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Montag of Heck by Kurt Cobain

Started by Gerald Ortiz2 · · 👁 7 views · 36 replies

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Participants Gerald Ortiz2Eric Hayes61ambertinker41Jason Fowler57placidtrucker4rowdytinker3William Scott65brisklynx62goldendrifter19bluenomad2briskbison55vivideagle7William Newman2Grace Cruz4Amanda Robinson4stormyviper2
Gerald Ortiz2 Gerald Ortiz2 MemberOP
47 messages
joined Apr 2016
#1 ·
http://www.imdb.com/title/tt4229236/

Just finished watching this documentary... what can I even say? It hits you hard. You feel everything—the fear, the demon, the sorrow. It’s raw, and any true nirvana fan will tell you that. Nothing was sugarcoated or twisted...

The legend lived. Now, I know plenty of people will jump in to comment about his addiction or whatever else...
But he was just such an honest, unassuming guy...

His songs are absolute perfection, though I suppose anyone who truly understands them isn't exactly having the easiest time in life...

As long as people keep listening to his music and talking about him, he stays alive. He'll live on in our hearts forever...

Thank you for sharing so much of yourself through your music...
Gerald Ortiz2 Gerald Ortiz2 MemberOP
47 messages
joined Apr 2016
#2 ·
...obviously, if you read the post, you read it...

I tried my best not to sound pathetic here,

But seriously, the movie itself isn't bad; it doesn't go too hard on Kurt.

The catch? The film was produced by his daughter, who isn't even a fan of nirvana—she listens to Pepper and that kind of stuff.

Second point: Courtney definitely didn't love Kurt. They were likely together just because they shared certain traits. Man, she was probably the only person back then crazier than he was. He wasn't into typical people, and he certainly wasn't a typical guy himself.

Her acting all naive in the film is transparent...

A few months after Kurt passed away, Tom Grant released those audio recordings of conversations between her and Courtney, where she basically said at least now the albums would sell. That's it.

Courtney is a manipulator and a liar, which clearly didn't bother her at the time.

Kurt says everything in his songs. Right before he died, you can feel that Courtney was cheating on him. He wasn't happy. He didn't view infidelity as just a physical act; to him, it was betrayal. We're talking about a man who was incredibly emotional.

Bottom line: Courtney is living the life, with access to every drug imaginable alongside her daughter.
She's actually benefiting more from Kurt now that he's gone. Unfortunately, she maintains strict control over his catalog and his legacy... which makes sense, since that's how she makes her living.

We'll probably never know the real truth about Kurt... all we know is that he was a legend.
Eric Hayes61 Eric Hayes61 Member
20 messages
joined Nov 2015
#3 ·
Here are a few thoughts from our side regarding the film...

LINK review
ambertinker41 ambertinker41 Regular
273 messages
joined Jun 2012
#4 ·
And here’s what Buzz Osborne has to say about the whole thing 🤣
Jason Fowler57 Jason Fowler57 Member
14 messages
joined Apr 2023
#5 ·
Nirvana is an incredible band.

The editing on this movie is absolute garbage. It’s like you’re watching some kid’s home movie about his own parents, just a bunch of uncurated hunting stories thrown together.

And honestly, ending a film about Kurt Cobain by focusing on his death is just lazy and stupid. As an idea and a cultural icon, Kurt transcended being just some guy struggling with addiction, so why end it there? Nirvana and Kurt are bigger now than they ever were, and they were actually bigger back in '97 than they were in '94.

The animation is probably the only cool part.
Gerald Ortiz2 Gerald Ortiz2 MemberOP
47 messages
joined Apr 2016
#6 ·
Jason Fowler57 said:Nirvana is an incredible band.

The editing on this movie is absolute garbage. It’s like you’re watching some kid’s home movie about his own parents, just a bunch of uncurated hunting stories thrown together.

And honestly, ending a film about Kurt Cobain by focusing on his death is just lazy and stupid. As an idea and a cultural icon, Kurt transcended being just some guy struggling with addiction, so why end it there? Nirvana and Kurt are bigger now than they ever were, and they were actually bigger back in '97 than they were in '94.

The animation is probably the only cool part.


😁 I agree... especially since it was made by the two most influential people in his life...

