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Another Year

Started by Eric Jackson68 · · 👁 4 views · 14 replies

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Participants Eric Jackson68Amanda Nguyen5Robin Murphy5northerntrucker2Alexander Hernandez32wiredbison82cosmicgull52slyrider16
Eric Jackson68 Eric Jackson68 Active MemberOP
62 messages
joined Aug 2007
#1 ·
A brand new flick from Mike Leigh is hitting theaters on January 13, 2011, titled: Another Year

image

starring: Jim Broadbent, Ruth Sheen, and Lesley Manville

synopsis: This one follows an older married couple whose lives are defined by the small, seemingly insignificant details that actually make up a lifetime. Their days are largely consumed by looking after their 30-year-old son, managing work, and hanging out with a circle of friends whose own lives are a bit of a mess.
As the year unfolds, you’ll see exactly how much happiness, resentment, or bitterness each of them is actually carrying through the choices they make.

distributed by: Discovery film

TRAILER
Amanda Nguyen5 Amanda Nguyen5 Active Member
134 messages
joined Dec 2007
#2 ·
Man, I’m telling you, Mike Leigh just keeps getting better and better.

It was such a brilliant little gem. Easily one of the best movies from last year.
Robin Murphy5 Robin Murphy5 Newcomer
4 messages
joined Jan 2011
#3 ·
Amanda Nguyen5
'A little masterpiece'?

Don't be so modest :-)
It’s a fantastic movie. Being able to portray everyday life like this—without relying on massive drama or some huge emotional outburst—and still keeping you hooked for the full 129 minutes...
it’s right on the edge of what the great Eric Rohmer used to do. That’s why it’s a perfect ten for Mike Leigh!
northerntrucker2 northerntrucker2 Member
22 messages
joined Jun 2005
#4 ·
We’re finally catching this one next week!
I am honestly counting down the days, I really am! 🙂
Amanda Nguyen5 Amanda Nguyen5 Active Member
134 messages
joined Dec 2007
#5 ·
Robin Murphy5 said:Amanda Nguyen5
'A little masterpiece'?

Don't be so modest :-)
It’s a fantastic movie. Being able to portray everyday life like this—without relying on massive drama or some huge emotional outburst—and still keeping you hooked for the full 129 minutes...
it’s right on the edge of what the great Eric Rohmer used to do. That’s why it’s a perfect ten for Mike Leigh!

There’s plenty of drama, though there's definitely zero forced catharsis.
Comparing him to Rohmer is spot on.
By "little," I mean it’s unpretentious, humble, cozy, slow, and even stylistically very stripped down.

But man... what power!
It might not be his absolute best work, but it’s right up there with his greatest hits.
Robin Murphy5 Robin Murphy5 Newcomer
4 messages
joined Jan 2011
#6 ·
Amanda Nguyen5
I agree with you word for word.
And yeah, instead of calling it major drama, it would’ve been more accurate if I’d said "dramatizing" in quotes (if you know what I mean).

One more thing for potential viewers: if you're single and feeling miserable about it, this movie is definitely not going to lift your spirits! For everyone else—go watch it!
Alexander Hernandez32 Alexander Hernandez32 Member
28 messages
joined Nov 2006
#7 ·
Robin Murphy5 said:Amanda Nguyen5
I agree with you word for word.
And yeah, instead of calling it major drama, it would’ve been more accurate if I’d said "dramatizing" in quotes (if you know what I mean).

One more thing for potential viewers: if you're single and feeling miserable about it, this movie is definitely not going to lift your spirits! For everyone else—go watch it!

See? I was actually just telling the singles they should check it out. 😁

It's a phenomenal film, though. 👍
Amanda Nguyen5 Amanda Nguyen5 Active Member
134 messages
joined Dec 2007
#8 ·
I honestly think lonely people already know they're alone, so trying to "raise awareness" about their situation feels totally redundant. If there's any point to this story, it’s shattering the illusion—held by those very same lonely people!—that being part of a couple equals happiness. On one hand, you've got the character played by Imelda Staunton, who basically kicks the whole mess into gear. Then you have Tom and Gerry, that supposedly idyllic couple. A buddy of mine actually pointed out the nameplay there—Tom and Jerry—which I totally missed at first. Their marriage isn't nearly as perfect as it looks, either. In fact, their relationship only seems successful because they pit themselves against "losers." They specifically surround themselves with people they can look down on—like that heavy-set friend, the brother, or Mary—just so they can parasite off them and convince themselves they've actually made it in life.

