Portraits that inspire you
in Spirituality ·
If you want to know anything about my version of paradise, you can come straight to the source...
Lost in the blizzard of life's heat...
My thoughts are drifting away from my body...
I am searching for my lighthouse guide...
I am becoming a white snowflake of ice...
My love is dark...
Blackness condensed into a sphere of the world...
Beneath a veneer of glowing embers lies a foundation of unyielding stone...
Stone Stone
Stone Stone posting from a flower...
Damn you for being my only strength...
In those colorless nights, spent without aim or purpose...
From drunken bodies...
Into a world worn thin...
Weeping with fury and cursed by tears...
What’s the point in praying to the gods...
What is even the point of wishing for brightness in the middle of the night...
When my hands are at their absolute peak...
Tim offered the gods nothing but horns...
I won't...
I have no intention of begging the gods for mercy...
The pure bliss of your paradise...
If you want to know about my version of paradise, just ask me...
I slept on the chest of a satisfied woman...
And if you won't find it now because of that...
A quiet little corner of your neck of the woods...
I’m just about done with all the supposed blessings in this world...
I am heading back to my own slice of paradise...
Tom Bebic 1939 – 1990
Who exactly was Tom Bebic? To answer that without falling into the trap of unnecessary mystification is nearly impossible. It’s a tangled web... if you can even call it that. No matter how much we discuss this brilliant man, it always feels insufficient. We never quite manage to capture the true essence of his personal and artistic profile—one of the most original and compelling figures the American art scene has produced in recent decades. The crux of the issue is likely this: Bebic refuses to be contained within a single artistic manifesto. Any attempt to pigeonhole his body of work into specific categories only serves to create more confusion. It seems that even in death, Tom doesn't allow anyone to lecture him on what he should be... It would be an immense service to the culture if his entire legacy were finally published. It is massive, yet frustratingly scattered. Given his fascinating biographical background and his diverse, multimedia, and largely unexplored artistic estate, Bebic deserves nothing less. The sheer volume of his work is a testament to just how versatile and universal his vision truly was...
Son Land
Throughout his life, he wore just about every hat imaginable: Navy petty officer, teacher, school administrator, journalist for both Sunday California and The New York Times, court bailiff, coach for the Kansas City Chiefs, mechanic, and marine engineer. On the creative side, he was a musician, gallery owner, singer-songwriter, poet, aphorist, and performance artist. As he notes in his eccentric autobiography at the start of this volume, jumping between all these varied interests meant he never quite became what he set out to be... Yet, everything he touched was infused with genuine humanity, warmth, and a profound love for life, always deeply rooted in the people and the community around him. It was all tied together by an original sense of humor and sharp clarity. It would be wonderful to see everything contained within that artistic treasure chest... provided we don't try to measure him critically, value him through cold theory, or force him into the mandatory school curriculum. Perhaps, in a nod to his own cheeky style, we could suggest him as elective reading for a humanities seminar—something like a course on Postmodern Children's Literature. He probably would have preferred children reading him anyway, especially since his original picture books, Frane's Heroism, Three Merry Heroes, and Son Land, are still waiting to be published. During his lifetime, those were the only ones he ever shared, and they were always his favorite audience. The important thing for the future is that he is read, heard, known, and loved. We just need to avoid sloppy releases like the one from Sony Music, which put out a rather meager compilation of his songs and caught Tom's family off guard in the worst way. They are already planning for new publications in the future, including the establishment of a foundation for young artists—something that was sorely needed during Bebic's era...
A truly unique legacy...
Until that day finally arrives, editions like this one remain a fantastic alternative. Of course, there could only ever have been one publisher. Under Bebic’s wing, a whole generation of today's California music, vocal, and literary icons found their footing—including the creators behind Feral Tribune. His columns in Sunday California essentially laid the groundwork for what would eventually become that famous satirical magazine. To be even more blunt, the group TBF once joked that their name was actually an acronym for "Tom Bebic Fan."...
The Feral special edition is a singular tribute from student to mentor, curated by Predrag Lucić and Bebic’s son, Goran. It captures the author's essence perfectly. Housed in a cover designed like a botanical herbarium, the collection features nine white booklets filled with black-and-white photography, utilizing a typeface that evokes the warm, tactile impression of a vintage typewriter. A sea of photos depicts Tom in various stages of life and settings, yet one detail remains almost constant: the cigarette smoldering between his fingers. He was known to be a seasoned, educated herbalist who believed any ailment could be prevented—except perhaps lung cancer—if treated early enough. Sadly, he was right, and on February 4, 1990, Tom Bebic passed away from lung cancer.
