire afternoon—and stumbled upon this absolute relic: Cliff Richard’s "Now You See Me... Now You Don't." Honestly, looking back at it now feels like opening a time capsule from a completely different era of pop music. It’s got that specific, polished kind of energy you only find in vintage American pop hits—that whole vibe where everything feels just a little bit too clean, yet somehow totally charming. It’s funny how certain tracks can instantly transport you back to a specific mood, even if the production style feels a decade or two out of step with what we're hearing on the radio today. It’s catchy, sure, but there's this underlying sense of nostalgia that hits you right in the gut. I remember my dad used to play stuff like this on the old hi-fi system in our living room back in the day—usually while he was nursing a coffee and ignoring whatever chaos was happening in the kitchen. There was something about those melodies; they weren't trying too hard to be edgy or groundbreaking, they were just... there. They provided a sort of steady, reliable soundtrack to life. Anyway, just a random thought triggered by a rabbit hole. Anyone else ever go down these musical memory lanes and realize just how much the soundscape has shifted? It's wild. $3.25
So, I was thinking about those door-to-door sales tactics for cars—you know, the whole "we have an incredible deal just for you" pitch that usually ends up being a total headache. It’s kind of wild how some dealerships still try to play that game, acting like they're doing you a massive favor by knocking on your door or sliding into your DMs with a "special offer." Honestly, it feels less like a service and more like a trap. I remember back when I was living in Chicago, some guy from a local lot practically cornered me at a coffee shop trying to sell me on this "exclusive" financing deal. It was all smoke and mirrors—just a way to get you in the driver's seat before you even realize the math doesn't add up. Most of these guys aren't looking to help you find a reliable ride; they’re just looking to hit their monthly quota and move inventory. It’s funny because people act like there’s some hidden treasure waiting if you just listen to the pitch, but in reality, it’s usually just a high-pressure tactic designed to bypass your common sense. You end up walking away with a car that's overpriced and a feeling in your gut that you definitely got played. If a deal seems too good to be true coming from someone who basically hunted you down, it probably is. Just stay skeptical, man. It saves a lot of grief in the long run. $3.25
So, I finally tracked down this old-school gem—the David Lee Roth *Crazy From The Heat* EP. This specific pressing is the Canadian import, and honestly? It’s in mint condition. We’re talking EX/EX here, which is pretty rare for something that’s been floating around in collections for this long. If you grew up listening to much of the hard rock stuff coming out of the States back in the day, you know exactly what kind of energy Roth was bringing to the table during his solo run. This EP is just one of those little pieces of history that hits different when you actually hold the physical copy in your hands. It’s got that unmistakable vibe from an era where everything felt just a bit more electric. Anyway, if anyone’s looking to add this to their stash, let me know. It’s a beauty. $3.25
So, I finally got my hands on this Duran Duran self-titled record—the one with the iconic monkey on the cover—and honestly? It’s a killer find. I managed to snag a VG+/VG+ copy, which, if you know anything about digging through crates at a local shop, is basically hitting the jackpot. Most of these old pressings are beat to hell, but this one is clean enough to actually enjoy without feeling like I'm listening to a bag of gravel. It’s funny how much nostalgia hits you when that first synth line kicks in. I remember hearing this album back in high school, probably blasting it in my old beat-up sedan while driving around suburbia, thinking I was way cooler than I actually was. There’s just something about that early 80s production—it’s polished, it’s flashy, but it still has this grit that modern pop just can't seem to replicate. If you’re looking to add some New Wave staples to your collection, this is a solid pick. Not quite mint, but definitely good enough to spin on a Friday night with a cold beer. Just a little slice of pure, unadulterated 80s magic. $3.25
So, I finally snagged this Elton John *Greatest Hits* on vinyl—VG+ to NM condition, which is honestly a miracle for a record that’s been floating around for decades. It’s one of those albums that just feels essential to have sitting on the shelf, you know? I was spinning it last night while catching up on some chores, and man, the sound quality is crisp. There’s something about hearing those piano melodies through actual needle and groove that hits different than just streaming it through some cheap Bluetooth speaker. It’s got that warm, analog soul that makes you want to sit in a dark room with a drink and just... exist for a second. Definitely a solid addition to the collection. $3.25
Just picked up a copy of Elton John’s *Friends*—the Canadian pressing—and honestly, it’s sitting at a solid VG/VG+ if you're looking for a clean spin. I've always had a soft spot for those North American imports; there's just something about that specific mastering that hits different when you're settling in for a late night. It’s one of those records that feels like an old friend every time the needle drops. Definitely worth adding to the collection if you can find a clean one. $3.25
So, I finally got around to spinning Edie Brickell & New Bohemians' *Shooting Rubberbands At The Stars*. Honestly? It’s one of those records that just kind of hangs out in the room with you—it doesn't demand your attention, but once it has it, it’s pretty hard to shake. The vibe is super laid-back, almost like sitting on a porch in Austin during a humid July afternoon. It’s got that breezy, soulful quality that defines early '90s alternative pop, but without feeling dated or forced. Edie’s voice is just... effortless. She has this way of gliding over the melodies that makes everything feel incredibly smooth, even when the lyrics get a little bit introspective or weird. I found myself thinking about how much I love music that isn't trying too hard to be "important." You know what I mean? In an era where everything feels so polished and overproduced—kind of like a high-budget Marvel flick compared to an indie movie—this album feels refreshingly organic. It’s got these subtle layers, some really tasty guitar work, and a rhythm section that stays tucked in perfectly behind her vocals. It’s definitely a "low-stakes" listen in the best possible way. It’s the perfect soundtrack for driving down a coastal highway or just killing time on a Sunday morning. It doesn't hit you over the head with angst or massive crescendos; it just flows. If you’re looking for something to mellow out to, this is a solid pick. Definitely worth a spin if you appreciate songwriting that prioritizes mood and melody over sheer volume. $3.25
I managed to snag an EX/NM copy of Engelbert Humperdinck’s *Greatest Love Songs* recently—and man, it is just pure, unadulterated nostalgia. You know those records that just feel like a warm hug after a long week? This is one of them. It’s got that classic, sweeping production that you just don't hear much anymore—none of that over-compressed, digital mess we deal with today. Just big vocals, big arrangements, and zero apologies for being sentimental. Honestly, listening to this takes me back to my parents' living room in Chicago, sitting on that old velvet sofa while they'd play these kinds of crooners in the background. There was something about the way he handled a ballad—it wasn't just singing; it was like he was telling you a secret. If you're into that vintage, smooth-as-silk vocal style, you really can't go wrong with this one. Definitely a gem for anyone building out a collection of the classics. $3.25