So, if you ask me, your warning doesn't really hold water.
Alexander Hernandez32 Alexander Hernandez32 Member
28 messages
joined Nov 2006
#9 ·
Amanda Nguyen5 said:I honestly think lonely people already know they're alone, so trying to "raise awareness" about their situation feels totally redundant. If there's any point to this story, it’s shattering the illusion—held by those very same lonely people!—that being part of a couple equals happiness. On one hand, you've got the character played by Imelda Staunton, who basically kicks the whole mess into gear. Then you have Tom and Gerry, that supposedly idyllic couple. A buddy of mine actually pointed out the nameplay there—Tom and Jerry—which I totally missed at first. Their marriage isn't nearly as perfect as it looks, either. In fact, their relationship only seems successful because they pit themselves against "losers." They specifically surround themselves with people they can look down on—like that heavy-set friend, the brother, or Mary—just so they can parasite off them and convince themselves they've actually made it in life.

So, if you ask me, your warning doesn't really hold water.

Honestly, I feel like it's more than obvious that this was just a standard joke. 🙂

Amanda Nguyen5 said:I honestly think lonely people already know they're alone, so trying to "raise awareness" about their situation feels totally redundant. If there's any point to this story, it’s shattering the illusion—held by those very same lonely people!—that being part of a couple equals happiness. On one hand, you've got the character played by Imelda Staunton, who basically kicks the whole mess into gear. Then you have Tom and Gerry, that supposedly idyllic couple. A buddy of mine actually pointed out the nameplay there—Tom and Jerry—which I totally missed at first. Their marriage isn't nearly as perfect as it looks, either. In fact, their relationship only seems successful because they pit themselves against "losers." They specifically surround themselves with people they can look down on—like that heavy-set friend, the brother, or Mary—just so they can parasite off them and convince themselves they've actually made it in life.

So, if you ask me, your warning doesn't really hold water.

I'd say you're totally missing the point here.

Or maybe I'm the one who's lost? 🤔

To me, their marriage actually seems quite stable and healthy—even the way they tend to their shared garden and enjoy the harvest feels like meaningful symbolism—and I don't see them as parasites feeding on others' misery at all. Instead, they seem like genuine friends who are always there and truly mean well whenever they try to help.

What stood out most to me was the contrast between their calm, settled life—the kind of life you'd expect (or hope for) in old age—and the messy, chaotic existence of their friend. She’s so lonely, and despite her desperate attempts to grab attention and wedge herself into other people's lives, she just can't find her place in the world, drifting closer to old age (and whatever comes after) entirely on her own.

The ending, where she finally realizes the reality of her situation, is absolutely brilliant. 👍
wiredbison82 wiredbison82 Active Member
72 messages
joined Mar 2009
#10 ·
An exceptional piece of filmmaking; it seems Mike Leigh simply doesn't miss. The character studies are brilliant, offering a much-needed reprieve from the stylistic gymnastics that seem to plague most modern cinema.
cosmicgull52 cosmicgull52 Active Member
125 messages
joined Nov 2023
#11 ·
It is a double-edged sword. It is difficult to grasp unless you have been in a similar relationship. Is he a hero or a villain? He is both.

The truth is that Tom and Gerry are trying to do what is best for their friends. However, that does not mean they aren't indulging in a bit of sinful self-satisfaction regarding how much "better" they have it. This is especially true of Mary, who in certain scenes essentially serves as Tom's verbal plaything in a game of cat and mouse. She is truly the last person who needs that.

Ultimately, it is an excellent film. At least, try to imagine it without the actress playing Mary, or even without her character at all...
Amanda Nguyen5 Amanda Nguyen5 Active Member
134 messages
joined Dec 2007
#12 ·
Alexander Hernandez32 said:Honestly, I feel like it's more than obvious that this was just a standard joke. 🙂

I'd say you're totally missing the point here.

Or maybe I'm the one who's lost? 🤔

To me, their marriage actually seems quite stable and healthy—even the way they tend to their shared garden and enjoy the harvest feels like meaningful symbolism—and I don't see them as parasites feeding on others' misery at all. Instead, they seem like genuine friends who are always there and truly mean well whenever they try to help.