Seven poetry booklets, a book of aphorisms, and a mathematical-algebraic-philosophical calligraphic game played in the vein of the world's finest surrealists and Dadaists make up this collection. It blends previously published works with pieces being printed for the very first time, all infused with his signature wit. Bebic had envisioned publishing his works under the wonderful title *Love Each Other, Cannibals*—the name of his first aphorism collection, which was famously promoted and sold in the restrooms of the Bellevue Hotel. That collection opens this volume. One of his aphorisms perfectly encapsulates his style: He wrote with a sharp pencil, but a blunt mind.
"Greenish Arithmetic Metamorphosis of a Green Horse in an Equation of Green Grass Eating" serves as a playful anti-poem where the author tosses around words like horse, grass, green, and graze. To push things even further into the absurd, the author suggests supplementary reading for those who might miss the point: a phone book, logarithmic tables, a census report... The book was printed on fluorescent green paper, and Bebic had fully prepared it for the press during his lifetime. Some of the transparent film layouts were preserved because he actually wanted the book to be readable underwater. This edition includes the complete publication of his first poetry book, *In Sullied Time*, and his second collection, *Tata-rataata-bum*. Though released in 1984, the latter was conceived much earlier, in 1979, dedicated to the International Year of the Child. Around that time, during the opening of the Mediterranean Games in California, Bebic devised the "Children of the Mediterranean" recital, a mix of choral singing, rock, and disco elements. Subtitled as children's poetry for adults, the poems follow the rhythm and logic of nursery rhymes. An infantile lyrical subject merges seamlessly with the poetic voice. Everything exudes a belief in humanism, specifically the innocence and sincerity of a child's world. Of all his work, this collection contains the least cynicism; it is sincere and positive in its message.
The collections *I Wanted to Be Loved*, *My Dear Primitives*, *Expose the Language*, and *Lucidarium* contain unpublished poems gathered from his partially organized handwritten estate. Most are characterized by linguistic madness—a freedom with grammar that often lands on the edge of an aphorism or a witty quip. Some pieces carry a philosophical tone, composed of concise, extremely brief lines. They are saturated with his idiosyncratic humor, frequently addressing the reader directly before delivering an (anti)punchline. A potential reader will recognize a vast range of motifs in Bebic's lines, though his poetry demands significant effort—more intuitive and emotional than purely intellectual. (Milan Pavlinovic)
Transferred from
Lost in the blizzard of life's heat...
My thoughts are drifting away from my body...
I am searching for my lighthouse guide...
I am becoming a white snowflake of ice...
My love is dark...
Blackness condensed into a sphere of the world...
Beneath a veneer of glowing embers lies a foundation of unyielding stone...
Stone Stone
Stone Stone posting from a flower...
Damn you for being my only strength...
In those colorless nights, spent without aim or purpose...
From drunken bodies...
Into a world worn thin...
Weeping with fury and cursed by tears...
What’s the point in praying to the gods...
What is even the point of wishing for brightness in the middle of the night...
When my hands are at their absolute peak...
Tim offered the gods nothing but horns...
I won't...
I have no intention of begging the gods for mercy...
The pure bliss of your paradise...
If you want to know about my version of paradise, just ask me...
I slept on the chest of a satisfied woman...
And if you won't find it now because of that...
A quiet little corner of your neck of the woods...
I’m just about done with all the supposed blessings in this world...
I am heading back to my own slice of paradise...
Tom Bebic 1939 – 1990
Who exactly was Tom Bebic? To answer that without falling into the trap of unnecessary mystification is nearly impossible. It’s a tangled web... if you can even call it that. No matter how much we discuss this brilliant man, it always feels insufficient. We never quite manage to capture the true essence of his personal and artistic profile—one of the most original and compelling figures the American art scene has produced in recent decades. The crux of the issue is likely this: Bebic refuses to be contained within a single artistic manifesto. Any attempt to pigeonhole his body of work into specific categories only serves to create more confusion. It seems that even in death, Tom doesn't allow anyone to lecture him on what he should be... It would be an immense service to the culture if his entire legacy were finally published. It is massive, yet frustratingly scattered. Given his fascinating biographical background and his diverse, multimedia, and largely unexplored artistic estate, Bebic deserves nothing less. The sheer volume of his work is a testament to just how versatile and universal his vision truly was...