Man, I was digging through my old crates the other day and stumbled upon this copy of the *Footloose* soundtrack—the original Paramount pressing. It’s in that absolute mint condition, basically "Ex/Ex" status if you're talking collector grade. Honestly, holding something this clean feels like a tiny victory against the chaos of the world. There’s just something about these mid-80s soundtracks that hits different. You put this on, and suddenly you aren't sitting in your living room anymore; you're basically back in a high school gym in some small town in the Midwest, dodging awkward stares and feeling way too much emotion over synth-pop. It’s pure nostalgia, even if you weren't actually alive when this dropped. The production on these tracks is so crisp, too. It’s got that specific, polished energy that defined an entire era of American pop culture. Every time I hear those opening notes, I can almost smell the hairspray and floor wax. If you happen to find one of these in the wild without a single scratch on the disc, do yourself a favor and grab it. It’s a little slice of cinematic history that sounds just as big today as it did decades ago. $3.25
Man, I was digging through some old vinyl crates the other day and stumbled upon this absolute gem—Franck Pourcel and his Big Band doing "An American in Paris" mashed up with "Rhapsody in Blue." Seriously, if you haven't heard this specific arrangement, you are missing out on some top-tier vibes. It’s got that lush, sweeping orchestral feel that makes you want to pour a glass of bourbon and just stare out the window while it rains. It’s smooth, it’s cinematic, and honestly? It’s way more soulful than those overly polished digital remasters you hear on streaming nowadays. There's just something about that analog warmth that hits different. Definitely worth adding to your late-night listening rotation if you're into that classic, big-city jazz energy. $3.25
So, I was digging through some old gear today—standard weekend cleaning ritual—and stumbled upon that Fabrique VG+ piece we were all obsessing over a few months back. It’s funny how quickly things shift in this industry, isn't it? One minute everyone's treating a specific drop like it's the Holy Grail, and the next, it’s just sitting in a box in your closet gathering dust. I remember when this first hit the scene. There was so much noise around the quality and that specific aesthetic. It felt different, you know? Like it actually had some soul instead of being just another mass-produced trend from some giant conglomerate. I actually took it out to a dinner in Chicago last year—just a casual spot, nothing too fancy—and even then, the fit felt spot on. It didn't have that "fast fashion" vibe where you feel like you're wearing a cardboard box. Anyway, I was thinking about what Kevin Chavez3 mentioned in that thread last week regarding the longevity of these high-end pieces. He made a decent point about whether the price tag actually reflects the durability or if we're all just paying for the brand name. It's a valid question. Personally, I think there's a middle ground between overpriced hype and cheap junk, but finding it is like looking for a needle in a haystack. Has anyone else revisited their early collections lately? Or am I just getting old and sentimental about fabric weights and stitching details? Let me know if you've found anything else worth holding onto. $3.25
So, I finally tracked down a Gazebo unit—EX/VG+ condition, if you can believe it. Honestly, after hunting through local listings for a while, finding one this clean feels like a minor victory. It’s sitting here looking pretty sharp, definitely holds up well against the usual wear and tear you see with these things. Just wanted to put it out there for anyone else currently scouring the marketplaces for something similar. $3.25
So, I finally got my hands on this Gerry Rafferty – Night Owl EX/EX thing, and man, it’s one of those finds that just makes you sit back and exhale. You know that feeling when you stumble upon a record that feels less like a product and more like a lost piece of your own history? That’s where I’m at. It’s funny, because I was digging through some old bins at a shop over in Seattle last weekend—just one of those rainy afternoons where you have nothing better to do than hunt for ghosts—and there it was. It’s got that specific, moody atmosphere that Rafferty just mastered. He had this way of crafting melodies that felt like they were floating in mid-air, almost too delicate to touch, but then he’d hit you with these deep, soulful layers that just ground the whole thing. The production on this particular pressing is honestly kind of surreal. Everything is so crisp, yet it doesn't feel clinical—it’s got that warm, analog soul that modern digital stuff just can't quite replicate, no matter how much expensive gear they throw at it. It reminds me of those late nights back in college, driving around empty highways at 2 AM with the windows cracked just enough to let the cool air in. There’s a certain loneliness in his voice, sure, but it’s a comfortable kind of loneliness. The kind that makes you feel less alone in your own head. Anyway, if you ever get the chance to track down an original or a high-quality reissue of this, don't overthink it. Just grab it. It’s one of those albums that doesn't demand your attention with flashy gimmicks; it just earns it, one note at a time. $3.25
Head west—seriously, just pack up and head out to New Mexico or Arizona. $3.25
Guru·Josh – Infinity EX-/NM $3.25
So, I finally got my hands on an EX/NM copy of Heaven 17’s *The Luxury Gap*, and man... let me tell you, it is a trip. It’s one of those records that just feels like it was designed for a specific kind of mood—sort of high-end, slightly detached, and incredibly polished. You know that feeling when you put on a record and it instantly changes the vibe of the room? Yeah, this is that. I remember back in the late 80s, I used to hang out near a small independent record shop in Seattle—nothing huge, just a little hole-in-the-wall—and I’d spend hours just staring at these synth-pop covers, wondering if I’d ever actually own half of them. Seeing this one in such pristine condition feels like a bit of a victory lap. The production on this thing is just surgical. Everything is so crisp, so intentional. It’s got that classic blend of soulful vocals and that driving, electronic pulse that defines the era. It doesn't feel dated in a "cheesy synth" way; it feels timeless, like it was engineered in a lab specifically to sound expensive. Even the tracks that lean a bit more pop-heavy still carry this underlying tension that keeps it from feeling too sugary. If you’re a fan of that sleek, New Wave-adjacent sound, you really can't go wrong here. It’s smooth, it’s smart, and honestly, it’s just a damn good listen. Definitely one for the permanent collection. $3.25
So, I finally dug out my old copy of Huey Lewis and the News’ *Sports*—the one with that classic EX-/EX grading—and man, it really takes me back. You know those albums that just feel like a sunny afternoon driving down a coastal highway? This is exactly that. It’s pure, unadulterated 80s energy, but without being too obnoxious about it. I was flipping through the liner notes and thinking about how much this record defined an era. Every time "The Power of Love" or "Hip to Be Square" comes on, it’s impossible not to feel that specific kind of upbeat, optimistic vibe that seemed to rule everything back then. It’s got that tight, polished production—nothing too experimental, just incredibly solid songwriting and hooks that stick to your ribs. I remember sitting in my dorm room back in the day, probably listening to this on some beat-up Sony Walkman, feeling like life was just one big montage. Looking at it now, through the lens of someone who's seen a few more decades pass, there's something almost comforting about its simplicity. No over-the-top synth madness or trying too hard to be "edgy"—just great musicians playing great songs. It's a total classic for a reason. $3.25
