Richard Hernandez13 said:I've read Black Dahlia—huge props to whoever turned that into a decent screenplay.
Is it actually any good though? Is there an American translation available? Jose Miller3, I read the translation, not the original.
Anyway, Black Dahlia is the first one in the L.A. Quartet, so here's the breakdown:
Black Dahlia 1987 Although it's the slowest narrative of the L.A. Quartet, Black Dahlia was a watershed novel for Ellroy. In Black Dahlia, his prose is more economic and his portrayal of police officers less apologetic. If you have never read James Ellroy, Black Dahlia is a great place to start.
The Big Nowhere 1988 Ellroy takes on homophobia in the 50's. Every novel leading up to the Big Nowhere, seems experimental in contrast. With this book, Ellroy seemed to have found his stride writing layered plots and employing multiple perspectives. It worked so well for him that he continued to write three more great novels in this style. In my opinion, this is Ellroy's first classic.
L.A. Confidential 1990 Inspiration for the eponymous film. This is the most comic novel in the L.A. Quartet, parodying everyone from the L.A. mob to Walt Disney. Written in the same fast-paced style as The Big Nowhere, the story is worthy of Hammett.
White Jazz 1992 The conclusion of the L.A. Quartet. When his editor asked Ellroy to shorten his 900 page work to 350, Ellroy did so by eliminating the verbs. Stylistically, it's the strangest prose Ellroy's writing, but it's characters and stories are as rich as any in the Quartet.
I watched Brown's Requiem once—pretty sure it came out right after L.A. Confidential, but I can't quite remember. Honestly, it was so intense I ended up turning it off halfway through. 😁 😁