goldengull3 said:Registering with ASCAP exists to ensure authors receive their royalties—and to make proving ownership much simpler.
It isn't just about making proof "simpler"—it’s about providing absolute proof.
Vojko said:That said, copyright is established the moment a work is created, which includes reproduction rights. The question of registration was historically vital in the USA—which developed its own Copyright system, distinct from the continental European model of protection.
On paper, that is legally true—but you probably haven't drafted these types of legal filings or handled these specific cases, so you might not be fully acquainted with how musicians actually protect their work.
If I upload a full music video featuring a song titled, say, "my future" to YouTube, I am—legally speaking—the owner and author. However, we have already discussed what "registration" actually accomplishes and the steps required to make that musical work truly valid.
If I don't register that composition with ASCAP, someone like Miro Buljan could walk in tomorrow (please, sir, don't take offense or sue me for mentioning this in a post 🤣 ) from Tonio Cetinski's crew, completely rip off the melody, lyrics, and arrangement, and I would find myself standing in court with absolutely NO way to prove I created it.
Who came up with the composition first?
How can I prove authorship if I haven't registered it with ASCAP?
In that scenario, all those legal regulations on paper fall apart. ☕ (Theory is one thing; practice is quite another.)
I could even end up being sued by them, claiming that *I* was the one who stole it from them. 😂