So, I finally sat down and revisited Huey Lewis and the News—specifically that *Fore!* album—and man, it’s such a trip. It’s one of those records that just feels like a sunny afternoon in a coastal town somewhere in California. You know the vibe. I was listening to "EX/EX" the other day while I was stuck in some soul-crushing traffic on the I-95, and it hit me how much they just nailed that specific brand of upbeat, blue-collar pop-rock. It’s got that polished, almost surgical precision in the production, but there's still this grit underneath it all. It doesn't feel manufactured, even though it’s incredibly catchy. The whole thing is just pure, unadulterated nostalgia for a certain era of American radio. It’s music you can play while grilling in the backyard or driving down a highway with the windows rolled down. It’s not trying to be deep or avant-garde—it’s just trying to be good, and honestly? It succeeds. It’s that perfect blend of tight musicianship and hooks that just refuse to leave your head. Sometimes, you don't need a complex concept album; sometimes you just need a killer groove and a singer who knows how to deliver a line. $3.25
Just picked up a copy of Heart’s *Bad Animals* on vinyl—VG+/EX condition. Honestly, finding an old pressing like this that hasn't been played to death by some teenager in a basement is a total win. It sounds surprisingly crisp for being a later release, too. If you're looking to fill out that rock section of your collection, this one's definitely worth the hunt. $3.25
I finally got my hands on that Japanese import of *The Tin Drum*—the EX/EX version—and man, I’ve been sitting here staring at the packaging for a good twenty minutes. There is just something about those high-end Japanese pressings that hits different, you know? Even though we're looking at an American release context here, that specific level of curation feels like something you'd only find if you went hunting through a boutique shop in Brooklyn or some specialty collector's nook in Seattle. It’s honestly wild how much attention goes into the physical media over there. Everything feels intentional. It's not just a disc in a plastic case; it’s an experience. I remember back when I was first getting into collecting, I used to just grab whatever was on the shelf at my local Best Buy, but once you start seeking out these specific imports, your standards change. You start noticing the weight of the paper, the clarity of the print, and that weirdly satisfying feeling of unboxing something that actually feels like art rather than just mass-produced plastic. If you can track one down, do it. It’s one of those things that makes the whole hobby feel worth the clutter in your living room. $3.25
So, I finally got my hands on this J. Geils Band *Bloodshot* pressing—specifically that G/EX version—and man, I’ve gotta say, it’s a bit of a trip. You know how some records just feel like they were mastered in a basement with a single blown speaker? This isn't one of those. It actually has this surprising amount of punch to it. I was sitting there in my living room, just spinning it after a long day, and the way that opening track hits... it’s got this grit that feels incredibly intentional. It’s not overly polished, which is exactly what you want with a band like these guys. They weren't trying to be some slick, over-produced pop act from LA; they had this raw, almost sweaty energy that really comes through when the audio quality is actually decent. It’s funny, because I remember hearing this stuff on the radio back in the day—probably caught it playing at a dive bar somewhere in Chicago—and it always sounded a little thin. But holding this specific pressing, hearing the separation between the percussion and those driving guitar lines... it’s a different experience entirely. It makes you realize how much gets lost in a standard broadcast or a cheap digital rip. Anyway, if you can find a clean copy of this, don't sleep on it. It’s one of those albums that rewards you for actually sitting down and listening instead of just treating it as background noise while you're doing dishes or whatever. Definitely worth the hunt. $3.25
So, I finally managed to snag this 2LP set—*An Evening With John Denver*. It’s sitting in that sweet spot of VG/EX/EX condition, which, if you know anything about hunting for vintage vinyl, is basically hitting the jackpot. I was digging through some bins the other day—kind of like that feeling when you find a rare first pressing at a local shop in Austin—and seeing this pop up felt like a win. Honestly, there’s just something about the way these old live recordings capture the room. You can almost feel the air in the studio. It’s laid back, unpretentious, and honestly? A bit of a mood. Perfect for when you just want to dim the lights, pour a drink, and tune out the rest of the world for a while. Definitely one for the permanent collection. $3.25
So, I finally managed to snag a VG/NM copy of Johnny Hates Jazz’s *Turn Back The Clock*. Honestly, finding this thing in decent shape is like trying to find a parking spot in downtown Chicago on a Saturday night—nearly impossible if you aren't looking for it. I’ve been spinning this one all afternoon, just letting it ride while I mess around with some old gear in the garage. There’s something about that mid-80s production—it’s so polished, yet it has this specific kind of melancholy that hits different when you're just sitting there with a coffee. "Shattered Dreams" still absolutely slaps, even decades later. It’s one of those tracks that feels perfectly engineered for a late-night drive down a lonely stretch of highway. The vinyl itself is surprisingly clean. For a record that’s been floating around the secondary market for years, the transition from the lead-in groove to the first track was smooth as silk. No major pops or clicks to ruin the vibe, which is a massive win in my book. If you've been hunting for this one, don't sleep on it. It's a total mood. $3.25
Just picked up a copy of John Cougar Mellencamp’s *Scarecrow*—VG+/NM condition—and man, it still hits just as hard as it did back in the day. Honestly, there’s something about that mid-80s heartland rock sound that just feels more honest than anything you hear on the radio these days. It’s got that gritty, unpolished soul that makes you want to drive down a backroad in a beat-up Chevy just to clear your head. I spent way too much time flipping through the bins at my local record shop last weekend, dodging the crowds and praying I wouldn't find another scratched-up copy of some overplayed pop album, but stumbling onto this was a total win. The pressing is super clean, too—no pops or surface noise to ruin the vibe when "Rain on the Scarecrow" starts playing. If you haven't sat down with this whole album lately, do yourself a favor and give it a spin. It's one of those rare records that actually feels like it has a heartbeat. $3.25
So, I finally got my hands on this EX-/NM copy of "Give A Little Love" by the Judds—and man, let me tell you, holding this one feels like a little slice of nostalgia heaven. It’s easily one of those records that just hits different when you drop the needle. I was digging through some old bins recently and stumbled upon a similar pressing, but the condition was absolutely trashed—scratches everywhere, sounding like someone was running a gravel truck over the grooves. So, finding this specific copy in such stellar shape? Total win. It’s smooth, quiet, and that vocal harmony is just... chef's kiss. You don't hear much like that anymore. Anyway, if anyone else is hunting for this one, keep your eyes peeled. It's a gem. $3.25
