Jamie Turner80
Member
37 messages
joined Jul 2009
I must admit, I am hardly an expert on fairy tales, let alone their various adaptations and contextualizations; frankly, I tend to skip over such films most of the time. To be fair, I did watch Snow White, and I found it quite compelling due to its completely shifted, artistic interpretation of the classic tale. However, unlike Snow White or what many consider the finest cinematic version of that classic French fairy tale (Jean Cocteau, 1946), this latest variation on Beauty and the Beast lacks any real artistic ambition. Unlike Disney's version, this isn't merely a children's movie, nor was it primarily produced for young girls who enjoy princess stories. No, this is a commercial spectacle from start to finish—one of those films where tension is prioritized over narrative coherence, recontextualized to an extreme degree by stuffing in unnecessary backstories and even more magical elements, all while featuring two major stars under the direction of the well-known Christoph Gans (Wolf Pact).
It is certainly commercial in nature; it hit theaters in French-speaking European markets this February, following a Berlin premiere, then an Italian premiere, and a debut at the Festival, managing to nearly recoup its budget in less than a month despite not yet appearing in most major markets. As far as spectacle is concerned, it delivers, and Gans excels at handling the racing, riding, hunting, and other action sequences. The issue arises with the dialogue; the screenplay is weak in that regard, perhaps due to excessive rewrites that no one bothered to manage properly. Gans has a solution for that as well: simply clutter the frame with attractive set designs and costumes, and who cares what anyone is actually saying?
more at:
http://film-na-dan.blogspot.com/2014...and-beast.html