Joseph Lee3
Active Member
113 messages
joined May 2005
It’s honestly wonderful to see how much Anderson has cemented himself as a director, building such a subtle, steady foundation since his 1996 debut,
Bottle Rocket.
I found it fascinating how much "Darjeeling Limited" actually echoes his first film from '96. It feels like Owen Wilson almost took the DNA of Dignan from "Bottle Rocket" and reshaped it into Francis Whitman. Both movies also inhabit this specific road trip subgenre. The bond between the three friends in "Bottle Rocket" is mirrored by the relationship between the three brothers in "Darjeeling," and in both cases, that brotherhood/friendship dynamic is shaped by the constant cycle of losing and rebuilding trust through petty secrets. Basically, there are tons of parallels between the two, even if "Darjeeling Limited" is a much more stylistically lush and narratively daring film.
I have to admit, the "Hotel Chevalier" prologue felt a little out of sync for me—at least personally—which made me start worrying that "Darjeeling Limited" might carry on with that vignette-style tone. But of course, it doesn't. "Hotel Chevalier" felt like a short film, a small idea stretched out over slow-moving imagery, whereas "Darjeeling Limited" feels like a massive concept that Anderson effortlessly unpacks into a kaleidoscope of colorful moments.
I really loved the overall message of the film and certain moments that fly in direct opposition to the ego-driven dogma Hollywood constantly pushes on us. I won't get into any plot specifics because I'm not entirely sure if spoilers are frowned upon in these review threads, but generally speaking, it's a sincere "feel-good" movie with a beautiful heart.
I was pleasantly surprised by how close "Darjeeling Limited" actually comes to my ideal version of what a movie should be, especially regarding its purpose as a work of art. I could see several key influences weaving through the film: Powell and Pressburger's "Black Narcissus," Renoir's "The River," and Cassavetes' "Husbands." There are probably other homages I missed because I'm certainly not a film scholar, but those three were loud and clear. Anderson definitely picked the right icons to look up to!