He said it himself... he felt like people were waiting for him to die just so he could finally become a legend through some classic rock tragedy. 😁

Regarding his body—I don't hold his drug use against him. No one can tell me drugs are good; we all know they aren't. But I experience musicians through their music. In my private life, I think I’d find most musicians pretty hard to be around.
placidtrucker4 placidtrucker4 Newcomer
4 messages
joined Jun 2015
#7 ·
phonk said:well, I don't see a title above your head claiming you're some sort of professional critic... so...

I suppose other bands could be considered posers too, like AC/DC and all that garbage... it's just commercialism. This man actually had a musical vision... he was perhaps the only musician who truly loved the music itself... he wasn't just looking at the profit margins...

You're talking nonsense. I guess Kurt was a likable guy, but I'd argue nirvana was more of a cultural phenomenon than anything strictly falling under the category of genius music. Besides, you can love music as much as you want, but I don't think that necessarily makes you a better musician than someone who puts their family and friends before everything else. At the end of the day, it comes down to talent, the ability to express oneself, and hard work.

By the time they arrived, nirvana was already firmly in the MTV era, which doesn't automatically make their music bad, but I suppose it was much easier for them to get any kind of promotion compared to bands that started back in the seventies. You have to consider that nirvana emerged at a time when most of the mainstream audience was practically begging for something "new," and they just happened to fit the bill perfectly. In my view, the vast majority of people responsible for nirvana's success aren't really connoisseurs of fine music; they're more like the late 80s/early 90s equivalent of teenage girls screaming for the Beatles. In other words, the general public's sentiment and the market demand essentially required something like nirvana to exist. As I mentioned before, it feels more like a cultural phenomenon than a display of truly brilliant music.

If we were to compare the actual amount of QUALITY material this band produced against the sheer volume of various idiotic releases, TV specials, and now even the recent documentaries they've sold off, they seem much more like a commercial product than a musical entity. Of course, I suppose that has nothing to do with Kurt himself, since others exploited his image and his work—and his music—following his death.

I really don't see nirvana as being serious pioneers of anything, and I guess comparing a band for whom everything was perfectly laid out—with a market practically crying out for something of that nature—to bands like AC/DC is just pointless. Back in the seventies, people had to spend years playing in tiny clubs, working side jobs, constantly changing lineups, and slowly grinding their way up just to succeed (which, in other words, meant you actually had to possess quality for the audience to notice you, rather than just relying on a wow Effect). Ultimately, I feel that discussing nirvana's legacy and trying to compare them to legitimate legends of MUSIC is somewhat tragicomic.
Gerald Ortiz2 Gerald Ortiz2 MemberOP
47 messages
joined Apr 2016
#8 ·
placidtrucker4 said:You're talking nonsense. I guess Kurt was a likable guy, but I'd argue nirvana was more of a cultural phenomenon than anything strictly falling under the category of genius music. Besides, you can love music as much as you want, but I don't think that necessarily makes you a better musician than someone who puts their family and friends before everything else. At the end of the day, it comes down to talent, the ability to express oneself, and hard work.

By the time they arrived, nirvana was already firmly in the MTV era, which doesn't automatically make their music bad, but I suppose it was much easier for them to get any kind of promotion compared to bands that started back in the seventies. You have to consider that nirvana emerged at a time when most of the mainstream audience was practically begging for something "new," and they just happened to fit the bill perfectly. In my view, the vast majority of people responsible for nirvana's success aren't really connoisseurs of fine music; they're more like the late 80s/early 90s equivalent of teenage girls screaming for the Beatles. In other words, the general public's sentiment and the market demand essentially required something like nirvana to exist. As I mentioned before, it feels more like a cultural phenomenon than a display of truly brilliant music.

If we were to compare the actual amount of QUALITY material this band produced against the sheer volume of various idiotic releases, TV specials, and now even the recent documentaries they've sold off, they seem much more like a commercial product than a musical entity. Of course, I suppose that has nothing to do with Kurt himself, since others exploited his image and his work—and his music—following his death.

