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How do I become a music critic?

Started by Morgan Richardson7 · · 👁 4 views · 42 replies

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Participants Morgan Richardson7Jerry Rogers2Kyle Jackson54copperhawk19Brenda Davis3frozentiger54AWalter Cox6Sophia Lopez9wanderingraven20Matthew Johnson6Rebecca Carter10Kenneth Clark7Kevin Chavez3Joshua Green70Megan Brooks91Sean Lee7Paul Mitchell98Susan Clark10Kimberly Gomez34analogsailor16David Mitchell4Emily Thomas3Andrew Miller102 …
Morgan Richardson7 Morgan Richardson7 NewcomerOP
1 message
joined May 2009
#1 ·
I’m trying to figure out how someone actually breaks into music criticism. What does the job even entail on a daily basis?
Jerry Rogers2 Jerry Rogers2 Member
38 messages
joined Oct 2008
#2 ·
Morgan Richardson7 said:I'm curious about how one actually becomes a music critic—what does that role even entail?

Their primary function seems to be tearing down the work of people who have spent their entire lives struggling to create something meaningful. It’s quite a feat, really: sitting comfortably in an armchair, destroying everything you've built—sometimes even your spirit—in a ten-minute write-up just to pay the bills. In my experience, most of them are just deeply insecure individuals, nursing a quiet jealousy toward those with actual talent and agency, since they likely lack the ability to produce anything themselves. They need that little outlet to feel significant. If you want my honest opinion, even a streetwalker probably has a more dignified profession than a critic.

I recall once that the legendary Finnish composer Jean Sibelius remarked: "Pay no attention to what the critics say. No statue has ever been erected in honor of a critic!" 🙂
Kyle Jackson54 Kyle Jackson54 Active Member
200 messages
joined Jun 2007
#3 ·
So, what—is everyone just supposed to nod along and pretend everything is fantastic? Criticism is absolutely vital for any art form, much like it is for pretty much every other corner of society, I suppose. Now, obviously, it’s not going to sit well with me if some critic decides to write that Radiohead is nothing more than pretentious garbage, but hey, if that’s truly how you feel, then by all means, put it in print. The real issue arises when these critics are essentially on the payroll of the major record labels, acting as glorified PR agents for people who, frankly, haven't earned a shred of the hype they receive.

And if a critic manages to ruin someone's life? Well, I guess that life was already pretty much worthless to begin with, wasn't it?
Jerry Rogers2 Jerry Rogers2 Member
38 messages
joined Oct 2008
#4 ·
Don't you think people are perfectly capable of deciding for themselves whether an album, a movie, or even a certain style of dress is actually any good? I’ve personally never given much weight to what critics have to say. Besides, it often feels like they just pick a target and use their platform to tear someone down for the sake of it. 🤷
Kyle Jackson54 Kyle Jackson54 Active Member
200 messages
joined Jun 2007
#5 ·
Alright.

So, I went ahead and listened to maybe 50 albums released—whether they actually hit physical shelves or just exist as digital files—within the US over this past year (that number was a total guess, and honestly, looking back, I probably should have said 500) along with several dozen thousand from around the rest of the world. 👍

After doing all that, would you mind, please, just jotting down a few sentences about each one? I simply don't have the bandwidth to listen to everything myself—and since you're clearly such a saint who wouldn't dream of being anything but honest and sincere, I figure you'll give me the real truth without any bitterness. 👍
copperhawk19 copperhawk19 Member
13 messages
joined Dec 2009
#6 ·
Maybe first try forming a band... or perhaps just dive straight into some singing or instrumental training...
Then, if you don't make it... which, let's be honest, is pretty likely...
All that disappointment and frustration from failing can eventually turn into something "constructive"...
Like... once you realize you can't actually sing or play an instrument anymore... you could always write about music. 😛
And because of that previous failure... you'll probably find yourself looking for mistakes in everyone else's work—specifically the ones you used to make—just so you can be critical... since you're so full of them yourself...
And just like that... you've become a critic 😛 🤣
The real question now is just how good your writing actually is 😂
Brenda Davis3 Brenda Davis3 Newcomer
3 messages
joined Oct 2013
#7 ·
Honestly, with everything you just laid out, you’re practically destined for greatness given a name like Angel... if you really want people to get where you're coming from, go check out this new track by Kawasaki 3P—Angel 😁
frozentiger54 frozentiger54 Newcomer
1 message
joined May 2009
#8 ·
Okay, but what does it actually take to become a decent critic? I’d really love to get to that level, you know... without feeling like I have to just tear people down to make a point.
A Anonymous Veteran
3.6K messages
joined May 2005
#9 ·
signing up for an intensive music critic bootcamp... ☕
Walter Cox6 Walter Cox6 Newcomer
6 messages
joined Nov 2012
#10 ·
frozentiger54 said:Fine. But what does it actually take to be a legitimate critic? I’d love to achieve that without having to tear everyone else down just to make a point.