Son Land
Throughout his life, he wore just about every hat imaginable: Navy petty officer, teacher, school administrator, journalist for both Sunday California and The New York Times, court bailiff, coach for the Kansas City Chiefs, mechanic, and marine engineer. On the creative side, he was a musician, gallery owner, singer-songwriter, poet, aphorist, and performance artist. As he notes in his eccentric autobiography at the start of this volume, jumping between all these varied interests meant he never quite became what he set out to be... Yet, everything he touched was infused with genuine humanity, warmth, and a profound love for life, always deeply rooted in the people and the community around him. It was all tied together by an original sense of humor and sharp clarity. It would be wonderful to see everything contained within that artistic treasure chest... provided we don't try to measure him critically, value him through cold theory, or force him into the mandatory school curriculum. Perhaps, in a nod to his own cheeky style, we could suggest him as elective reading for a humanities seminar—something like a course on Postmodern Children's Literature. He probably would have preferred children reading him anyway, especially since his original picture books, Frane's Heroism, Three Merry Heroes, and Son Land, are still waiting to be published. During his lifetime, those were the only ones he ever shared, and they were always his favorite audience. The important thing for the future is that he is read, heard, known, and loved. We just need to avoid sloppy releases like the one from Sony Music, which put out a rather meager compilation of his songs and caught Tom's family off guard in the worst way. They are already planning for new publications in the future, including the establishment of a foundation for young artists—something that was sorely needed during Bebic's era...
A truly unique legacy...
Until that day finally arrives, editions like this one remain a fantastic alternative. Of course, there could only ever have been one publisher. Under Bebic’s wing, a whole generation of today's California music, vocal, and literary icons found their footing—including the creators behind Feral Tribune. His columns in Sunday California essentially laid the groundwork for what would eventually become that famous satirical magazine. To be even more blunt, the group TBF once joked that their name was actually an acronym for "Tom Bebic Fan."...
The Feral special edition is a singular tribute from student to mentor, curated by Predrag Lucić and Bebic’s son, Goran. It captures the author's essence perfectly. Housed in a cover designed like a botanical herbarium, the collection features nine white booklets filled with black-and-white photography, utilizing a typeface that evokes the warm, tactile impression of a vintage typewriter. A sea of photos depicts Tom in various stages of life and settings, yet one detail remains almost constant: the cigarette smoldering between his fingers. He was known to be a seasoned, educated herbalist who believed any ailment could be prevented—except perhaps lung cancer—if treated early enough. Sadly, he was right, and on February 4, 1990, Tom Bebic passed away from lung cancer.
Seven poetry booklets, a book of aphorisms, and a mathematical-algebraic-philosophical calligraphic game played in the vein of the world's finest surrealists and Dadaists make up this collection. It blends previously published works with pieces being printed for the very first time, all infused with his signature wit. Bebic had envisioned publishing his works under the wonderful title *Love Each Other, Cannibals*—the name of his first aphorism collection, which was famously promoted and sold in the restrooms of the Bellevue Hotel. That collection opens this volume. One of his aphorisms perfectly encapsulates his style: He wrote with a sharp pencil, but a blunt mind.
"Greenish Arithmetic Metamorphosis of a Green Horse in an Equation of Green Grass Eating" serves as a playful anti-poem where the author tosses around words like horse, grass, green, and graze. To push things even further into the absurd, the author suggests supplementary reading for those who might miss the point: a phone book, logarithmic tables, a census report... The book was printed on fluorescent green paper, and Bebic had fully prepared it for the press during his lifetime. Some of the transparent film layouts were preserved because he actually wanted the book to be readable underwater. This edition includes the complete publication of his first poetry book, *In Sullied Time*, and his second collection, *Tata-rataata-bum*. Though released in 1984, the latter was conceived much earlier, in 1979, dedicated to the International Year of the Child. Around that time, during the opening of the Mediterranean Games in California, Bebic devised the "Children of the Mediterranean" recital, a mix of choral singing, rock, and disco elements. Subtitled as children's poetry for adults, the poems follow the rhythm and logic of nursery rhymes. An infantile lyrical subject merges seamlessly with the poetic voice. Everything exudes a belief in humanism, specifically the innocence and sincerity of a child's world. Of all his work, this collection contains the least cynicism; it is sincere and positive in its message.
The collections *I Wanted to Be Loved*, *My Dear Primitives*, *Expose the Language*, and *Lucidarium* contain unpublished poems gathered from his partially organized handwritten estate. Most are characterized by linguistic madness—a freedom with grammar that often lands on the edge of an aphorism or a witty quip. Some pieces carry a philosophical tone, composed of concise, extremely brief lines. They are saturated with his idiosyncratic humor, frequently addressing the reader directly before delivering an (anti)punchline. A potential reader will recognize a vast range of motifs in Bebic's lines, though his poetry demands significant effort—more intuitive and emotional than purely intellectual. (Milan Pavlinovic)
Transferred from

