Jacob Alvarez
Active Member
58 messages
joined Apr 2021
Are you really going to just gloss over this classic like that? What a joke of a topic. 😬
I mean, looking back, even the old posts here aren't exactly inspiring.
Let’s take it from the top:
It’s the tail end of the 90s. America and the rest of the world don't know it yet, but the era of pure prosperity and endless optimism about the future is about to hit a wall. 9/11 hasn't happened, gas is dirt cheap, Western influence is at its absolute peak, and so on.
David McNally was part of that generation of filmmakers—guys like Michael Bay—who cut their teeth making music videos and commercials. This guy is sitting poolside at some hotel when he gets handed the script for Coyote Ugly, sent over by Jerry Bruckheimer. You guys ever heard of him?
Anyway, McNally gets tasked with turning a story about women flocking to a big city chasing career dreams, only to end up as dancers in some basement dive, into a summer PG-13 hit.
The whole "dive bar" concept was basically at its zenith back then. The idea was to take some unused space, flip it into a bar over the weekend, cram a few hundred people inside, and sling cheap drinks. Then you throw in those dancers with their show to keep things moving. Article.
There are a few reasons why this movie actually matters:
- It’s probably one of the last relatively low-budget summer hits. Especially considering how "ordinary" the story is. No massive explosions, no high-octane action, no global conspiracies. Just life.
- The cast is packed with recognizable faces, even if they weren't all A-list superstars yet. Tyra Banks was already a famous model in her twenties, Andy Garcia was playing a dancer from Australia, plus Piper Perabo, Mischa Barton... and John Goodman was still doing those goofy, lovable supporting roles.
- That hit single by Leann Rimmes was one of the biggest pop tracks of the era. She even shows up near the end (though she was a minor back then, oops).
The movie is a blast! Honestly, I have no clue where people lost their ability to just enjoy a movie over the last twenty years. There aren't really any major flaws. Sure, the plot is a classic, (pre)optimistic vision of big-city life. The character names are total trash. But that’s exactly why it works. The vibe, the fashion, the dialogue—it’s quintessential late 90s. It’s like a nostalgic look back at a better past. Everything is gritty and a bit sleazy, but there’s this rosy lens over everything. They don't make movies like this anymore. 😍