I really don't see nirvana as being serious pioneers of anything, and I guess comparing a band for whom everything was perfectly laid out—with a market practically crying out for something of that nature—to bands like AC/DC is just pointless. Back in the seventies, people had to spend years playing in tiny clubs, working side jobs, constantly changing lineups, and slowly grinding their way up just to succeed (which, in other words, meant you actually had to possess quality for the audience to notice you, rather than just relying on a wow Effect). Ultimately, I feel that discussing nirvana's legacy and trying to compare them to legitimate legends of MUSIC is somewhat tragicomic.

🥱
rowdytinker3 rowdytinker3 Member
44 messages
joined May 2023
#9 ·
It’s not a bad flick. Honestly, though, I think it would’ve hit way harder if they’d just gone full animation for the whole thing.
Gerald Ortiz2 Gerald Ortiz2 MemberOP
47 messages
joined Apr 2016
#10 ·
rowdytinker3 said:It’s not a bad flick. Honestly, though, I think it would’ve hit way harder if they’d just gone full animation for the whole thing.

It really would have been cool if 🙂
William Scott65 William Scott65 Newcomer
4 messages
joined Jun 2015
#11 ·
placidtrucker4 said:You're talking nonsense. I guess Kurt was a likable guy, but I'd argue nirvana was more of a cultural phenomenon than anything strictly falling under the category of genius music. Besides, you can love music as much as you want, but I don't think that necessarily makes you a better musician than someone who puts their family and friends before everything else. At the end of the day, it comes down to talent, the ability to express oneself, and hard work.

By the time they arrived, nirvana was already firmly in the MTV era, which doesn't automatically make their music bad, but I suppose it was much easier for them to get any kind of promotion compared to bands that started back in the seventies. You have to consider that nirvana emerged at a time when most of the mainstream audience was practically begging for something "new," and they just happened to fit the bill perfectly. In my view, the vast majority of people responsible for nirvana's success aren't really connoisseurs of fine music; they're more like the late 80s/early 90s equivalent of teenage girls screaming for the Beatles. In other words, the general public's sentiment and the market demand essentially required something like nirvana to exist. As I mentioned before, it feels more like a cultural phenomenon than a display of truly brilliant music.

If we were to compare the actual amount of QUALITY material this band produced against the sheer volume of various idiotic releases, TV specials, and now even the recent documentaries they've sold off, they seem much more like a commercial product than a musical entity. Of course, I suppose that has nothing to do with Kurt himself, since others exploited his image and his work—and his music—following his death.

I really don't see nirvana as being serious pioneers of anything, and I guess comparing a band for whom everything was perfectly laid out—with a market practically crying out for something of that nature—to bands like AC/DC is just pointless. Back in the seventies, people had to spend years playing in tiny clubs, working side jobs, constantly changing lineups, and slowly grinding their way up just to succeed (which, in other words, meant you actually had to possess quality for the audience to notice you, rather than just relying on a wow Effect). Ultimately, I feel that discussing nirvana's legacy and trying to compare them to legitimate legends of MUSIC is somewhat tragicomic.

Look, you've shared so much nonsense in your post that it’s hard to take you seriously when you call someone else out for talking nonsense. Let's break this down step by step:

Kurt was a likable guy, but I’d argue that nirvana is more of a cultural phenomenon than a collection of truly genius music.

Whether you’re a fan of nirvana or not, you have to admit the music is pure genius. Even if you think Nevermind feels a bit overplayed or commercialized, it’s an absolute masterpiece. If you browse any "best albums of all time" lists online, you'll notice Nevermind is everywhere, and that’s coming from the most relevant critics out there. It isn't by accident, either. On Rolling Stone's list of the top 500 albums ever, Nevermind landed at a massive number 17, sitting right alongside the greatest legends in music history. They have two other spots on that list as well: Unplugged in New York at 313 and in Utero at 435. Personally, I think in Utero is an incredible record, though it always seems to get underrated. It just had the misfortune of following up Nevermind, but it truly is an excellent album.

Nirvana was already well-established by the time the MTV era hit. That doesn't mean their music isn't good, but they definitely had a much easier time getting airplay compared to bands that were grinding it out back in the seventies.

