Music Marketplace (Vinyl, CDs, Cassettes...)

I am currently offering the following vinyl records for sale:
Haustor - Bolero
Haustor - Third World
Haustor - Secret City
Korni Group - 1941
Pop Machine - Acid
Sunflower - My Bugs
Electric Orgasm - Warszawa 81
S vremena na vreme - S vremena na vreme
S vremena na vreme - My World
Resonance - Don't Tell Me
September - My Domovino
Group 220 - Pictures

Please feel free to reach out via private message for any further details or inquiries.

I am looking for a copy of The Cure's Love... if anyone is selling, please send the condition and price via DM.

I actually possess one myself... and it is essentially in mint condition.

Hey, I'm on the hunt for a Velvet Underground banana record on Vinyl. Looking for an edition from maybe the mid-90s or so, and it’d be great if it was in at least EX condition.

Selling or trading vinyl. Sleeve/Media condition:

Bruce Springsteen - Nebraska VG+/G+ $6.75 (USA)
Dire Straits - Dire Straits VG+/VG $10 (USA)
Jimi Hendrix - The Best of EX/VG+ $17 (USA)
Pink Floyd - Meddle VG+/VG $17 (original US pressing)

All 4 for $43.

I'm looking to pick up the Baduism album by Erykah Badu 🙂

I'm looking to sell a Queen Live 1986 record by The Cure. It’s in great shape—both the sleeve and the vinyl itself look ex. In exchange, I'm hoping to find a copy of Pink Floyd's More from the movie.

Nick Cave Vinyl for sale:

Kicking Against the Pricks NM/EX, RTVL
Tender Prey NM/EX, RTVL

Aaron Lewis11 said:I'm looking to sell a live album from 1986 by Ekaterina Velika. The sleeve and the vinyl itself are both in great shape. In exchange, I'm really hoping to find a copy of the Pink Floyd soundtrack from the movie *More*.

I also have some vinyl by North American Rhapsody and some Azra records available too... they're all in excellent condition.

I’m currently hunting for some vinyl

The Doors - L.A. Woman
The Stooges - Fun House

I’m currently on the hunt for some 12" maxi singles from the golden era of the 80s—think heavy synth-pop, new wave, electronic vibes, or anything along the lines of ethereal, alt, or indie subgenres.

I’m looking for high-quality stuff only; specifically vinyl and sleeve conditions ranging from VG+ (EX) all the way up to Mint.

I'm interested in pressings from the US, UK, Germany, Canada, or any other international editions.

Ideally, I’m looking to acquire larger quantities sourced from well-kept private collections.

Picking up the first four Zabranjeno Pušenje records—original covers included.

I am currently offering several vinyl records for sale:

The Beatles - Revolver
Pink Floyd - Dark Side of the Moon
Fleetwood Mac - Rumours

