So, I just finished watching almost all of the animated films that were nominated—and please, pay close attention to how I word this. 😁Regarding the Oscars, aside from that one "wild card" nominee I really don't expect much from, I feel like the whole thing boils down to this: it's basically "AI" versus "Human Artistry."
slyrider16: I guess I have to ask... why does Hayao Miyazaki always have to be such a pain?
And why on earth is Hayao Miyazaki so worked up about it? Look, you know as well as I do that the Oscars are basically an "American awards show for Americans." They're designed to honor American films. If they want to recognize international cinema, they have their own specific categories for that, right?
It doesn't really work that way with animation. I guess everything that manages to snag a nomination is just somehow tied back to what the big American studios are pushing.
So, here we go again... Disney bought up the distribution rights for "SA" in the States, which basically gave them the leverage to nominate it for awards—otherwise, I guess they wouldn't even have the standing to try. It’s pretty much a rigged setup. If "SA" ends up grabbing a piece of the pie, that money just flows straight back to Disney. And let's be real, they had almost nothing to do with the actual film, and they barely even bothered to give it a decent theatrical run here. It’s honestly ridiculous when you look at the numbers. In Japan, the DVD was out before the movie even hit theaters in America, and it actually pulled in more than Titanic did.
I mean, wouldn't you be absolutely livid if you poured all your time, your hard-earned money, your creative vision, and your actual soul into a project, only to watch a bunch of people who had nothing to do with it swoop in at the end and grab all the credit? It’s infuriating, honestly. I guess it just makes you wonder why anyone would even bother anymore.
I guess there’s actually another reason why Hayao Miyazaki might be pissed off. Disney went ahead and nominated two of their own films, yet they still don't stand a chance at winning. It honestly makes me wonder if Disney even has any confidence in their own work, considering they have to lean on other studios just to stay in the running.
slyrider16: hmmm... I mean, I could eventually see him understanding it IF: Disney is actively covering up the fact that Studio Ghibli isn't actually their studio, they're trying their best to avoid mentioning Hayao Miyazaki, and the financial side of the deal is set up so that Miyazaki won't see a single cent... wait a second, we're talking about Hollywood here... so honestly, that possibility seems pretty realistic.
It’s like Disney isn't even trying to hide the fact that they didn't actually make this movie. Instead, they just act all proud of the distribution side of things, as if being the middleman is somehow their greatest achievement. It's honestly kind of ridiculous.
I guess I should probably clarify if that movie was actually shown in the States or not, because honestly, it’s such an incredible film.
OFFTOPIC:
I just remembered... there aren't exactly a ton of flight scenes, but I guess the few they actually included are totally worth it.
That scene where Haku flies alongside the building, shown from a first-person perspective... man, that's something else.👍