What stood out most to me was the contrast between their calm, settled life—the kind of life you'd expect (or hope for) in old age—and the messy, chaotic existence of their friend. She’s so lonely, and despite her desperate attempts to grab attention and wedge herself into other people's lives, she just can't find her place in the world, drifting closer to old age (and whatever comes after) entirely on her own.

The ending, where she finally realizes the reality of her situation, is absolutely brilliant. 👍

1. Honestly, she’s aware of all that throughout the entire movie. It’s just that by the end, she finally accepts that this is how it’s going to stay. The film is basically just showing those last little flickers of hope.
2. Left to her own devices? Do you really think being alone is better than ending up like what Imelda Staunton does at the start of the film, no matter how bad things get? The movie starts and ends with close-ups of two simple, unhappy, lost women. Everything in between is just filler to plug those gaps. And what better way to fill them than with a sense of false harmony, just to make their loneliness hit even harder?
3. Always there? Well-meaning? Tom hasn't seen his brother in years, and Jerry only puts up with Mary when he absolutely has to, until he finally hits his limit near the end.

Just pay attention to how little Tom and Jerry actually have to say to each other. They mostly just echo one another and fill the silence (like "The sky is blue" --> "Is it, isn't it?"). All that stuff they do—cooking, reading, working in that garden you mentioned—it's all just a distraction so they don't have to sit down, look each other in the eye, and realize they've grown bored of one another. I'm not saying it's a failed marriage—that would be reaching—but I really think Mike Leigh is just as critical of Tom and Jerry as he is of Mary or Imelda Staunton. He just happens to have a bit more sympathy for the latter two.
slyrider16 slyrider16 Active Member
60 messages
joined Mar 2006
#13 ·
I’m a huge fan of Leigh, honestly. He just has this knack for characters—top-tier writer, and he always picks the perfect cast. Plus, he actually knows how to frame a shot; he isn't one of those script geniuses who can only direct cheap TV movies. The directing here isn't over-the-top, but his style fits the vibe perfectly. You guys have already said plenty about the script, and I mostly agree with Amanda Nguyen5, though I wouldn't be quite as harsh on Tom and Jerry (😁). That said, those moments where they clearly aren't having a blast were definitely intentional. Comparing the woman at the start to Mary was a brilliant move. If I had to nitpick, maybe they focused a bit too much on Mary, making her the de facto lead. I wish they'd spread the screen time out more between Mary, Ronnie, the son, and Ken. BTW, Ken was absolute gold... wish we had more of him.
Amanda Nguyen5 Amanda Nguyen5 Active Member
134 messages
joined Dec 2007
#14 ·
Wait, what??

Look, Mary is the lead of this movie, period. There is absolutely zero doubt about it.
Alexander Hernandez32 Alexander Hernandez32 Member
28 messages
joined Nov 2006
#15 ·
I just can't help but wonder if we're looking at this all wrong—isn't there always a way to de-escalate before things get out of hand? It seems like we're constantly rushing toward conflict without even pausing to consider the human cost. I know everyone feels strongly about their side of the argument, but shouldn't the goal be finding common ground rather than just winning an exchange? Just some food for thought. kaže:
She’s actually aware of all of it the entire time—it's just that by the end, she finally realizes nothing is going to change. I think the movie is really just there to highlight those last, desperate flickers of hope.

We all hit that moment eventually—that point where we just know things have to change. It’s inevitable, really. But sometimes, I feel like we all spend so much energy fighting it—you know, trying to push it away, putting things off, or just holding onto this slim hope that somehow, things will magically stay exactly the same? It’s something we all deal with at some point.

I’d say Mary spends the entire movie doing this—just constantly denying everything and trying to hunt for... well, something. To me, that final scene really feels like "the moment" where it finally clicks for her—that she's actually figured it out. It’s like she realizes that whatever "something" she was searching for? She probably isn't ever going to find it.