I don't quite follow this logic. Are we saying it was easier for them to get exposure than it was for bands back in the 70s? If that's the case, what's the next step—just trash everything released after the 70s because MTV finally showed up?🙄

Keep in mind that Nirvana emerged right when the mainstream was starving for something "new," and they stepped into that void perfectly. Most of the people responsible for their massive success weren't necessarily connoisseurs of great music; they were more like the late 80s/early 90s equivalent of teenage girls screaming for the Beatles. In other words, the general public's mood and the market itself practically demanded the arrival of a band like Nirvana. As I’ve said before, it’s more of a cultural phenomenon than a case of pure musical genius.

Look, you have to realize that back when nirvana was hitting its stride, there were tens of thousands of bands out there on this planet. And wouldn't you know it—nirvana is the one that actually blew up. You’re talking about nirvana like they were some manufactured boy band designed by a committee, where everyone else wrote the songs and a massive marketing machine paved the way for them to succeed. It's like you think those three guys just had to learn a few dance moves, sing a little bit, and act cool to make it happen.

If you weigh the amount of ACTUAL quality material this band produced against the flood of mindless re-releases, TV specials, and lately, all those documentaries they've put out, they look more like a commercial product than a musical entity. Of course, that has nothing to do with Kurt, because it was everyone else exploiting his image and his work—and the music—after he passed away.

Every major band puts out plenty of mindless re-releases. Every single one. That includes nirvana. No matter how many of those exist, they don't diminish the actual quality of nirvana's music.

I really don't see nirvana as serious pioneers of anything. Comparing them to a band where everything was perfectly packaged for a market that was practically screaming for something like them—like AC/DC—is just pointless. Back in the seventies, people had to grind for years playing tiny clubs, working side jobs, swapping out lineups, and slowly building momentum just to make it. In other words, you had to have genuine talent for an audience to actually notice you, rather than just relying on a wow Effect. Honestly, debating any kind of legacy for nirvana by comparing them to legitimate legends of MUSIC is just tragicomic.

The way you're trashing nirvana is the same way you could trash any band. You're trying so hard to downplay and marginalize their impact. The market was also begging for bands like the Beatles or the Stones back in the sixties, so what? Are we supposed to trash them now?

Every era of music has its own specific characteristics. You're perfectly entitled to stay stuck in the seventies and refuse to acknowledge anything after that. But if you do, you're just being a dogmatic thinker, not a music connoisseur. At that point, arguing with you would be a total waste of time.

Look, I don't care for the Beatles, the Stones, The Doors, Pink Floyd, or a lot of other musical giants myself. But if I didn't understand why those bands matter and the massive impact they made on music, I'd be an idiot.
brisklynx62 brisklynx62 Member
17 messages
joined Jul 2012
#12 ·
Nirvana <3

Whatever anyone else thinks about them... even as my taste evolves or I try out different genres over the years, I guess Nirvana will always be my absolute favorite band.
Gerald Ortiz2 Gerald Ortiz2 MemberOP
47 messages
joined Apr 2016
#13 ·
brisklynx62 said:Nirvana <3

Whatever anyone else thinks about them... even as my taste evolves or I try out different genres over the years, I guess Nirvana will always be my absolute favorite band.

I'm with you on that. 😁
placidtrucker4 placidtrucker4 Newcomer
4 messages
joined Jun 2015
#14 ·
William Scott65 said:Look, you've shared so much nonsense in your post that it’s hard to take you seriously when you call someone else out for talking nonsense. Let's break this down step by step:

Kurt was a likable guy, but I’d argue that nirvana is more of a cultural phenomenon than a collection of truly genius music.

Whether you’re a fan of nirvana or not, you have to admit the music is pure genius. Even if you think Nevermind feels a bit overplayed or commercialized, it’s an absolute masterpiece. If you browse any "best albums of all time" lists online, you'll notice Nevermind is everywhere, and that’s coming from the most relevant critics out there. It isn't by accident, either. On Rolling Stone's list of the top 500 albums ever, Nevermind landed at a massive number 17, sitting right alongside the greatest legends in music history. They have two other spots on that list as well: Unplugged in New York at 313 and in Utero at 435. Personally, I think in Utero is an incredible record, though it always seems to get underrated. It just had the misfortune of following up Nevermind, but it truly is an excellent album.

Nirvana was already well-established by the time the MTV era hit. That doesn't mean their music isn't good, but they definitely had a much easier time getting airplay compared to bands that were grinding it out back in the seventies.

