Sarah Lopez6
MemberOP
38 messages
joined Mar 2007
man...
fine, I'll just take that as your personal taste, but personally, I don't see how the third one could even be remotely okay...
the first one was actually a decent little romp; it followed the plot reasonably well, had a decent twist, and the ending was predictable and totally in line with the vibe of Resident Evil 4...
nothing brilliant, nothing crazy, just some fun trash you can easily zone out to...
but then this later stuff...
man, it looks to me like the directors were just tripping over themselves because Milla wanted to star in it, so they built the entire scripts for 2 and 3 just to force her character forward—like she’s this absolute goddess, totally insane, perfect, amazing, blah blah blah...
hey...
seriously, what the hell? what does any of this have to do with anything? did everyone just completely forget WHAT IT WAS?? SURVIVAL HORROR!!
while the first one kind of stuck to the recipe—you know, she's gonna bolt, but even she gets wrecked at the end, people run and die like idiots just like they should—this just turned into some retarded comedy...
in the second one, she’s squaring off with Nemesis, crushing helicopters, killing people with telekinesis, tossing motorcycles through an entire church, blah blah blah... honestly, watching it is exhausting. It's supposed to be "gore-heavy," and it's IMPLIED that everything living is getting slaughtered... there's zero survival here, just mindless chaos and that's it. Wow, they even KILLED her off, only to show two minutes later that it doesn't matter because she's so overpowered she can't even stay dead.
And even Mila-Fantasy, which peaked in the third one, where the directors clearly ran out of ways to worship her character, so they just made a MILLION more of them. Then in the fourth, she'll probably use an army of clones to wreck Umbrella, slaughter 6 BILLION zombies, find some cat to hang out with so all 300 million Millas can blow up with him and repopulate the planet so everyone is cool and happy again, and yeah, Mila saved the world.
But putting all that Mila nonsense aside, let's look at the third one—to me, it’s got the most brain-dead script and execution out of the whole lot. Just awful...
I mean, five *5!!! years have passed, and everything looks worse than after a nuclear apocalypse (if they'd actually included one, maybe it would make sense), but everything looks like three centuries went by. Total nonsense, like that fight at the start, and the rest just boils down to intense clichés—how everyone is such a sweetheart, how a character who gets bitten will obviously keep it a secret instead of just shooting themselves in the head right then and there, how the bad guy is so bad his dad is Bush, and how the Umbrella boss is this big shot who uses a "Just Do It" ad to promote Nike, basically explaining how Umbrella is actually the future Nike corporation that conquered the world with bionic sneakers, yay.
And then, of course, we get our hero who can be controlled via satellite, fly, use telekinesis, whatever, along with a bunch of evil zombie kids who kill everything except the hero and some innocent little kids heading to the promised land of Alaska, which is apparently too far away for the virus to reach...
a true masterpiece of screenwriting and acting, really... 😂