Douglas Robinson12
Member
35 messages
joined Jan 2009
Methinks theyβre easily the best American pop band from the 90s. They just don't have that annoying, elitist indie clique vibe where everyone acts like they're too cool for school, which you definitely get with bands like Pavement. Beyond that, their quality control is incredibly consistent, theyβre deeply emotional in the best way possible, totally unpretentious, and honestly, they're one of the top two or three live bands I've ever had the pleasure of seeing... it's like being stuck right in the eye of a hurricane when they dive into one of those fifteen-minute noisy swirls (just imagine Ira tearing through pedals, while James handles bass and organ whenever he feels like itβplus some bass pedalsβand then there's Georgia on drums keeping it relatively low-key, much like Moe Tucker). To me, Painful is an absolute masterpiece, though I can hear... comes a very close second. Electr-o-pura is a great record, but I feel like it leans a little too hard on pop references ("Julia Christie, the rumors were true.... pa pa pa pa ra pa...") instead of focusing on raw human emotion and real connection. Their last full-length was also really solid, but if they don't pivot soonβand it looks like they might be trying something different with that new EP featuring the Sun Ra coverβor if they don't just break up, they risk becoming predictable. The albums released before Painful are a bit hit or miss, but hey, that was the 80s. Personally, Fakebook didn't do much for me, though it was cute enough and definitely proves YLT has great taste. BTW, they make an awesome cover band.