Julio Iglesias – Libra EX/EX $3.25
So, I was scrolling through some real estate listings earlier—you know how it goes when you're procrastinating—and I stumbled upon that massive Julio Iglesias estate over at 1100 Bel Air Place. It’s listed as an EX/EX deal, which basically means it’s a total unicorn in the luxury market. Honestly, looking at those photos just makes me feel like I need to go win the lottery or at least find a much better job. It’s one of those places that feels less like a house and more like a private fortress for someone who’s already conquered the world. You look at that kind of acreage sitting right there in the hills of LA and you realize just how much space there is to hide from the rest of us. It’s wild, really—just pure, unadulterated California opulence. $3.25
Julio Iglesias – Non-Stop EX/EX $3.25
I just scored this absolute gem—the Julio Iglesias & Diana Ross "All Of You" 12-inch pressing from Canada. I’ve been hunting for this specific version for a minute, and honestly, finding it in such killer condition is a massive win. It’s sitting right at that sweet spot between EX and NM, which, let's be real, is getting harder to find these days if you aren't careful. The wax looks incredible, almost like it's never even seen a turntable. If you're looking to add some smooth, classic soul to your collection, this one is definitely worth the hunt. $3.25
So, I finally got my hands on this old Julio Iglesias "Starry Night" pressing—the EX/EX copy, which is basically saying it’s in mint condition if you aren't being a total snob about it—and man, I had to sit down and really listen. It’s one of those records that just hits different when you actually give it the space to breathe. It’s pure, unadulterated smooth vibes. You know that feeling when you’re driving through the hills of Malibu late at night, windows down, just letting the cool air hit you? That’s exactly what this sounds like. It’s not trying too hard to be edgy or "alternative," and honestly, thank God for that. In a world where everything feels overproduced and loud, there’s something incredibly grounding about these lush, sweeping arrangements. It’s just classy. I remember back in the day, my old man used to have a similar kind of easy-listening stuff spinning on the turntable during Sunday dinners—nothing fancy, just good music that filled the room without demanding you stop talking to listen. This brings back that exact same energy. It’s nostalgic, sure, but it doesn't feel dated in a bad way; it just feels timeless. If you’ve got a decent setup and a drink in hand, this is an absolute essential for those quiet evenings when you just want to turn the rest of the world off for a bit. Definitely worth the hunt if you can find a clean copy. $3.25
I was just sitting here thinking about that classic Julio Iglesias track, "Un Hombre Solo"—you know, the one that hits you right in the gut? It’s such a mood. There’s something about those old-school ballads that just cuts through all the overproduced pop we hear on the radio these days. It’s raw, it’s lonely, and honestly, it’s kind of beautiful in a heartbreaking sort of way. It reminds me of those late nights back in college when I'd stay up way too late listening to vinyl, just feeling completely adrift. Some songs just have that soul, you know? They don't need a bunch of flashy production to tell a story—they just let the melody and the lyrics do the heavy lifting. Definitely one for the rainy days. $3.25
I was digging through some old bins the other day—just one of those aimless afternoon things where you end up more tired than when you started—and I stumbled onto this Julio Iglesias collection. It’s one of those "Best Of" sets that feels like it was curated specifically to trigger a massive wave of nostalgia for anyone who grew up listening to easy listening stuff on the radio back in the day. It’s definitely got that smooth, polished vibe that defines an entire era of pop balladry. You know the type—music that sounds just as good playing softly in the background of a high-end steakhouse in Chicago as it does during a lazy Sunday morning at home. There’s a certain effortless quality to his vocals that you just don't see much anymore; everything is so manicured and melodic. Even if it's not exactly your cup of tea if you're more into grunge or indie rock, there's no denying the craftsmanship there. It's just pure, unadulterated lounge perfection. $3.25
So, I finally got my hands on those Jacksons—Victory VG+ in EX- condition. Honestly, after seeing them listed, I wasn't sure if I was being played, but I took the plunge. They’re pretty solid, though. If you’ve ever spent time around a high-end boutique shop in Austin or maybe poked around some vintage gear in Nashville, you know that "EX-" tag can be a bit of a gamble. Usually, it means there’s some honest wear that tells a story, rather than just being beat to hell. These feel like they’ve been played, loved, and probably sat in a studio for a few years too long, but they aren't junk by any means. The build is tight—no weird warping or anything crazy—but there’s definitely some cosmetic character that makes you realize they haven't been sitting in a museum case. It’s that perfect middle ground where you don't have to baby the thing like it's made of glass, but you still feel like you're holding something worth a damn. Just my two cents after getting them dialed in. $3.25
Just picked up a copy of Kim Wilde’s *Close*—VG+/EX condition—and man, it’s such a vibe. It’s one of those records that just feels right when you drop the needle. I was digging through some bins at a local shop in Seattle last weekend and stumbled upon this beauty. Everything from the sleeve to the vinyl itself looks fantastic, almost like it hasn't even been played much. There’s something about that late 80s production that hits different now—it’s polished, sure, but it still has that punchy, synth-driven soul that makes you want to turn the volume way up. I ended up putting it on immediately when I got home, grabbed a coffee, and just leaned back for a bit. It’s the perfect kind of "no thoughts, just music" record. If you’re a fan of that era, this one is definitely worth having in the collection. $3.25
So, I finally managed to track down a copy of Kim Wilde’s *Catch As Catch Can* on vinyl—VG+ condition, which is basically a miracle given how much people beat up these old records. It’s easily one of her most underrated eras, honestly. Most people just want to talk about "You Keep Me Hangin' On," but this whole record has such a specific, polished late-80s vibe that just hits different when you're spinning it on a good setup. I remember hearing this back in high school, sitting in my bedroom in Chicago, just letting the synth layers wash over me while I tried to act like I wasn't obsessed. It’s got that perfect balance of pop accessibility and those moody, driving textures that defined the decade. The pressing I got sounds incredibly clean—no surface noise to ruin the groove, which is rare for a find like this. If you ever get the chance to hunt one down, don't sleep on it. It's a total mood. $3.25
Just picked up a copy of Kim Carnes’ *Mistaken Identity* on vinyl—VG+/EX condition, which honestly feels like a win these days. You don't see much this clean unless you're digging through some high-end collector's bins in Austin or something. The sound is pretty stellar, too. It’s got that classic late-70s/early-80s polish that just hits different when you aren't dealing with surface noise every five seconds. I was spinning it last night while just chilling, and man, those tracks really hold up. It's one of those records where you realize she wasn't just a "one-hit wonder" type of artist—there’s actual craft here. Anyway, if anyone else is hunting for this one, keep an eye out. It’s a solid addition to the stack. $3.25
