Samuel Murphy6 said:My bad. 😳
If you need someone to make sense of things, I'm right here.
Back then, given how things were at that time...
This one.What the group Time pulled off on their own turf was honestly next level. Even looking back from today, nobody who actually knows anything worth knowing would ever question their impact, or how Dada crushed it both as a vocalist and on bass.
The cold, hard truth. On that final Ekatarina album, there’s this beautifully articulated affirmation of everything they left behind.
Honestly, what they were pulling off—especially Dada’s solo stuff back in the day—was pretty naive if you look at it now, but there was always this heavy, serious craft behind it that still holds some lessons for us today. It's rare to find any local prog bands that don't fall into that same trap of being overly simplistic.
Back then, the only thing that actually mattered was nailing the song and pulling off a killer performance; looking like an idiot in front of people wasn't even on my radar.
Times have clearly shifted so much that you see Chloe Wilson11 today getting all worked up over some pathetic sub-tabloid trash calling Dada an old fogey.
I don't know what your type is when it comes to guys, but honestly, Taj looks better today than 90% of the kids out there who pretend they actually give a damn about rock n roll.
I don't follow everything he does closely, but I know that one song from a few years back, Fairytale of Love, well enough. It’s written and produced with such high-level AOR/mainstream pop polish that most of what’s being pumped out today just looks pathetic by comparison.
Look, I get people trashing Bregović—that’s nothing new since everyone acts like he's some kind of fraud, even if that's a total stretch—but seeing Dada Topić become the go-to target for mockery among indie kids and those who just want to feel superior? That’s actually news to me.
And that’s exactly why I was caught off guard.