#41 ·
Arthur Campbell2 said:Look, those are all pretty deep questions—really—and honestly, I don't have satisfying answers for most of them. 🤷
But none of that was the point of this thread, at least not from my perspective (and hey, I could be wrong).
The goal here was explaining specific phenomena—so, basically, I offered some explanations. I laid out the logic behind them and left room for someone else to prove me wrong. I actually enjoy learning new things, so I'm all ears for alternative theories. Beyond that, though, I don't see any need to wander off—I'm just sticking to the topic (the "box," as you put it). 🙂
Quick tangent—12 Monkeys is a great movie. 😍
When we’re just bouncing ideas around—not even really competing, just trading thoughts—why does anyone feel the need to stick to some rigid "topic framework"? What kind of boundaries are we supposed to follow when we're talking about stuff like apophenia or synchronicity? And why does there have to be this pressure for an answer to be "satisfying" in some specific way? Satisfying for who, exactly?...
Ontopick:
How can this thread just stall out like this? It’s already given enough... it's fine, kid—nobody's actually gonna get all worked up about it... really... offtopic.
Was doing some deep cleaning yesterday, sorting through my files to see what was actual trash and what was worth keeping. Stumbled upon this documentary series I’ve never even touched, let alone watched. It’s called "Earth," eight episodes total. Decided right then that the whole thing was headed for the bin, but figured I’d toss a few clips into my editor first. Thought maybe I could grab some cool shots to use for an XYZ project before I nuked the folder completely... So there I am, slicing through episode after episode, scene by scene. After grinding through all eight, I ended up with a timeline covered in endless little cuts, totaling exactly 6:34 minutes. Honestly, I have no clue why I did it. Just spent all that time making some pointless little music video for absolutely nothing...
I'm trying to figure out which track or composition actually fits this visual vibe. Nothing is hitting right now. My mind is just blank. I started thinking back to that forum thread about "parallelism"—that whole debate over whether everything is random or if it’s all rigged from the start, where the only thing set in stone is that nothing is certain... I remembered the composer behind that one piece. I took three specific segments—Axis of Evil, tabula rasa, and Nebulizer—and mashed them together into a 6:34 minute cut. I laid it out on the timeline right below, following the sequence of Earth episodes through a bunch of rapid-fire cuts. You could probably count the individual selection properties if you really wanted to...
The whole idea was to pitch this massive, all-encompassing concept. Not just some small-scale human attempt at "making something meaningful out of life"—that’s just the personal, Anthropocene way of looking at things. I'm talking about the fractal nature of existence itself. Water, rain, sand, blood, cities, tech, wealth, poverty... it's everything. It's the reality of being, the actual qualia of existing within this specific spacetime moment on Earth. Just trying to grasp the sheer totality of what it means to exist in this particular decade... drifting through an absolute ocean of time...
The way the audio and video suggestions work seems fine, but something feels off. From episode one to eight, the themes follow this totally predictable pattern. It’d be better if it were random—like, just hitting you with a bunch of shuffled cuts to mess with your head. Right now, you can basically predict the flow every single time. I actually have a script for this. Not to predict what's coming, but to just "shuffle the cuts." I just circle all the segments, hit shuffle, watch how the script rearranges them, and it works...
I hit shuffle again, still works. No matter how much I spam the button, it holds up. If we're living in a simulation, I gotta wonder—it's impossible to even wrap your head around the sheer amount of processing power needed for everything (even just calculating what a single fractal focuses on as an observer)—would it be easier for some massive supercomputer to create a deterministic world where nothing is random, or a world of organized chaos where everything is pure chance...
If you aren't just observing it but are actually part of it, how is it possible for an intelligent, curious, imaginative... being, dealing with their own "qualia," to miss the tiny details? Or the grotesque, beautiful scale of everything existing inside and outside themselves. Then I remember that not everyone is crazy, that people don't just live for mental aerobics or masturbating to the noise in their own heads... or whatever happens if those "qualia" aren't just in your mind, but are calculated by some material bioprocessor at a physical level for reasons we don't get...
I'm asking YouTube to just take the content, host the video, and call it a day without getting too hung up on copyright or fair use technicalities. It's a logical process—this sequence of ideas and willpower rising and falling from somewhere shouldn't be ignored. Wasting time producing stuff that might just end up being stumbled upon by someone, like me, while randomly scrolling through the endless digital ocean of AV content... it feels exactly like when I was smashing that shuffle button and wondering why randomness always seems to work...