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The Father (2020)

Started by neonorca38 · · 👁 4 views · 11 replies

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Participants neonorca38velvetbear372Noah Roberts46Jack Murphy5Kimberly Rodriguez4Daniel Kelly57Thomas Hughes6Amanda Rivera6Elizabeth Cooper2
neonorca38 neonorca38 MemberOP
31 messages
joined Jun 2021
#1 ·
image

https://www.imdb.com/title/tt10272386/?ref_=tt_urv

A man refuses any help from his daughter as he ages. As he struggles to wrap his head around his shifting circumstances, he starts questioning his loved ones, his own mind, and maybe even reality itself.

Small family dramas are just better than any other genre. I guess they always have been.
It’s a low-budget production, but emotionally, it’s high-fidelity. It hits all the marks: a heavy, relatable story, a solid script, and acting that is—well, it's masterful.

For playing a father with Alzheimer, Anthony Hopkins basically deserves an Oscar. And Olivia Colman is probably just as close to winning one for her supporting role.

I won't spoil much. Don't look for shock value here. Just expect an emotional outburst. In this dull, anemic era we're living in, that might be enough. The ending is... heavy. Heartbreakingly beautiful, but painful.

Sir Anthony, massive respect. 👍 👍 👍
velvetbear372 velvetbear372 Active Member
56 messages
joined Aug 2018
#2 ·
It’s a solid film, truly. And the acting—honestly, he's incredible.
Noah Roberts46 Noah Roberts46 Regular
407 messages
joined Jun 2021
#3 ·
Yep, that specific moment where he just breaks—where he thinks his daughter's husband is going to slap him—is acted so perfectly. It’s heavy, gut-wrenching stuff to watch. I really hope the man picks up another Oscar; even with Boseman gone, he absolutely earned it.
velvetbear372 velvetbear372 Active Member
56 messages
joined Aug 2018
#4 ·
He really did slap him.
Jack Murphy5 Jack Murphy5 Active Member
59 messages
joined Feb 2014
#5 ·
Whether he actually slapped him, if it was a nurse, or some random bystander—it’s all a bit murky. Hard to say for sure.

Anthony might just be giving us the performance of a lifetime here, right up there with 'The Remains of the Day'.
Kimberly Rodriguez4 Kimberly Rodriguez4 Newcomer
2 messages
joined Dec 2021
#6 ·
Honestly, this was unexpectedly the best piece of trash cinema from 2020. The only one worth an 8/10. It’s wild how the movie could’ve easily veered into psychological thriller territory given how some scenes were hinting at it. But honestly? It actually gains more weight staying like this—they nailed the depiction of seeing the world through the eyes of someone struggling with Alzheimer.

Hats off to Anthony Hopkins, seriously. Deep bow. 🙏 Just masterful. And look, out of respect for the late Boseman, it would’ve felt wrong if he’d snagged the Oscar posthumously. AH just proved his greatness once again, basically giving the younger crowd a masterclass in "how it’s done."
Daniel Kelly57 Daniel Kelly57 Active Member
228 messages
joined Sep 2016
#7 ·
So, when is this actually hitting theaters here in the States? 🍿
Thomas Hughes6 Thomas Hughes6 Member
10 messages
joined Feb 2022
#8 ·
It’s a solid movie, though I was really banking on some sort of massive plot twist at the end—something to really ramp up the complexity.
SPOILER!

For instance, he could have just killed everyone off, called the police, or made a run for it... And why on earth wasn't he keeping a journal if he was so suspicious? He just swallows those pills like a good little soldier without question... Ugh, honestly, Hopkins' performance was the absolute highlight for me.
Amanda Rivera6 Amanda Rivera6 Newcomer
1 message
joined Apr 2013
#9 ·
Jack Murphy5 said:Whether he was slapped by himself, a nurse, someone else entirely, or if it even happened at all... it’s pretty hard to say.