I'm just sitting here thinking about everything lately—it feels like there's always some new conflict bubbling up, isn't there? It makes you wonder if we'll ever actually get to a point where we prioritize peace over everything else. I know it sounds idealistic, maybe even a bit naive to some, but shouldn't that be the ultimate goal? Why does it feel like we're constantly bracing for the next storm instead of actually building something stable? Just my two cents, anyway. kaže:
Is she better off just being alone? I mean, does anyone actually think that—no matter how messy it gets—is a better outcome than ending up with someone like what Imelda Staunton's character did at the start of the movie? The film basically opens and closes with tight close-ups of these two women who are just fundamentally unhappy and lost. Everything in between feels like it’s just there to fill the gaps. And honestly, how else are you supposed to fill those voids? By creating this illusion of harmony—just so their loneliness can feel even more profound when it inevitably falls apart.

Of course that’s not what I meant. I honestly think the director was making a clear connection there—drawing a parallel between that woman we see at the start of the film and Mary later on. It isn't exactly ideal to be alone, but then again, you shouldn't force yourself to stay in a situation at any cost, right? That's the gist of it. As for which path is actually the lesser of two evils... well, he leaves that part up to us to figure out.

I honestly wonder if anyone else feels this way—is it just me? I’ve been sitting here thinking about everything lately, and there's just this nagging sense that we're all missing the point. It seems like everyone is so focused on being right or winning an argument that we've completely lost sight of the actual human element. Doesn't it feel like we're constantly shouting into a void? I try to stay calm, really, I do—but sometimes the noise just gets to be too much. Is it possible to actually find some common ground in this country anymore, or have we just collectively decided that conflict is our only way of communicating? I'd love to hear what you all think—if anyone is actually listening. Alexander Hernandez32 says:
Are they always there? Are they actually well-meaning? I haven't seen Tom's brother in years—not even close—and Gerry only really puts up with Mary when he absolutely has to. It’s funny how once things start reaching a breaking point, she suddenly becomes a lot to handle.

Yeah, that’s exactly what I was getting at. They show up when it actually matters. Even if they haven't seen each other in ages, they'll be right there when things get heavy—like when someone passes away and you need that support. Or, if he just needs a place to stay for a bit so he isn't walking back into an empty house alone, they'll open their doors. I mean, since when do we start measuring loyalty or love by how many months or years have passed without seeing someone? It doesn't really work like that, does it?

If we’re being totally honest, I don't see my brother that often either. In fact—to be blunt—it's actually pretty rare. But even so, I know there isn't anything I wouldn't do for him, and he’d certainly do the same for me. People move away sometimes, you know? Life happens. There are times when you just aren't physically able to sit down for a Sunday dinner together, but that doesn't mean their intentions aren't genuine. It doesn't mean they won't—and honestly, they usually *will*—show up exactly when and where they're needed most.

Mary is honestly an outlier—I really think people have been putting up with her exhausting behavior for way too long (if you can even call it "putting up" with it; let's be real, they were just enduring her). Forgive me if I’m being blunt, but if someone walked into my house and started acting that provocative and needlessly malicious, I’d show them the door myself. She definitely crossed a line with how she treated their son's fiancée. Honestly? She got exactly what was coming to her. It was deserved. The fact that Gerry chose to forgive her anyway just proves my point about her—she’s a truly good friend who won't abandon someone, no matter how much they get under her skin sometimes.

I honestly don't know how people can justify this kind of aggression—it just feels so fundamentally wrong to me. Is there ever really a version of "peace" that isn't built on someone else's suffering? I find myself questioning if we're actually making progress or if we're just spinning our wheels in the same old cycles of conflict. It’s hard to stay optimistic when you see the same patterns repeating over and over again. kaže:
Just look at how much Tom and Gerry actually have nothing to say to one another. It’s almost funny—they just end up echoing each other and circling the same drain—like saying "the sky is blue" only to hear "is it, though?" in response. They constantly invent these little activities—cooking, reading, or that garden you mentioned—just to stay busy. It feels like they’re using all that noise to avoid actually sitting down, looking each other in the eye, and realizing they've truly run out of things to talk about.

It’s honestly wild how much I disagree with your take here. For crying out loud—we’re talking about an older married couple, not some high-wire romantic drama between a clown and an acrobat at a circus. Why can't a life that's quiet and steady also be a deeply meaningful one?

