#1 ·

[SPOILER ALERT]
Just got back from the theater after catching United 93—or "Flight 93" as it’s titled here. I actually liked it. It doesn't lean too hard into the whole patriotic thing or go overboard with "do it for Uncle Sam" vibes; if anything, it's more the opposite. It really captures that sense of total helplessness and pure shock felt by the people working in the control towers monitoring the radar. Even the military personnel seem pretty rattled, just questioning each other about whether they can scramble F-16s. First it's "no, we don't have clearance yet," then it's "just send them, even without permission." A bit chaotic, I guess, but that’s how it actually went down. It does a great job showing how one totally routine workday can spiral into complete madness, with the tension and panic building among the staff in the Boston and New York City control towers. The movie kicks off with a guy speaking Arabic, then shows a man of Arab descent reading from the Quran in a hotel room while his friend gets ready in the bathroom. He walks out and says, "It's time." It’s shot from a first-person perspective, so I sort of felt like an observer, almost like I was right there. Things get intense when American Airlines Flight 11 stops responding and veers off course, or disappears from the radar entirely. Manhattan is the main focus in the first half, but the spotlight shifts to Flight 93 heading toward San Francisco, which the hijackers divert toward Washington, D.C. "United 93" plays out almost in real-time and starts from the terrorists' point of view. Along with the plane itself, the story jumps between five key locations: the Control Tower Newark International Airport (where United 93 took off at 8:42 AM), the control centers in Boston and New York City (where American Airlines Flight 11 and the other hijacked flights departed), the Federal Aviation Administration’s Operations command center in Virginia, and the military's operations center at the Northeast Air Defense sector (NEADS) in New York. The action jumps all over the place between these spots. Only toward the end does everything narrow down to the airplane (Flight 93) itself, headed for the White House, seen through the eyes of the hijackers. One scene that really got to me was when a worker at the Newark tower looked through binoculars and saw the plane flying low toward the Twin Towers just before the impact. It’s that exact feeling: anyone watching TV that day will understand that specific moment because they lived it too. For those who weren't even on this side of the moon, these images stay with you forever—that split second where everyone realized what was happening. It’s a tragedy that could soften even the toughest hearts, and I think Greengrass uses empathy really well without being over-the-top. I barely even noticed the music, and when it was there, it fit perfectly. Apparently, a lot of US theaters pulled the trailer from their programming because people were walking out of the cinema in tears, and some even said it was too soon for a movie like this. Oh, and one last thing—they found an actor who looks remarkably like the actual terrorist on Flight 93 (the one with the red headband in the plane).
I'm thinking of this guy:
