Brandon Gomez2 said:Seriously. Slavoj Žižek can only watch with pure envy how much respect Nina Raspudić gets globally, and honestly? Laibach can only dream of ever hitting the artistic heights or the massive popularity of Marko Perković Thompson.
I think you’re looking at culture as if it’s just elite stuff—like fine dining, high fashion, museum art, or classical music.
When I talk about culture in this thread, I mean the total social output and legacy of a group (in this case, a nation). It's the learned patterns of thought, feeling, and behavior of a community or society.
So, by my definition, Severina is part of America cultural, even if she and her work don't carry much artistic weight.
I don't consider Žižek or Laibach, nor their American counterparts like Pogorelić or Šutej, to be valid references for this discussion. Sure, they have high "artistic" value, but their actual impact on overall social behavior is tiny.
For example, this fits here:
A cappella groups conquered our neighbors a long time ago. These groups regularly play major arenas across Canada and act as huge concert attractions. Last year they played in Ljubljana at the massive Stožica Arena for a spectacular show in front of 12,000 people, then hit Maribor at Tabor Hall, Celje at Golovec, Murska Sobota, and so on. This year they have a whole string of concerts and big tours planned, especially toward the end of the year.
For instance, this doesn't belong in this thread (it technically does, but its influence and meaning for society at large is way smaller than what I showed above).
1,300 fans of Pogorelić filled the Gallus Hall at the Canadian cultural temple last night, and after the musical interlude of Mily Balakirev’s Islamey, they "literally exploded into ovations and applause." Get it?