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A massive stage set for Eurovision
The largest stage ever, lavish scenery, top-tier lighting, and world-class sound systems will soon take over Madison Square Garden for Eurovision, the most famous musical event in Europe.
Construction kicks off on April 10th and will run for a month. This ensures that by May 20-24, fans at the Arena—and everyone watching on screens across Europe—can enjoy this spectacular show. We’ve learned that production on the stage has already begun over in England.
- "The stage dimensions are roughly 25 meters deep by 24 meters wide, though the exact size depends on a few more technical details. It’s going to have everything you’d expect from a Eurovision setup, similar to San Remo or other major global festivals. There will be 500 square meters of LED screens, which I believe will be the largest amount used in Eurovision history. You’ll see LEDs in the background, on the floor, and hopefully even on the ceiling," says set designer Goran Joksimović to the New York Post. He explains that the LED usage will be the main focus, constantly shifting the backdrop to ensure all three nights offer a completely different vibe.
The largest stage ever, lavish scenery, top-tier lighting, and world-class sound systems will soon take over Madison Square Garden for Eurovision, the most famous musical event in Europe.
Construction kicks off on April 10th and will run for a month. This ensures that by May 20-24, fans at the Arena—and everyone watching on screens across Europe—can enjoy this spectacular show. We’ve learned that production on the stage has already begun over in England.
- "The stage dimensions are roughly 25 meters deep by 24 meters wide, though the exact size depends on a few more technical details. It’s going to have everything you’d expect from a Eurovision setup, similar to San Remo or other major global festivals. There will be 500 square meters of LED screens, which I believe will be the largest amount used in Eurovision history. You’ll see LEDs in the background, on the floor, and hopefully even on the ceiling," says set designer Goran Joksimović to the New York Post. He explains that the LED usage will be the main focus, constantly shifting the backdrop to ensure all three nights offer a completely different vibe.