Just picked up a VG+/EX copy of Kim Carnes’ *Mistaken Identity* on vinyl—it's such a vibe. If you haven't spun this one lately, you're seriously missing out. It’s got that perfect late-70s/early-80s grit that just feels right when you're settling in for the night. The condition is surprisingly solid, too; barely a surface noise issue to speak of, which is always a win when you're hunting through bins. Honestly, Kim’s voice on these tracks is just unmatched—there’s a certain soulful rasp there that hits differently on analog. Definitely one of those albums I'll be keeping in the "heavy rotation" pile for a while. $3.25
Just picked up a copy of Kid Creole And The Coconuts’ *Tropical Gangsters*—it’s in EX/NM condition, which is honestly a miracle for a record this age. If you haven't spun this one yet, you're seriously missing out on some of the tightest, most infectious grooves ever laid down. It’s got that whole sophisticated, big-band-meets-disco vibe that just makes you want to pour a drink and forget about everything else for an hour. I remember seeing a similar setup back in the day at a club in New Orleans—just pure, rhythmic chaos in the best way possible. This album captures that exact energy. Everything from the brass arrangements to the percussion is just... chef's kiss. It’s smooth, it’s flashy, and it’s got enough swagger to make a guy like Kevin Chavez3 look like he’s trying too hard. Seriously, if you're looking to add some class to your collection, this is the move. Grab it before someone else does. $3.25
Just picked up a copy of Kajagoogoo’s *White Feathers* on vinyl—VG+/NM condition. Honestly, finding an old pressing like this that isn't totally beat up is a massive win. It sounds incredible. $3.25
Larry McCray – Ambition EX-/EX $3.25
So, I just managed to snag an EX-/EX- copy of Leo Sayer’s "Living In A Fantasy" from a seller up in Canada—man, talk about a nostalgic trip. It’s one of those records that just hits different when you find it in such pristine condition. You don't see much like this floating around these days, especially with how beat up most vintage vinyl gets after decades of being shuffled around. I remember hearing this track back in the day, probably through some fuzzy radio station while I was hanging out in my old apartment in Chicago, and it always had this specific, dreamy vibe that just pulls you right in. There’s something about that era of production—it’s polished, sure, but it’s got this soul to it that modern stuff often misses. Honestly, sitting here now, dropping the needle on this beauty, it feels like stepping into a time machine for a second. If anyone else is hunting for this one, keep your eyes peeled—finding a clean copy like this is a total win. $3.25
I was just spinning some old Limahl tracks—you know, that whole early 80s synth-pop vibe—and it got me thinking about how much certain production styles just age like fine wine while others... well, they don't. It’s funny how you can listen to a track from decades ago and it still feels like it could fit right into a modern playlist if the mixing was handled correctly. Anyway, I wasn't sure if anyone else had been digging through these deep cuts lately, but I’ve been wondering about the technical side of things. Does anyone actually think the VG+ or EX grading holds up for these types of pressings? Sometimes I feel like what a collector calls "Excellent" is basically just "it isn't broken," whereas I'm looking for that pristine, studio-quality crispness. Just my two cents, though. $3.25
So, I was spinning that Limahl track—you know, "Don't Supply"—and it got me thinking about those old-school vinyl pressings versus the digital stuff we're all stuck with these days. It’s funny how much of a difference the medium makes when you're really digging into the production. I was chatting about this with wiredtinker30 the other day, and he had some pretty interesting takes on the audio fidelity, though I think he might be overthinking the technical specs a bit. Then Kevin Chavez3 chimed in with his usual skepticism, basically arguing that unless you're listening on a $10,000 setup, the difference is negligible. Honestly? He's not entirely wrong, but there's just something about that analog warmth that hits different when you're sitting in your living room with a drink in hand. It’s like the difference between watching a movie on a massive IMAX screen in Los Angeles versus just catching a flick on your laptop while you're commuting on the subway. Sure, the content is the same, but the *vibe*? Totally different. Anyway, just my two cents while I'm lost in the music. $3.25
I was just spinning some old-school soul tracks this morning—specifically that Lisa Stansfield classic "Real Love"—and man, it hit me right in the feels. There’s just something about that era of production that modern stuff can't quite replicate. It’s got that perfect balance of being smooth enough for a late-night vibe but punchy enough to actually move you. I remember back in the day, I used to blast this whenever I was driving around Chicago, just cruising through the city streets feeling like I was in a music video myself. It’s one of those songs where the vocals aren't just singing lyrics; she’s actually telling a story. You can hear the grit and the genuine longing in there. It’s not just polished pop; it’s got soul. Anyway, I don't know if anyone else gets this specific kind of nostalgia from 90s R&B, but for me, it’s unmatched. It makes everything feel a little more cinematic, you know? Just a solid, timeless piece of songwriting that holds up no matter how many years pass. $3.25
So, I was just spinning some Linda Ronstadt earlier—specifically "Living in the USA"—and it really got me thinking about how much certain tracks just capture a specific vibe of the country. It’s one of those songs that feels like a snapshot of an era, you know? That whole feeling of being on the move, the road, the sheer scale of everything here in America. It’s funny because whenever I hear her voice, I don't just think about the music; I think about those endless stretches of highway between cities like Chicago and Denver, or even just driving through the suburbs of Atlanta. There’s this certain restlessness baked into the melody that feels so uniquely American. It’s that constant drive to get somewhere else, to find something better, or just to see what’s over the next ridge. I remember back when I was first starting out, doing a bit of a road trip through the Midwest, playing these exact tunes on a beat-up cassette deck while watching the landscape shift from farmland to industrial outskirts. It wasn't always glamorous—sometimes it was just cheap motels and lukewarm coffee—but there was a sense of freedom in it that you can't quite replicate. You just feel it in the air out here. Anyway, just a random thought while listening to the classics. Does anyone else get that same sense of nostalgia for a time they might not have even lived through? Or am I just getting old? $3.25
Just picked up a copy of Los Levantinos' *La Cucaracha*—you know, that one with the "Heiß Brennt Die Sonne In Mexiko" subtitle—on vinyl. It’s an EX/EX grading, which honestly feels like a steal for this kind of stuff. I was digging through some crates at a local shop over in Austin last weekend—just one of those rainy afternoons where you end up spending way too much money on dusty sleeves—and this beauty jumped out at me. There’s something about the way these tracks hit that just feels right. It’s got that specific, sun-drenched vibe that makes you want to kick back, grab a cold drink, and just forget about the grind for a while. The pressing itself is super clean, too. No pops, no skips, just smooth sailing from start to finish. If you haven't spun this yet, you're definitely missing out on a mood.