Look, let’s be clear—I’m a pretty high-energy person. I get enthusiastic, I can be impulsive, and honestly? I usually have an opinion on just about everything. I’m definitely the type who wants to try every experience life has to offer. But—and there's always a but—there are moments when I just crave silence. The catch is that I don't want to be alone. It’s more about being present without the noise. The issue I run into is that most people seem to view those quiet moments as some kind of massive communication breakdown. It creates this awkward tension in the room—it's like the air gets sliced into pieces—and someone always feels the need to jump in and say something, anything at all, just to kill the silence. Why does everyone feel the need to fill the void?

I honestly don't think silence has to be a bad thing. In fact, it can be incredibly peaceful—even beautiful. I like to think of that kind of quiet as the highest form of communication there is. But let’s be real, you can't just achieve that with anyone. It's actually pretty rare. That's why I feel like Tom and Gerry have hit on something special; they’ve mastered this perfect way of being together where they don't feel the need to constantly entertain one another just to stay happy, or constantly shower each other with sweet talk just to feel loved. To me, those little moments where they just trade simple observations—like, "The sky is blue" followed by an "Is it? It really is"—are actually perfect.

You also mentioned how they’re constantly "making things up" just to avoid admitting they're bored with one another. But honestly—where exactly are you getting the idea that they're bored? What's missing from their life together? Is it the shared cooking sessions? Or maybe just sitting down to read? Even those simple moments like working in the garden—I don't see that as them running away from each other. To me, it looks like they genuinely enjoy those little hobbies they share. Sure, they might be moving at a slower pace now, but let's be real—they aren't exactly twenty years old anymore. It might sound a bit blunt, but for people at their stage in life, they actually have quite a full existence. It seems to me that even after thirty years of marriage, they've managed to keep that sense of happiness alive together.

I don’t know how you picture aging—if you even think about it that way—especially when it comes to life with a partner. But honestly? I wouldn't mind one bit if, after all those years of being young and restless (did you miss the part where they spent their entire youth traveling the world together?), I could just settle down with someone. I’m talking about spending entire days working in the garden with almost zero need for actual conversation—just a few jokes here and there, or some random, pointless comment—and then just sitting down next to them to eat some apples... okay, maybe not apples, I actually hate apples. Just sitting there, staring out into nothingness, side by side. That sounds pretty perfect to me.

To a random passerby—or maybe just someone who wasn't really paying attention—that scene might look a bit pathetic, I guess. But the truth of the matter is actually something else entirely.

I honestly don't know how people can just turn a blind eye to everything happening right now. Is it really that easy to just look away? I find myself thinking about it constantly—how we can sit here while things feel so fractured. It’s exhausting, isn't it? I truly believe there's a better way to handle these conflicts, even if it feels like an uphill battle most days. We have to keep trying to find common ground, no matter how small. kaže:
I don't mean to say I'm reading into this as some sign of a failing marriage—that would be a bit of a stretch—but it feels like Leigh is being just as critical of Tom and Gerry as she is of Mary or Imelda Staunton. It’s interesting, really... she clearly holds a certain level of affection for those last two, doesn't she?

The bottom line for me? I completely disagree with that take. There’s such a palpable connection between Mary and Imelda Staunton—it’s honestly what holds the whole movie together—but I see Tom and Gerry as the real contrast here. It’s togetherness versus loneliness. You have this beautiful family life, despite all the struggles, set against someone searching for—or buying—solace in a little red car, or sometimes even in a drink.

There are so many other lovely details, too. Beyond just the stories from their travels and everything they’ve navigated together on their journey through life (I mean, where did you even get the idea they have nothing to talk about?), there's that moment when Gerry makes a comment about how she looks, and Tom just looks at her with so much love in his eyes, telling her she’s still absolutely the most beautiful woman in the world.

That said, I’m an unapologetic optimist—I’ll always choose to look for the beauty rather than the ugliness—so I think all those points provided are more than enough arguments "for" that perspective. It would be ideal to ask the director what they think about it, though... but then again, isn't that usually how it goes? I suspect it was left up to us to decide, leaving the interpretations wide open.

Since I feel like I’ve pretty much said my piece about this film in just a few sentences (and since I’ve officially recovered from the flu and don't exactly have the energy to linger), I’m going to step out of the debate—I’ve never been a huge fan of arguing anyway—and leave some space for everyone else to share their thoughts. 🙂

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