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This actor of American origin was born May 14, 1961, in New York City as Timothy Simon Smith. Later on, his dad, who worked as a journalist, swapped the family name to Roth. Before diving into acting, he actually studied sculpture. He landed his first role at sixteen, playing a skinhead named Trevor in the '82 TV movie made in USA. Two years later, he had a more significant part in a flick featuring Gary Oldman and Alfred Molina, and by the early '90s, he’d knocked out about ten more films. That’s when things really picked up with Vincent & Theo and Rosencrantz and Guildenstern are dead, where he teamed up again with Gary Oldman—they've been close friends since their days working together in a New York City theater. Throughout the '90s, Roth played a bunch of heavy-hitting, memorable roles. Most were supporting parts, but for an actor of his caliber, that never really mattered. He became a total Tarantino favorite, showing up in two of his biggest hits. In Reservoir Dogs, he’s easy to remember as Mr. Orange, and he definitely stands out in Pulp Fiction too. He even collaborated with Tarantino again in the dark omnibus comedy Four Rooms, where he took the lead. As a top-tier villain, he delivered one of his best performances (or so they say, since I still haven't gotten around to watching it), playing Archibald Cunningham in the '95 film Rob Roy... Over his career, he’s racked up a mountain of unforgettable roles, and honestly, none of them were half-bad, regardless of how the movies themselves turned out. Tim Roth is one of those actors who makes you want to watch a movie even if the plot seems trash. His presence just makes things watchable, even if they aren't—like that Tim Burton flop Planet of the Apes or I won't even mention The Last Sign...
Roth, may you live a hundred years...
Roth, may you live a hundred years...