Just picked up this vintage pressing of Luis Alberto Del Parana Y Los Paraguayos - Historia De Un Amor. Condition is sitting right at that sweet spot of VG+/VG+. Honestly, for an old record like this, it’s holding up pretty well—no major skips or anything, just that lovely, warm crackle you expect when you're digging through the crates. It’s got that soul, you know? Not like those over-produced modern tracks that feel totally sterile. This one actually feels alive. Definitely a solid addition to the collection if you can find it in this shape. $3.25
I was digging through some old vinyl crates the other day—you know how it is, just looking for something soulful to spin while I’m working—and I stumbled upon this track by Luis Alberto del Parana y Los Paraguayos. It’s "Guantanamera," specifically that EX/EX version. Man, there is just something about these old-school arrangements that hits different. It’s got that raw, unpolished warmth you just don't get with modern digital recordings. You can practically hear the room around the musicians. It’s laid back, slightly melancholic, but still has that rhythmic backbone that keeps you nodding along. Honestly, if you're into folk music with a bit of grit and soul, you really need to give this specific version a listen. It’s one of those tracks that makes you want to pour a drink, dim the lights, and just exist for a few minutes. Total vibe. $3.25
The Indians of Paraguay EX/NM $3.25
I finally got my hands on an EX/NM copy of the Love Story soundtrack—man, what a find. I was digging through some bins at a local record shop in Chicago last weekend, just killing time while waiting for a friend, when I spotted this beauty tucked away near the jazz section. Honestly, I almost walked right past it because the sleeve looked a little weathered, but once I saw the grading, I knew I had to grab it. There’s just something about those classic cinematic scores that hits different, you know? It takes me straight back to watching old movies on rainy Sunday afternoons. This particular pressing is pristine—no surface noise, no pops, just pure, sweeping orchestral bliss. It’s one of those albums where you can actually hear the breath of the musicians in the room. Definitely a centerpiece for the collection now. If anyone else is hunting for this specific pressing, good luck—it's a rare beast out there. $3.25
Just picked up a copy of the Manhattan Transfer on Pastiche—VG+/EX condition—and honestly, it’s such a gem. If you haven't spent much time with these guys, you're missing out on some seriously smooth vocal arrangements that just hit different when you've got a decent setup. It’s one of those records where you can really hear the precision in the harmonies; it’s almost eerie how tight they are. I was spinning it the other night while just chilling with a drink, and man, it’s the perfect vibe for winding down. Everything about the pressing feels solid, too. Definitely worth adding to the collection if you can find a clean copy like this. $3.25
Just picked up a copy of Manfred Mann's Earth Band’s *Somewhere In Afrika*—it's easily an EX/NM beauty. Honestly, finding this one in such killer condition feels like a massive win. It's one of those albums that just hits different when you can actually hear every layer of those synth textures without some scratchy surface noise getting in the way. Definitely adding this to the "holy grail" pile for the weekend. $3.25
So, I finally sat down and gave Mike Oldfield’s *Crises* a proper, deep-dive listen—specifically hunting for that VG+ to EX sweet spot on the vinyl. Honestly? It’s one of those records that just demands you sit still, grab a drink, and actually pay attention. You can’t just have this playing as background noise while you’re scrolling through your phone or folding laundry; if you do, you’re missing the whole point of the textures he's building here. It’s such a trip how much detail is packed into these tracks. There’s this specific, lush layering happening where everything feels incredibly intentional, yet somehow flows like it’s just breathing on its own. I was thinking back to when I first picked up a high-end setup—it took me forever to realize that certain pressings just breathe differently. With *Crises*, if you catch a copy in that near-mint territory, the separation between the instruments is kind of mind-blowing. You can practically hear the physical space in the room where it was recorded. I remember digging through some old bins in a dusty shop in Seattle a few years back, looking for something with this exact kind of atmospheric weight, and finding a clean copy of this felt like a small victory. It’s got that perfect blend of being technically complex without ever feeling "mathy" or cold. It’s warm, it’s moody, and it’s just... massive. If you find a copy that hasn't been played to death by someone's budget turntable, do yourself a favor and grab it. It’s a total journey. $3.25
So, I finally got around to diving back into Mike Oldfield’s *Discovery*—specifically the EX/EX versions—and man, it’s a trip. It’s one of those albums that really makes you sit back and realize how much the landscape of prog and ambient music shifted once things started getting more polished and "pop" leaning. I remember sitting in my dorm room back in the late 90s, spinning this CD until the laser practically gave up, just trying to wrap my head around how he could blend those massive, sweeping instrumental movements with such crisp, almost radio-friendly production. It’s got that specific vibe where it feels both incredibly expansive and weirdly intimate at the same time. The EX/EX thing is a bit of a deep dive for the collectors, obviously. Having those extra tracks and different mixes really lets you peel back the layers. It’s like looking at a high-res photo versus a grainy Polaroid; you start seeing all these little melodic flourishes and percussion details that you totally missed when you were younger and just vibing to the main hooks. It isn't quite the raw, pastoral stuff from his early days—it’s definitely more "studio perfectionist" era—but there's a certain magic in how seamless everything feels. It’s smooth, sure, but it’s not shallow. If you’re into that whole atmospheric journey style, this is basically the gold standard. Just a really solid, thoughtful listen that holds up way better than most of the overproduced junk coming out of the major studios these days. $3.25
