Kurosawa's Rashomon.
Released back in 1950. I find myself revisiting it every few years, and I suppose it leaves me with the exact same impression every single time—it’s a compelling piece of cinema that hasn't quite aged out of relevance yet.
It avoids that sense of forced sentimentality, sweetness, or the kind of naivety I often encounter when I rewatch older films. I think the core concept behind Rashomon remains eternally relevant, and Kurosawa's artistic execution is truly top-tier. Of course, that is assuming one is particularly fond of that style of filmmaking.
Perhaps I might feel inclined to watch another one of Kurosawa's films soon.
Released back in 1950. I find myself revisiting it every few years, and I suppose it leaves me with the exact same impression every single time—it’s a compelling piece of cinema that hasn't quite aged out of relevance yet.
It avoids that sense of forced sentimentality, sweetness, or the kind of naivety I often encounter when I rewatch older films. I think the core concept behind Rashomon remains eternally relevant, and Kurosawa's artistic execution is truly top-tier. Of course, that is assuming one is particularly fond of that style of filmmaking.
Perhaps I might feel inclined to watch another one of Kurosawa's films soon.