Alice Cooper’s *Killer* reissue via Warner Bros. Records.
The Banco Del Mutuo Soccorso - B.M.S. reissue on CD from Virgin.
Band Of Susans - Veil (CD, Album) (Rough Trade)
Be Bop Deluxe - Live! In The Air Age (CD, Album, RE) (Harvest, EMI)
Blondie - Eat To The Beat (CD, Album, RE, RM) (Chrysalis)
Blondie - Plastic Letters (CD, Album, RM) (Chrysalis)
Bob Marley & The Wailers - Kaya (CD, Album, Remastered Reissue) (Tuff Gong)
If you’re looking for a definitive starting point, you can’t really go wrong with Bob Marley & The Wailers' *Legend*. It’s that quintessential "Best Of" compilation—the kind of record that practically defines an entire era of music. Even though this specific version is a reissue under the Tuff Gong label, the tracklist remains the gold standard for anyone wanting to dive into his catalog without wading through deep cuts just yet. It’s polished, it’s iconic, and honestly, it’s a staple for any serious collection.
Bob Marley & The Wailers - Survival (CD, Album, Remastered Reissue) (Tuff Gong)
Bob Marley & The Wailers - Uprising (CD, Album, RE, RM) (Tuff Gong)
I finally got my hands on this reissue of Brian Eno’s *Discreet Music*. It’s one of those albums that really tests whether you actually want to listen to music or if you just want a sophisticated layer of wallpaper for your living room. Think of it like this: most modern pop is a loud, neon sign flashing in your face, demanding attention. This record is more like a dim, recessed light in a high-end hotel lobby—it’s there, it’s atmospheric, but it isn't going to start a fight with you. It’s designed to be felt rather than analyzed, which is a hard sell for people used to the constant sensory overload we deal with these days. The remastering feels solid. It doesn't feel like they took a dusty old tape and cranked the volume just to make it "loud" for modern ears; instead, it preserves that sense of space that makes ambient music work. If you're looking for a hook or a chorus, you're going to be disappointed. But if you want something to drift away to while you're staring out a window in Seattle or just trying to drown out the sound of your neighbor's lawnmower, this is exactly what you need. It's deliberate, quiet, and unapologetic about its lack of structure.
Buzzcocks - Love Bites (CD, Album) (Capitol Records)
The Clash’s *Combat Rock* (Columbia reissue) is another one for the collection. It’s a solid pressing, though if you're looking for that specific era's grit, you really have to listen to how they balanced the experimental funk stuff with their classic punk edge. It's like watching a high-budget Hollywood production try to maintain its indie street cred—it works, but you can tell there was more money behind the lens this time around. Still a heavy hitter.
David Bowie - Lodger (CD, Album, Remastered, Enhanced, Reissue) (Capitol Records)
Station to Station – David Bowie (Remastered CD, EMI)
David Bowie - Young Americans (CD, Album, RE, RM, Enh) (Atlantic)
Echo & the Bunnymen – Porcupine (CD, Remastered Reissue Compilation via Warner)
Gong - Gazeuse! (CD, Album, RE) (Virgin, Virgin)
Iggy Pop - Lust For Life (CD, Album, Reissue, Repress) (Virgin Records, US)
Jam - All Mod Cons (CD, Album, RE, RM) (Polydor)
Jam - Setting Sons (CD, Album, RM, RE, RP) (Polydor, Polydor)
Jam - Sound Affects (CD, Album, RE, RM) (Polydor)
I just picked up the Japanese import of "Gentlemen Take Polaroids." It’s one of those releases where you really have to weigh whether the extra cost for the specific pressing—whether it's the original or a remaster—is actually worth the premium. Looking at these Virgin reissues, it’s a bit like buying a vintage Mustang versus a modern restomod. You know exactly what you're getting with the classic, but sometimes that updated engineering makes the whole experience smoother. With this album, the nuances in the production are everything. If you're a collector who lives for that specific sonic texture, hunting down the right version becomes a bit of an obsession. Is it worth the markup? For me, if the remastering doesn't add something substantial to the atmosphere, I'd rather stick to the basics. But for certain albums, that specific pressing is the only way to hear it the way it was meant to be heard.
Jethro Tull - Benefit (CD, Album, RE, RM) (Chrysalis)
Jethro Tull - Stand Up (CD, Album, RE, RM) (Chrysalis, Chrysalis)
John Cale - Slow Dazzle (CD, Album, Reissue) (Island Masters, Island Records)
Joy Division – Closer (CD, Album, Reissue) (London Records)
Joy Division - Still (CD, Album, RE) (London Records)
Led Zeppelin - Led Zeppelin II (CD, Album, Remastered, Reissue) (Atlantic)
Led Zeppelin - Led Zeppelin III (CD, Album, Remastered) (Atlantic)
Led Zeppelin - Presence (CD, Album, Reissue, Remaster) (Swan Song)
Lou Reed - Street Hassle (CD, Album, RE) (Arista)
Minutemen - 3-Way Tie (For Last) (CD, Album, RE) (SST Records)
Neil Young – Hawks & Doves (HDCD, Album, RE, RM) (Reprise Records)
New Order - Movement (CD, Album, Reissue) (London Records)
Nico - The End... (CD, Album, Reissue) (Island Records)
Patti Smith Group – Radio Ethiopia (CD, Album, Reissue, Remastered) (Arista, BMG)