I don't quite follow this logic. Are we saying it was easier for them to get exposure than it was for bands back in the 70s? If that's the case, what's the next step—just trash everything released after the 70s because MTV finally showed up?🙄

Keep in mind that Nirvana emerged right when the mainstream was starving for something "new," and they stepped into that void perfectly. Most of the people responsible for their massive success weren't necessarily connoisseurs of great music; they were more like the late 80s/early 90s equivalent of teenage girls screaming for the Beatles. In other words, the general public's mood and the market itself practically demanded the arrival of a band like Nirvana. As I’ve said before, it’s more of a cultural phenomenon than a case of pure musical genius.

Look, you have to realize that back when nirvana was hitting its stride, there were tens of thousands of bands out there on this planet. And wouldn't you know it—nirvana is the one that actually blew up. You’re talking about nirvana like they were some manufactured boy band designed by a committee, where everyone else wrote the songs and a massive marketing machine paved the way for them to succeed. It's like you think those three guys just had to learn a few dance moves, sing a little bit, and act cool to make it happen.

If you weigh the amount of ACTUAL quality material this band produced against the flood of mindless re-releases, TV specials, and lately, all those documentaries they've put out, they look more like a commercial product than a musical entity. Of course, that has nothing to do with Kurt, because it was everyone else exploiting his image and his work—and the music—after he passed away.

Every major band puts out plenty of mindless re-releases. Every single one. That includes nirvana. No matter how many of those exist, they don't diminish the actual quality of nirvana's music.

I really don't see nirvana as serious pioneers of anything. Comparing them to a band where everything was perfectly packaged for a market that was practically screaming for something like them—like AC/DC—is just pointless. Back in the seventies, people had to grind for years playing tiny clubs, working side jobs, swapping out lineups, and slowly building momentum just to make it. In other words, you had to have genuine talent for an audience to actually notice you, rather than just relying on a wow Effect. Honestly, debating any kind of legacy for nirvana by comparing them to legitimate legends of MUSIC is just tragicomic.

The way you're trashing nirvana is the same way you could trash any band. You're trying so hard to downplay and marginalize their impact. The market was also begging for bands like the Beatles or the Stones back in the sixties, so what? Are we supposed to trash them now?

Every era of music has its own specific characteristics. You're perfectly entitled to stay stuck in the seventies and refuse to acknowledge anything after that. But if you do, you're just being a dogmatic thinker, not a music connoisseur. At that point, arguing with you would be a total waste of time.

Look, I don't care for the Beatles, the Stones, The Doors, Pink Floyd, or a lot of other musical giants myself. But if I didn't understand why those bands matter and the massive impact they made on music, I'd be an idiot.

You’re funny, I’ll give you that. Honestly, I pretty much stopped reading once you started rambling about critics—those pseudo-experts who refuse to step foot outside their little mainstream bubbles. They remind me of those same types of pundits who somehow thought Zinedine Zidane deserved a different spot in the race for World Player of the Year back in 2005 or 2006.

I suppose one could argue that Nirvana is essentially an average band—a well-crafted commercial product that possessed just enough quality to reach a broader demographic than someone like Ceca or Severina might. As I have mentioned before, they feel more like a marketing phenomenon than a source of lasting musical value. This becomes particularly evident when you consider that probably eighty percent of the people who ever bought their albums were either deeply depressed individuals or, in large part, young girls who almost entirely forgot about Nirvana a few years later. The small circle of people I actually know who listen to Nirvana are generally decent enough, but the vast majority of their fanbase consists of people prone to depression who, even twenty years later, haven't expanded their musical horizons in the slightest. Oh... I nearly forgot the pseudo-intellectuals and the self-proclaimed "free artists" who can sit around sipping tea for hours, philosophizing about the genius of Kurt Cobain’s songwriting and the profound emotions expressed within them—even though, frankly, almost every song sounds identical and the emotions conveyed are more or less the same every single time. It is quite simple, really. If you find yourself standing alone inside the Great Pyramid of Giza or within the walls of Chartres Cathedral, regardless of whether you are a religious person or not, you will instinctively know that the people who constructed those monuments truly understood their craft. There is a significant chance—especially in the case of the pyramid—that you might find yourself moved to tears or at least experience a genuine sense of awe. That is what true art is: something profoundly complex that triggers a unique emotional and intellectual experience within you, even if you aren't an architect who understands the subtleties of construction, nor are you musically trained enough to grasp the intricate details of great classical symphonies. In short, the people who built or composed those works evoked something deep within you or altered your state of consciousness, regardless of your level of expertise in those disciplines. Nirvana is quite the opposite. Their music is incredibly simple and basic, yet fans persist in trying to present it as something emotionally sophisticated, claiming there is hidden suffering woven into the lyrics or that the songs are inspired by profound real-life events... honestly, it's enough to make me weep. So what? You listen to it for a few hours and you just become numb; every song ends up sounding exactly the same.