I was listening to some old vinyl the other day—just digging through some dusty crates I picked up at a flea market in Chicago—and I stumbled back into the world of Mahalia Jackson. Honestly, man, calling her the "greatest gospel singer" feels like an understatement. It’s almost too small a label for someone who carried that much soul in her lungs. There’s just something about that era of American music that hits different. You listen to her, and you aren't just hearing notes being hit; you’re feeling the weight of everything she went through. It wasn't just church music, either—it was the soundtrack to the entire Civil Rights Movement. When she stood up to sing, even the most cynical people in the room had to stop and listen. It was raw, it was unfiltered, and it was powerful in a way that modern production just can't replicate. I remember my grandfather used to sit by the radio for hours, just soaking in those deep, resonant tones. He always said that some voices are given to us by God, and Mahalia was definitely one of them. It’s wild how much influence one person can have just by having a voice that refuses to be quieted. If you haven't spent some serious time with her discography, do yourself a favor and go find a high-quality recording. It changes you, I swear. $3.25
Man, I was just sitting here thinking about how some soundtracks just hit different, you know? Like, they don't even need a movie to be good—they just exist as these perfect little sonic moods. Case in point: the Martin Böttcher & Orchestra version of "Love Story." I’ve been spinning this specific arrangement lately, and honestly, it’s got that lush, sweeping cinematic quality that makes you feel like you’re starring in a high-budget Hollywood drama, even if you’re just sitting on your couch in Chicago eating cold pizza. There's something about those orchestral swells—it’s nostalgic, a little bit heartbreaking, but mostly just incredibly smooth. It’s one of those tracks that feels like a warm blanket on a rainy Tuesday. Definitely worth a deep dive if you're into that classic, sweeping orchestral vibe. $3.25
So, I finally got around to digging through my old collection and pulled out that Mick Jagger solo effort—*She's The Boss*. Honestly? It’s one of those records that really makes you wonder what the hell was going through everyone's heads back then. You know the vibe—that mid-80s era where everything felt just a little too polished, a little too desperate to be "modern," and frankly, a bit much. I remember sitting in my dorm room back in college, probably fueled by way too much cheap coffee, listening to this and thinking, "Man, is this really what the legend is doing now?" It’s got that glossy, over-produced sheen that defines the decade—lots of heavy synths and drum machines trying desperately to sound cutting edge, but instead just sounding dated the second they hit the airwaves. It lacks that raw, gritty swagger you’d expect from someone who basically helped invent rock and roll. The title track itself... well, it’s fine, I guess, if you’re into that kind of high-gloss pop-rock. But compared to the stuff he did with the Stones, it feels like he’s wearing a suit that doesn't quite fit him. It’s like watching a heavyweight champion try to enter a ballroom dance competition—you can tell the talent is there, but the setting is just all wrong. It’s definitely a trip down memory lane, though. Every time I hear certain tracks, I’m immediately transported back to some rainy afternoon in Seattle, just staring at the ceiling and wondering why we ever thought these production styles were a good idea. It’s a weirdly nostalgic listen, even if it isn't exactly a masterpiece. Just one of those odd chapters in a massive career. $3.25
I was digging through some old crates recently and stumbled upon Marianne Faithfull’s *Dangerous Acquaintances*. Honestly, if you haven't sat down with this one lately, you're missing out on some seriously moody, textured stuff. It’s got that specific kind of grit—not the loud, obnoxious kind, but that weathered, lived-in feeling that only comes from someone who’s actually been through the wringer. The songwriting here is just... it’s heavy, but in a way that feels earned. It isn't just melodrama for the sake of it; it feels like she's sitting across a dim table at some dive bar in Brooklyn, just letting the truth spill out between sips of something strong. There's a certain weary elegance to her delivery that hits different when you're older and realize life isn't exactly the polished pop dream we were sold back in the day. It’s raw, it’s unvarnished, and man, it really sticks with you. Definitely worth a deep dive if you're in the mood for something with actual soul. $3.25
Mario Lanza – Princ Student EX-/EX- $3.25
So, I finally sat down to listen to that Neil Sedaka "Greatest Hits" collection—you know, the one with the expanded tracks—and man, it’s a trip. It’s funny how much nostalgia you can pack into a single disc. Listening to these tracks feels like being stuck in a time machine, but in a good way, not one of those weird sci-fi movies where everything goes wrong. It’s got all those big, melodic hits that everyone knows, even if they don't realize they know them. There’s this specific kind of polish to his stuff from back in the day—that classic, clean production that just doesn't seem to exist anymore. Everything today sounds so compressed and loud, whereas this? This had room to breathe. I found myself leaning back in my chair, just letting the melodies wash over me, thinking about how much simpler things felt when music was built around a killer hook and a solid arrangement. The extra tracks they threw in are a nice touch, too. They aren't just filler; they actually give you a little peek behind the curtain at his evolution. It’s definitely worth a spin if you’re looking for something smooth to have on in the background while you're tinkering around the garage or just decompressing after a long day. It’s easy listening, sure, but there’s enough craft in there to keep it from feeling cheap. Definitely a solid addition to the rotation. $3.25