The Psychedelic Furs just dropped this reissue through Columbia, and I’ve been spinning it all morning. It’s their self-titled debut, and honestly, it still hits like a freight train. There’s something about that early 80s post-punk energy that modern production just can't replicate. It’s raw, it’s moody, and Richard Butler’s vocals have that specific grit that makes you feel like you're standing in a rainy alleyway in Chicago rather than sitting on your couch. It isn't polished pop; it’s textured, layered, and unapologetically dark. If you're looking for something that captures that perfect intersection of New Wave melody and punk attitude, this is it. It’s a solid addition to any collection, especially if you value atmosphere over radio-friendly sheen. Definitely worth picking up if you want to revisit a classic that hasn't lost its edge.
The Skids – *Masquerade Masquerade: The Skids Live* (CD Compilation, EMI/Virgin)
The Smiths - Hatful of Hollow (CD, Compilation, Reissue) (Warner Music)
Steel Pulse – Handsworth Revolution (CD, Reissue, Island Records)
Steely Dan - Can't Buy A Thrill (CD, Album, Remastered) (MCA Records)
Steely Dan - Countdown To Ecstasy (CD, Album, Remastered) (MCA Records)
Stevie Wonder’s *Talking Book* is one of those rare albums that doesn't just sit there—it demands you pay attention. When Motown dropped this, they weren't just releasing another record; they were releasing a blueprint for modern soul. Listening to this today, it hits differently than most old-school classics. It’s not just nostalgia; it’s pure, unadulterated musical genius. Stevie wasn't just playing parts; he was building entire sonic universes from scratch. Think about the sheer technicality involved here—it's like watching a master architect build a skyscraper using nothing but hand tools. Every layer feels intentional, every groove feels earned. If you’re looking for something that captures the intersection of raw emotion and flawless production, this is the gold standard. It’s a masterclass in how to be experimental without losing the soul that makes music feel human. If you haven't sat down and given this album a full, uninterrupted listen lately, you're missing out on a fundamental piece of American musical history.
Stiff Little Fingers - Inflammable Material (CD, Album, RE) (EMI, EMI)
Stiff Little Fingers - Nobody's Heroes (CD, Reissue) (Capitol Records)
Stranglers - (The Gospel According To) The Meninblack (CD, Album, RE) (Capitol Records)
The Stranglers' *La Folie* reissue via EMI is back on the shelves, and honestly, it’s about time we gave this era of their discography some proper respect. Looking at this CD release, you can tell they aren't just slapping a new cover on an old file; there's a certain weight to this reissue that feels earned. If you grew up listening to the gritty, post-punk energy coming out of the UK scene, you know that *La Folie* represents a specific kind of polished tension. It’s like watching a high-stakes legal drama unfold in a Manhattan courtroom—everything is controlled, methodical, and slightly claustrophobic, yet there's an underlying sense of impending chaos. They moved away from the raw, unhinged punk of their earliest days and leaned into something much more sophisticated, almost cinematic. For those who missed the original pressings or just want a cleaner digital transfer, this EMI reissue serves as a solid bridge between their experimental roots and the more structured songwriting that defined their later years. It’s a measured, deliberate listen. It doesn't scream for your attention with cheap gimmicks; it just sits there, heavy and undeniable, demanding you pay attention to the craftsmanship. If you're building a collection of essential late-70s/early-80s alternative classics, this isn't just another option—it's a requirement.
Stranglers - No More Heroes (CD, Album, Reissue) (Capitol Records)
Stranglers - The Raven (CD, Album) (Capitol Records)
Suicide - American Supreme (CD, Album) (Blast First)
I finally got my hands on this remastered reissue of Ultravox’s *Vienna* on the EMI Gold label, and honestly, I have some thoughts. It’s one of those albums that everyone treats like sacred scripture, but when you pull it out of the plastic, you realize how much weight a good remaster actually carries. Think of it like restoring a classic muscle car. You can have the most iconic engine in history—in this case, that synth-heavy, moody New Wave sound—but if the fuel lines are clogged and the tuning is off, you aren't going to feel the power. Some versions of this record feel thin, almost like they're struggling to breathe through the digital compression. This specific pressing tries to give it that extra punch, smoothing out the edges without stripping away the grit that makes the tracks hit so hard. It’s a solid addition to the collection, but I’m still skeptical about how many times these "gold" reissues are going to cycle through the market before they actually bother to fix the mastering issues once and for all. It’s decent, but let's not pretend it's a religious experience just because there's a shiny logo on the jewel case.
The Velvet Underground – The Velvet Underground (Remastered CD, Polydor)
Velvet Underground - White Light/White Heat (CD, Album, RE, RM, RP)

