Jeremy Flores4 said:Hands down, this is the best action choreography I’ve seen in years.
Steven Spielberg knows his stuff.
The whole point of that camera work is to give you this gritty, documentary feel—like there's an actual sense of reality bleeding through. It feels like someone is just standing on the sidewalk filming the chaos with a handheld camcorder or a phone. That’s how it would actually look in real life. Honestly, the movie is several notches higher because of the cinematography alone. I’m actually thinking about giving it another watch.
Those days of Old Hollywood, where they’d just park a camera on a tripod and have actors walk in front of it, are long gone.
After meeting John Woo, who completely flipped the script on action movies by injecting them with actual artistry, now we've got Steven Spielberg pushing things in a totally different direction... toward realism.
That car chase scene? Absolutely insane.
I highly doubt those "old Hollywood days where they just put a camera on a tripod" ever really ended, because for a lot of us, watching a movie like this is exhausting, stupid, and irritating—it gives people headaches and makes them want to puke.
The film is shot without any sense of restraint. Even when I watch actual documentaries, they don't shake like this. Even if you have a camera on your shoulder, the faces shouldn't be wobbling around like they're on some damn boat. You spend the whole movie praying to God that they'll just hold the damn camera still for a second so you can catch your breath—but NO CHANCE!
If this "realistic portrayal" goes overboard, it's pure shit to me, and that's why this movie is pure shit; I couldn't even finish it in the theater because I felt like throwing up. The excessive camera shaking is idiotic, unrealistic, pathetic, and honestly, it makes me sick of directors like this.