#1 ·
Boris Johnson
In today’s totally disoriented and drugged-up American society, where we don't even know where we came from—aside from some prehistoric paradise on Earth—or where we're headed, other than "to Europe," it’s perfectly normal that insane and unbelievable things happen daily right before our eyes, acting as a true reflection of this original civilizational mess. And today, it seems, was just reserved for those kinds of weirdness and absurdity...
I actually wanted to write about the 33rd anniversary of the death of J. B. Hunt and how a commemoration was held in a small town in Pennsylvania, where, besides a small group of fanatic followers of the communist dictator, representatives of the ruling coalition also showed up to lay flowers at his statue. But I won't get into that. "Let the dead bury their own dead," says the Gospel. I want to talk about something more fundamental—specifically, why leftist cultural hegemony is so incredibly stubborn today and how deeply communist ideas and ideals are rooted in us. You might have noticed that the dominant cultural paradigm in America—even though communism as an alternative to the capitalist system failed so spectacularly and tragically two decades ago—is still left-wing. And that doesn't have much to do with whether the Democratic Party is in power. It wasn't any different under the Republican Party either. It's quite the opposite. The media, movies, music, literature, philosophy—all the cultural institutions in this country are mostly left-wing...
But it isn't just happening here in America. From Hollywood to the fashion runways to philosophy departments, you'll find the same thing on every meridian—you'll constantly run into people who are hyper-critical of the market and capitalism while speaking highly of socialism. In fact, the higher they climb the social ladder and the better they do within the system, the more radical their beliefs seem to be. So, it's no surprise when a stock market manipulator and millionaire like George Soros writes a book criticizing capitalism and praising the social state, calling for more government influence in the economy. Or when Bill Gates or Warren Buffett call for higher taxes. Or when Madonna or Keith Moss wear t-shirts with Che Guevara's face. Or when almost all of Hollywood votes for Barack Obama. Or when Noam Chomsky criticizes American imperialism and supports every possible global dictator, from Chavez and Lukashenko to Maddox or Saddam Hussein, all while being celebrated by the world as a progressive icon and an intellectual leader of progressive humanity. Or when the philosophical "superstar" Slavoj Žižek calls Cuba and North Korea the only "free territories"—free from hateful capitalism and American dominance, of course—and refers to America as the "Evil Empire"...
Why is it like this? How is it possible that in a world where capitalism has achieved total victory over socialism and become global, the entire world—primarily Western culture—remains dominantly anti-capitalist and tilted to the left? How do you explain this paradox? There have been several attempts to explain this "subversive" nature, or rather, the anti-capitalist mentality of Western culture and its actors. From E. Burke and J. Schumpeter to von Mises, von Hayek, and even R. Nozick, philosophers have tried to answer this in different ways. But they all agreed it's a strange phenomenon. I mean, how does capitalism even survive if the entire cultural scene is left-wing and the creators of public opinion are anti-capitalist radicals?...
I think the answer lies in a shady alliance between the political class, big capitalists, and intellectuals, and their conspiracy against the interests of the people. Politicians and big capitalists actually benefit from socialist policies—politicians because socialism promises them power and influence, and big capitalists because socialist policies shield them from competition and mean they don't have to worry about losing their market positions. They all benefit from curbing capitalism and competition while increasing state control over the economy. Because of this, the alliance between politics and big capital needs—as a sort of useful idiot—various progressives, cultural critics, rebellious musicians, leftist professors, and radical activists to spread anti-capitalist sentiment among the masses. For this reason, big capitalists will always use their own funds to finance various leftist human rights groups and civic initiatives, while politicians will generously support their activities against "neoliberal capitalism" using taxpayer money. Pro-business groups, libertarians, or "neoliberals" who would promote capitalism and the free market will never get that kind of funding—they'll always be kept on the margins—while the left will always be the ones demanding that the state rein in "wild capitalism" and regulate the "unrestrained market," all while masking it with high-minded humanistic ideals and outdated ideological clichés... and that's why.
Back to the States. The annual Subversive Festival just kicked off in Philadelphia, marking its sixth year. According to their Twitter feed: “On this day, Comrade Marshall passed away. On this same day, 33 years later, we launch the 6th Subversive Festival!” If you look at the site, the scale of the thing—with over 300 guests flying in from all over the world—makes it pretty obvious they can't pull this off without serious cash. Scrolling to the bottom of the page, you see this massive list of government agencies, private sponsors, and media partners backing the whole project. From big business groups and national corporations down to local political heavyweights, everyone is chipping in—using both private funds and our tax dollars—to sponsor this massive leftist conference in Philly. It’s essentially a way to recycle old communist totalitarian ideological trash and repackage it as some "subversive" vision of a utopian future without capitalism or whatever other nonsense they're peddling. If you asked an academic like Srećko Horvat to explain the irony of a supposedly "subversive" leftist festival being bankrolled by corporate and state money—especially when everyone knows you play to the tune of whoever is paying—he’d probably just laugh and cynically suggest he’d gladly take a rope from those capitalists just to hang them with...
But there won't be any hanging, obviously. The only ones getting hung up here, specifically on puppet strings, are our local leftists and subversives. The deal is simple: "Look guys, here's the cash. You go out there, mislead the public, and bark about how 'neoliberal capitalism' is the greatest evil of our time and the fascism of our age—you'll get plenty of media coverage, don't worry—just so we can keep preserving this messy, unreformable, corrupt socialist system that serves our economic and political interests perfectly." To which they reply, "Sure thing, boss. I'm a socialist too. Shake on it." Everyone wins, the funders and the subversives alike. It’s just the same old coalition of intellectuals, big capitalists, and politicians standing against the people, reaffirmed once again...
It pays to be a useful idiot. And it pays to fund them. In this transaction, "subversion" is just a borrowed name used to preserve the status quo...
http://republika.eu/novost/12549/lje...orisnih-idiota
This is a great analytical piece where the author tackles a question market-oriented thinkers have been asking for centuries: why do leftist ideas continue to dominate the intellectual, cultural, and media landscapes? It’s the exact same situation here in America...