#2521 ·
The year 2020? Honestly, the only ones worth mentioning from that list are *Parasite*, maybe *Knives Out*—though it felt about 20 minutes too long—and *Marriage Story*. The rest aren't even worth bringing up, not because they’re bad movies, but simply because they don't define a "year" for me. In other words, a year defined by those films just doesn't hold much weight in my book.
For me, the true highlights of 2020 were: *Parasite*, *Never Rarely Sometimes Always*, *The Father*, *Minari*, *Persian Lessons*, *Mila* (easily one of the best debuts in recent memory), and *The Hater* (my favorite film from overseas that year—highly recommended).
In this century, now that the Oscars have become somewhat irrelevant, I rarely find myself including typical Oscar bait on my annual lists. Looking back, I think only *Parasite* and *The Father* made the cut. It’s usually a mix of European or Asian cinema alongside the occasional American standout, since we still manage to produce something great every once in a while, even if it's becoming less frequent.
For me, the true highlights of 2020 were: *Parasite*, *Never Rarely Sometimes Always*, *The Father*, *Minari*, *Persian Lessons*, *Mila* (easily one of the best debuts in recent memory), and *The Hater* (my favorite film from overseas that year—highly recommended).
In this century, now that the Oscars have become somewhat irrelevant, I rarely find myself including typical Oscar bait on my annual lists. Looking back, I think only *Parasite* and *The Father* made the cut. It’s usually a mix of European or Asian cinema alongside the occasional American standout, since we still manage to produce something great every once in a while, even if it's becoming less frequent.