Burning Witch just dropped this reissue of "Crippled Lucifer" (the 10 Psalms for Our Lord of Light collection), and honestly, if you haven't sat with this double CD set yet, you're missing out on some seriously heavy lifting. It’s a massive, sprawling thing—digipak, double disc, all that good stuff—and it carries that same crushing, suffocating weight that defined their early era. It’s not just music; it's more like an atmospheric descent. If you appreciate the kind of slow-burn, doom-laden intensity that makes your chest feel tight, this is essential listening.
Crowbar’s *Broken Glass* hits like a sledgehammer to the chest. It’s heavy, it’s sludge-soaked, and it doesn't care if you're ready for it or not. If you’re looking for something polished or radio-friendly, move along—this isn't that kind of record. This is raw, unfiltered weight. The production feels intentional in its grit. It captures that specific sense of crushing pressure that defines the genre. It reminds me of those old industrial workers in Detroit or Pittsburgh—people doing grueling, repetitive, bone-breaking labor in the heat of summer. There’s a fatigue baked into these riffs, a sort of exhausted aggression that makes the music feel incredibly grounded. It’s not just noise, though. There’s a deliberate pacing here. They aren't rushing to get to the next breakdown; they let the tension build until it feels almost unbearable. It’s a slow burn that eventually erupts, much like a pressure cooker finally giving way. For anyone who appreciates metal that prioritizes atmosphere and sheer physical impact over technical gymnastics, this is a essential listen.
Crowbar - Lifesblood For The Downtrodden (CD, Album, Sli)
Crowbar – Odd Fellows Rest / Equilibrium (2xCD Compilation)
Crowbar – Sever The Wicked Hand (CD, Album)
Crowbar’s *Sonic Excess In Its Purest Form* is essentially a masterclass in sonic overkill. If you aren't looking for music that feels like being caught in the middle of a heavy construction zone in Detroit, then this isn't the record for you. It’s thick, it’s sludge-heavy, and it doesn’t care about being "pleasant" to listen to. It’s pure, unadulterated noise—but there’s a method to the madness. It reminds me of watching a demolition crew tear down an old warehouse; there’s a certain rhythmic, crushing weight to every single track. They don't bother with flashy solos or unnecessary fluff. Instead, they just lean into the heaviness until it becomes almost claustrophobic. It’s a relentless assault on the senses, much like sitting in bumper-to-bumper traffic on the I-95 during rush hour, only instead of frustration, you get this massive wall of distorted sound hitting you square in the chest. If you want something light or melodic, look elsewhere. This is for the people who want their music to feel like a physical weight.
Earth - A Bureaucratic Hunger for Extra-Capsular Extraction (CD, Comp, RM)
Harvey Milk - The Singles (CD, Compilation)
The Hidden Hand – Divine Propaganda (CD, Album)
High On Fire just dropped "Blessed Black Wings," and honestly, I’m still trying to process the sheer weight of it. It’s one thing to listen to heavy metal, but it’s another thing entirely to experience an album that feels like it was forged in a furnace and then dragged through a desert storm. If you’re looking for something polished, radio-friendly, or easy to have on in the background while you’re doing laundry, keep moving. This isn't that kind of record. It’s dense, it’s punishing, and it demands your full attention. Matt Pike’s riffs aren't just melodies; they’re tectonic shifts. It reminds me of those old-school, grit-under-the-fingernails rock bands from the seventies, but cranked up through a wall of high-gain amplifiers until the air starts to vibrate in your chest. The production doesn't feel over-sanitized like most modern releases. There’s a raw, unvarnished quality to the sound that makes it feel alive—almost dangerous. It’s structured enough to keep you from feeling lost in the sludge, but it maintains that relentless, driving momentum that defines the band's identity. It’s a heavy, deliberate piece of work that doesn't care if you like it or not, and that’s exactly why it works. If you want music with actual teeth, this is it.
High On Fire – *De Vermis Mysteriis* (CD, Album)
High On Fire just dropped "Surrounded By Thieves," and honestly, I’ve been sitting here trying to process the sheer weight of it. It’s one of those albums that doesn't just play; it hits you like a freight train coming down a one-way street in Chicago. The production is thick—almost suffocating in the best way possible. It’s got that gritty, sludge-heavy backbone that makes most modern metal feel like it was recorded in a sterile Silicon Valley lab. This sounds like it was forged in a garage in Detroit with nothing but pure grit and high-volume amps. Matt Pike’s riffs are basically the heavy artillery of the genre; they aren't just catchy, they’re tectonic. It feels less like listening to music and more like witnessing a controlled demolition. If you’re looking for something polished or radio-friendly, stay far away from this. But if you want an album that feels honest, raw, and unapologetically aggressive, this is it. It’s a heavy, deliberate masterpiece.
Mastodon – Remission (CD, Album)
Sunn O))) - White1 (CD, Album)
Sunn O))) - White2 (CD, Album)
Sword, The - Warp Riders (CD, Album)
Wino - Punctuated Equilibrium (CD, Album)
Zeni Geva - Maximum Money Monster (CD, Album, RE)
Zeni Geva - Total Castration (CD, Album)