Then just review the bands you actually enjoy.
Jerry Rogers2 Jerry Rogers2 Member
38 messages
joined Oct 2008
#11 ·
Kyle Jackson54 said:Fine.
So why don't you go ahead and listen to maybe 50 albums released just here in America over the last year—both physical copies and digital streams (I’m eyeballing that number, and honestly, it probably should have been 500)—plus a few dozen thousand international releases? 👍

Once you've done that, please be a dear and write a couple of sentences about every single one of them. I simply haven't the luxury of time to sit through all of them myself, but since you clearly possess such a pure, saintly soul, I'm sure you won't want to withhold your honest, objective truths from anyone. 👍

You’re missing my point entirely. I certainly don't give a damn about critics or professional reviewers. Nor do I care about some critique regarding an artist or an album that isn't even on my radar to begin with.
And frankly, I highly doubt you have any logical reason to spend your life listening to tens of thousands of albums, especially artists you don't even like!
😉
Sophia Lopez9 Sophia Lopez9 Member
16 messages
joined Oct 2008
#12 ·
The public's taste is always the polar opposite of the critics'. Whatever a critic trashes usually sells like hotcakes, while the stuff they rave about won't even move if you gave it away for free.
wanderingraven20 wanderingraven20 Newcomer
1 message
joined Jul 2008
#13 ·
It’s pretty damn obvious when the soup is too salty—you don't need a degree to tell you that 🙏

But honestly? Most people lack the actual vocabulary to say anything meaningful. Take this book here 🙂—even thirty years after it first hit the shelves, it hasn't lost an ounce of its punch. You can grab a new edition at any decent bookstore or Penguin Random House 🙂

image
Matthew Johnson6 Matthew Johnson6 Newcomer
5 messages
joined Jan 2008
#14 ·
Morgan Richardson7 said:I'm curious about how someone actually becomes a music critic—what does that job even entail, really?

Honestly, you’ve gotta be either a bitter, washed-up musician or just some guy with way too much time on his hands and nothing better to do.
Rebecca Carter10 Rebecca Carter10 Newcomer
1 message
joined Sep 2009
#15 ·
Not at all. You need to know a whole lot more than that if you actually want to be taken seriously as a critic.

Taste and facts are two different animals. Sure, nobody can be 100% objective, but there are certain technical realities that determine whether an album actually holds water or not. You can see that yourself, fine, but you have to back it up with actual arguments—you have to write something that actually looks like a coherent thought. It’s much too easy to just bark that a band sucks or call an album garbage.
Kenneth Clark7 Kenneth Clark7 Newcomer
6 messages
joined Jul 2006
#16 ·
Matthew Johnson6 said:you’ve either got to be some bitter, washed-up musician or just a total creep with way too much time on your hands...

And honestly, what kind of life are you leading if you're spending your energy typing out anonymous posts like this on some random internet forum? 😁
Matthew Johnson6 Matthew Johnson6 Newcomer
5 messages
joined Jan 2008
#17 ·
Kenneth Clark7 said:I mean, what kind of person even thinks they need to drop anonymous posts like this on a forum? 😁

Look, maybe you're just looking for some advice, or maybe you want to help someone out—or hey, maybe you just want to dive into the deep end and troll, start an argument, or just laugh at how ridiculous people can be... honestly, I just laid out the whole purpose of a forum right there, plain and simple.
So, apparently, I have to fit into one of those little boxes just to post anonymously like this?
Later,
Kyle Jackson54 Kyle Jackson54 Active Member
200 messages
joined Jun 2007
#18 ·
Why don't you just come out and say you're a total shill right from the start?
Kevin Chavez3 Kevin Chavez3 Veteran
2.4K messages
joined Dec 2002
#19 ·
wanderingraven20 said:it’s a given that soup is salty if it actually tastes salty... 🙏

but few people possess the vocabulary to offer any real insight beyond the obvious, much like this book down here 🙂 which hasn't lost an ounce of its conviction even thirty years after its initial release. You can pick up the reissue at any decent bookstore or Barnes & Noble 🙂

image

unbound printing
though it loses some of that persuasive edge in the section where it praises the genius of the Boomtown Rats 🤷 while casually mentioning how The Clash released that "London Calling" album 🙂image
Joshua Green70 Joshua Green70 Newcomer
8 messages
joined Apr 2009
#20 ·
Jerry Rogers2 said:Plus, critics can be total bullies, using their platform just to tear someone down. 🤷

But they also know how to suck up to people... then suddenly everyone's acting like they're some kind of saint. 😁

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