Nils Lofgren – Cry Tough EX-/EX $3.25
Outfield – Voices Of Babylon EX-/NM $3.25
Paul Young – No Parlez EX-/EX $3.25
Paul Young – Between Two Fires (US Import) VG+/EX $3.25
Phil Collins – No Jacket Required (Suzy) VG+/EX $3.25
Platters - Somebody loves me VG/VG $3.25
Platters – 20 Classic Hits VG+/EX- $3.25
Pat Benatar – Crimes Of Passion VG+/EX $3.25
Ray Charles – Wish You Were Here Tonight VG+/EX $3.25
Rod Stewart – Love Touch 12" VG+/NM $3.25
Rod Stewart – Blondes Have More Fun (US Import) VG+/EX $3.25
Rod Stewart – Camouflage EX/NM $3.25
Rod Stewart – Vagabond Heart EX/NM $3.25
Rod Stewart – Foolish Behaviour VG+/VG+ $3.25
Roxy Music – Avalon EX-/EX- $3.25
Roxy Music – Flesh+Blood EX/EX $3.25
Re-Flex – The Politics Of Dancing (US Import) EX-/EX $3.25
Royal Court Of China – Geared And Primed EX-/EX- $3.25
Sound Of Bread - Their 20 Finest Songs VG+/EX $3.25
Sting – The Dream Of The Blue Turtles VG+/EX $3.25
Stray Cats - Stray Cats VG+/VG+ $3.25
Simple Minds - Sparkle in the rain VG/EX+ $3.25
Soft Cell – Non-Stop Erotic Cabaret VG+/VG+ $3.25
Spandau Ballet–Diamond VG+/EX $3.25
Spandau Ballet–Parade VG+/EX $3.25
Spandau Ballet–Heart Like A Sky VG+/EX $3.25
Shakin' Stevens – The Bop Won't Stop EX/EX $3.25
Shakin' Stevens – Hot Dog VG+/EX $3.25
Shakin' Stevens – Give Me Your Heart Tonight VG+/EX $3.25
Shakin' Stevens – Shaky VG+/EX $3.25
Shakin' Stevens – Marie, Marie EX-/EX $3.25
Tom Petty And The Heartbreakers - Southern Accents EX/EX $3.25
Thrashing Doves – Bedrock Vice EX-/EX $3.25
Wendy & The Rocketts – Dazed For Days EX/NM $3.25
A Flock Of Seagulls – Listen (US Import) EX-/EX $6.75
Allman Brothers Band – The Road Goes On Forever VG+/VG+ $6.75
Adam Ant - Friend Or Foe EX/EX $6.75
Bangles – Everything EX-/NM $6.75
Barbara Streisand – Guilty EX/EX $6.75
Billie Holiday – Billie Holiday VG+/VG+ $6.75
Bee Gees – One EX/EX- $6.75
Cyril's Magic Journey – My World / Janet Is Waiting For You 12" $6.75
Chicago – The Heart Of Chicago EX/EX $6.75
Donna Summer - Greatest Hits - Volume I & II EX/EX $6.75
Duran Duran – Liberty EX/EX $6.75
Duran Duran – Seven And The Ragged Tiger EX/EX $6.75
Duran Duran - Big thing VG+/EX $6.75
EURYTHMICS - Savage (US Pressing) EX/EX 20
Elvis Presley – I Was The One VG+/EX $6.75
Elvis Presley–Elvis' Golden Records Vol.1 VG+/EX $6.75
Garland Jeffreys – One-Eyed Jack (US Import) EX/EX $6.75
Giuseppe Di Stefano - O Sole Mio VG+/EX $6.75
Giuseppe Di Stefano - The World Of Neapolitan Songs Ex/EX $6.75
Goat – Your Love Isa Mine (12", PIC) EX/EX $6.75
George Michael – Faith (US Import) EX/EX $6.75
Hall&Oates - H2O (US Import) EX/EX $6.75
Hall&Oates - H2O EX-/NM $6.75
Hall&Oates – Bigger Than Both Of Us (US Import) EX/NM $6.75
Hall&Oates - X-Static (US Import) EX/EX $6.75
Hall&Oates – Past Times Behind (US Import) VG+/NM $6.75
Hall&Oates – No Goodbyes (US Import) VG+/EX $6.75
Hall&Oates - Rock 'N Soul Part I (US Import) EX-/EX- $6.75
Hall&Oates - Private Eyes (US Import) EX/EX $6.75
Hall&Oates - Private Eyes EX/EX $6.75
Hall&Oates - Live (US Import) EX/EX $6.75
Harry Cox – Nice & Strong VG+/NM $6.75
Human League – Hysteria EX-/EX $6.75
Humble Pie - Greatest Hits EX/EX $6.75
Hooters – Nervous Night (US Import) EX/EX $6.75
Joe Walsh – "But Seriously, Folks..." EX/EX $6.75
Joe Jackson – Will Power (US Import) EX/NM $6.75
Julio Iglesias – Sono Un Pirata, Sono Un Signore (US Import) EX-/NM $6.75
Julio Iglesias – Momentos (US Import) EX-/EX $6.75
Kim Wilde – Select EX/EX $6.75
Kim Carnes – Mistaken Identity VG+/NM $6.75
Karel Gott – Christmas Collection (US Import, 1970) EX-/EX- $6.75
Kissing The Pink – Naked EX/NM $6.75
Los Indios Tabajaras – Magic Guitars (US Import) EX/EX $6.75
Mahavishnu Orchestra - Birds Of Fire VG/VG 20
Midge Ure – Answers To Nothing (US Import) VG+/EX $6.75
Mike Oldfield – Hergest Ridge VG+/VG+ $6.75
Mikis Theodorakis – In A State Of Siege EX-/VG+ $6.75
Madonna - Madonna EX/EX $6.75
Madonna - Like A Virgin EX/EX $6.75
Manitas De Plata – The Art Of The Guitar EX/EX $6.75
Mirko – Gypsy Guitar, The Firery Moods Of Mirko EX/EX $6.75
Motors – Tenement Steps EX-/EX $6.75
Mother's Finest – Mother's Finest Live EX-/EX $6.75
Morphielder – Morphing Fields VG+/EX $6.75
Nightwing - Stand Up And Be Counted EX-/NM $6.75
New Top-Hits NM/NM 20
Paul McCartney – Press To Play EX-/NM $6.75
Phil Collins – No Jacket Required (US Pressing) EX-/EX- $6.75
Pilgrim Souls – Is This All Of Us? EX-/EX $6.75
Paragon – The Poets VG+/VG+ $6.75
Pretenders Get Close (US Import) VG+/VG+ $6.75
Pretenders – Learning To Crawl EX-/EX $6.75
Power Station – The Power Station (US Import) EX/EX $6.75
Re-Flex – The Politics Of Dancing (US Import) EX/NM $6.75
Ry Cooder – Get Rhythm EX-/NM $6.75
Russian Balalaika (Soviet Union) EX/EX $6.75
Smokie - Greatest hits EX/EX $6.75
Smokie – The Montreux Album EX/EX $6.75
Santana - Greatest hits VG+/VG+ $6.75
Santana – Amigos EX/EX $6.75
STATUS QUO - Rockin' all over the world (RTB) VG/VG+ 20
STATUS QUO - Whatever you want (RTB) VG/VG+ 20
Simple Minds - Sparkle in the rain VG/NM $6.75
Stranglers - The Raven VG+/EX $6.75
Then Jerico – The Big Area G+/EX $6.75
Trio Hellenique – Zorba's Dance EX/EX $6.75
Thomas Dolby – The Golden Age Of Wireless EX-/EX $6.75
Thomas Dolby – The Flat Earth EX/EX $6.75
Tanita Tikaram – Everybody's Angel EX/EX $6.75
U2 – October VG+/VG+ $6.75
Van Halen – OU812 VG+/EX $6.75
Various - Classic US Pop Hits - 1967 $6.75
Wasteland – Live (12") EX/EX $6.75
ZZ Top – Afterburner EX-/EX $6.75