silverviper44 said:

I’m aware, but I’m hunting for something more budget-friendly.
Between the $60 disc, shipping costs, and the hassle of having to use Western Union because they don't take PayPal over there,
it all ends up costing $200.

New CD arrivals:

CITIZEN FISH Active Ingredients - $50
CITIZEN FISH Life Size - $50 * grab both for $90
FALL Bend Sinister - $60
FALL Totale's Turns (It's Now or Never!) - $50 * grab both for $100
FROST BITE Icy Hell - $70
KING DIAMOND The Spider's Lullabye (1st press) - $70
KING DIAMOND The Spider's Lullabye (reissue) - $70
NIRVANA In Utero - $60
NIRVANA Nevermind - $60 * grab both for $100
SLAYER Christ Illusion - $50 (back cover is a bit wavy from humidity, otherwise looks mint)
SODOM Agent Orange - $70
VOIVOD Angel Rat - $150
VOIVOD Target Earth - $70 * grab both for $200
VOLCANO SUNS Farced - $70
WIRE Chairs Missing - $60

Old stock CDs and vinyl—mostly hard & heavy stuff, including a full Iron Maiden run and some tacky knick-knacks: www.craigslist.org/user/KevinChavez3

LP, graded first on the vinyl then the sleeve:

V/A Artistic Work Session VG/VG+ 170
BOOMERANG Boomerang G+/VG+ 170