Maybe Anthony is giving us his performance of a lifetime here, similar to what he did in 'The Remains of the Day'.

Spoiler alert

It's a phenomenal movie with top-tier acting, centered around a really straightforward story told through the eyes of an elderly man struggling with dementia.
I guess the implication in the film is that Anthony was being slapped by his daughter's ex-husband. Even though the movie intentionally confuses the audience in a few different ways, you can basically piece it together. Anthony, who is sick and dealing with dementia (likely Alzheimer, though they don't explicitly say so), lived alone in his apartment near his daughter. She visited him regularly and hired nurses—though she probably cycled through a few since the old man would constantly argue with them or accuse them of stealing things. As his condition worsened and after another "incident" with a nurse, the daughter decides it's best for him to move in with her and her husband because he clearly can't handle living alone anymore. Her husband, to put it mildly, wasn't thrilled about this; he lacked any empathy for the old man and was actually quite rude to him, which is where the abuse and slapping come into play. After a while, the daughter gets divorced (we can assume her husband's behavior played a part in that) and ends up living with her father again with the help of those hired caregivers. While the film is shot in a way that makes everything feel like it's happening over just a couple of days, I think the implication is that this all unfolded over several years—the husband mentions being married for ten years in one scene, and later the daughter mentions being divorced for five. Eventually, the daughter meets a new guy and moves away to live in Paris, leaving her father in an assisted living facility. The end.
At its core, it's a very simple story, but it doesn't follow a classic linear path. Instead, we're presented with a collection of memory fragments from the old man's perspective. At first glance, it feels like everything is happening within a few days, but they're actually snapshots from different periods of his life, spaced years apart. Also, seeing the same actors playing different characters really drives home how he can no longer recognize his own family or even people from his daily life. That's what leads to the real twist: there actually isn't a twist. The movie starts out feeling like some Hitchcockian thriller full of suspenseful turns, but it's really just a deeply emotional drama about the reality of aging and dementia.
Kudos to everyone involved in this production, especially Anthony Hopkins, who absolutely deserved an Oscar, and Olivia Colman too. This film is proof that you don't need a massive budget, huge locations, fancy sets, or special effects to make something great. Just a handful of incredible actors and a very simple story told in a really creative way.
Elizabeth Cooper2 Elizabeth Cooper2 Newcomer
8 messages
joined Nov 2020
#10 ·
Edward Gray43 said:This movie is proof that you don't need a massive budget, endless locations, elaborate sets, or heavy special effects to make something great. You just need a stellar cast and an incredibly simple story told through a truly creative lens.

I fail to see why you would even need special effects for a film to be considered excellent. By that logic, only high-budget sci-fi or fantasy flicks could ever be called masterpieces. A well-written drama featuring top-tier acting will always outshine all this modern superhero CGI garbage.
Amanda Rivera6 Amanda Rivera6 Newcomer
1 message
joined Apr 2013
#11 ·
Steven White96 said:I mean, you shouldn't really need any special effects for a movie to be great. If that were the case, then only big-budget sci-fi or fantasy flicks would count as masterpieces. A really well-told drama with solid acting can pretty much outshine all this modern superhero CGI crap.

I think you might be surprised if you realized just how much CGI junk is actually in movies these days. And I'm not even talking about the sci-fi stuff, fantasy epics, or those massive action sequences; I'm talking about your standard dramas and scenes that look totally normal—the kind where you honestly don't even need effects at all.
Elizabeth Cooper2 Elizabeth Cooper2 Newcomer
8 messages
joined Nov 2020
#12 ·
Edward Gray43 said:You’d be genuinely shocked if you realized just how much CGI garbage is shoved into movies these days. And I’m not even talking about Sci-Fi, fantasy epics, or those over-the-top action sequences. I mean your run-of-the-mill dramas and everyday scenes that look perfectly fine—scenes where, frankly, you don't even need special effects to begin with.

And what makes you so sure that isn't the case with this specific film?

Sent from my unknown

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