#1 ·
This movie’s been out for over two years, but it just finally hit our theaters here in the States
Man, what can I even say? I'm totally split on this one.
The critics pretty much trashed it, but Roger Ebert and Eriq La Salle both gave it two thumbs up.
Personally, I had a blast, though it was a bit of a grind—kind of intense, maybe a little exhausting and slow toward the end, but overall a fun ride.
I haven't seen anyone break the cinematic rulebook like this in ages. Shaky shots, weird music choices, flashbacks where they don't belong, and those repetitive loops back to the past trying to fix things. It's wild.
But honestly? I can't say I hated it. In fact, I kind of loved it.
There are two standout scenes for me: that brutal shoulder shot where the arm gets ripped off, and the massacre at the end set to "Don't Tell Mom" performed by Tom Jones. That vibe is just perfect.
Also, the movie is absolutely packed with pop culture. It's been a long time since I've seen a modern production lean into it like this.
The soundtrack is all over the place, there are endless nods to old and new movies, you've got Jerry Springer and Ian Ziering playing themselves, and then out of nowhere—like a total deus ex-machina that shows up a little too late—Tom Waits pops in playing some guy with a super weird mission.
At certain points, the whole spectacle (especially with those movie references) feels deeply metatextual, but it doesn't quite commit to the bit before just ending with a crazy guy driving a TV truck.
The cast is solid. Christopher Rourke and Keira Knightley command the screen effortlessly, and that Latino actor is great too. Christian Slater has a really interesting role, Christopher Walken is an absolute legend, and Shirley MacLaine is so presence-heavy she practically carries the entire ensemble on her back.
Last but not least, Keira Knightley is just so incredibly magnetic that it actually makes sense why her character needs that "redemption."
Man, what can I even say? I'm totally split on this one.
The critics pretty much trashed it, but Roger Ebert and Eriq La Salle both gave it two thumbs up.
Personally, I had a blast, though it was a bit of a grind—kind of intense, maybe a little exhausting and slow toward the end, but overall a fun ride.
I haven't seen anyone break the cinematic rulebook like this in ages. Shaky shots, weird music choices, flashbacks where they don't belong, and those repetitive loops back to the past trying to fix things. It's wild.
But honestly? I can't say I hated it. In fact, I kind of loved it.
There are two standout scenes for me: that brutal shoulder shot where the arm gets ripped off, and the massacre at the end set to "Don't Tell Mom" performed by Tom Jones. That vibe is just perfect.
Also, the movie is absolutely packed with pop culture. It's been a long time since I've seen a modern production lean into it like this.
The soundtrack is all over the place, there are endless nods to old and new movies, you've got Jerry Springer and Ian Ziering playing themselves, and then out of nowhere—like a total deus ex-machina that shows up a little too late—Tom Waits pops in playing some guy with a super weird mission.
At certain points, the whole spectacle (especially with those movie references) feels deeply metatextual, but it doesn't quite commit to the bit before just ending with a crazy guy driving a TV truck.
The cast is solid. Christopher Rourke and Keira Knightley command the screen effortlessly, and that Latino actor is great too. Christian Slater has a really interesting role, Christopher Walken is an absolute legend, and Shirley MacLaine is so presence-heavy she practically carries the entire ensemble on her back.
Last but not least, Keira Knightley is just so incredibly magnetic that it actually makes sense why her character needs that "redemption."