Look, I don't bother arguing with trolls. It’s just not worth the energy. You go ahead and keep telling yourself that *Nevermind* belongs at number 17 on any kind of legitimate list if that makes you feel better. I guess you should just wake up one day and realize you’ve somehow slipped into a parallel universe—like some weird episode of *Star Trek* where everything is completely backwards.
goldendrifter19 goldendrifter19 Member
14 messages
joined Jul 2009
#15 ·
Sometimes I wonder—if he’d actually made it—what he would look like today and how his sound would have evolved? Would he have moved away from the grunge aesthetic entirely, or just turned into some caricature like Ozzy Osbourne, filming reality shows with his wife and daughter? It’s a damn shame... he died right at his creative peak—he could have easily dropped more great albums, whether with Nirvana or as a solo act.

The documentary is way too long and feels pretty one-sided. Does anyone know why Dave Grohl didn't take part in the filming?
Gerald Ortiz2 Gerald Ortiz2 MemberOP
47 messages
joined Apr 2016
#16 ·
goldendrifter19 said:Sometimes I wonder—if he’d actually made it—what he would look like today and how his sound would have evolved? Would he have moved away from the grunge aesthetic entirely, or just turned into some caricature like Ozzy Osbourne, filming reality shows with his wife and daughter? It’s a damn shame... he died right at his creative peak—he could have easily dropped more great albums, whether with Nirvana or as a solo act.

The documentary is way too long and feels pretty one-sided. Does anyone know why Dave Grohl didn't take part in the filming?

If you look on YouTube, there's an explanation for why he wasn't in the doc. To put it simply, he just can't stand Courtney and the kid. This documentary wasn't made out of respect; it was made for the money.

I don't think Kurt would have ever walked away from the needle. His songs suggest he wanted to be alone in this world. He just didn't love anyone—that was just his personality.
William Scott65 William Scott65 Newcomer
4 messages
joined Jun 2015
#17 ·
@placidtrucker4, I’m not going to waste my breath arguing because you clearly just don't get music. I'll say this one last time: the way you trash Nirvana is the same way you’d trash any legendary band. Since you fail to grasp Nirvana's massive impact, it’s pretty much impossible to expect you to understand the significance of groups like the Sex Pistols or the Ramones. I’d love to be blunt and give you the label your posts deserve, but I’d probably end up getting banned, so...
placidtrucker4 placidtrucker4 Newcomer
4 messages
joined Jun 2015
#18 ·
William Scott65 said:@placidtrucker4, I’m not going to waste my breath arguing because you clearly just don't get music. I'll say this one last time: the way you trash Nirvana is the same way you’d trash any legendary band. Since you fail to grasp Nirvana's massive impact, it’s pretty much impossible to expect you to understand the significance of groups like the Sex Pistols or the Ramones. I’d love to be blunt and give you the label your posts deserve, but I’d probably end up getting banned, so...

Gerald Ortiz2 Gerald Ortiz2 MemberOP
47 messages
joined Apr 2016
#19 ·
placidtrucker4 said:

And honestly, it’s not worth getting a warning over. Everyone has their own taste, right? There's no point arguing about it.
William Scott65 William Scott65 Newcomer
4 messages
joined Jun 2015
#20 ·
Gerald Ortiz2 said:And honestly, it’s not worth getting a warning over. Everyone has their own taste, right? There's no point arguing about it.

Look, this isn't about taste. I already made my point by mentioning bands I personally can't stand. You can dislike Nirvana, you can even absolutely hate them, and that's totally fine—that's just your preference. But if you don't understand *why* they are such a massive band, then you're just being dense. That's the whole issue here.

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