analoggardener52 said:I honestly have no clue how to tackle that—it’s not that I’m short on ideas or inspiration, far from it—but I just don't have a crew, and I haven't mastered the technical side yet. 👎
Look, I ran into that exact same wall, so let me tell you right now: you have to FIND a crew, no matter what. Just get out there and find people—someone always knows something you don't, and that’s really the best way to kick things off. Whether it’s a film workshop, a local theater group, photography, whatever—just jump in. In the film industry, you're basically destined to work with people, so you might as well start practicing that social muscle now.
steelstag4 said:For instance, there's a film course organized by the local Film Society—take a look if you want the specifics: I took their photography workshop once, and it was decent enough.
The course is fine, but really only if you're a complete beginner.
Getting into Juilliard? You’ll probably have to try systematically for about five years straight—it feels like everyone gets in through connections. I’ve even heard of people being told to their faces that they're great and definitely deserve a spot, only to be told the seat was already reserved. It certainly explains those big acting and directing dynasties, doesn't it?
Jeff Buckley He’s got 54 years of life, 28 layers of controversy, and 52 reasons to be kind. A beautiful heart paired with a soul as vast as the Atlantic. It makes sense—there's a reason he captured everyone's heart. ----------------------------------------------------- 🙂 🙂 🙂
Emily Torres2 said:Look, buddy,🙂 😂 I couldn't care less about your "convictions." And just to be clear—I’m not putting those words in my own mouth; I’m just agreeing with them when I quote them. These are the sentiments of the global community—including, for one, the International Criminal Court regarding the former Soviet Union. And let's face it, crimes don't have an expiration date. Whether it's Ante Gotovina or some ancient Nazi like Ashner, someone eventually ends up standing before a judge.
You're being ridiculous—that same "global community" was handing out medals to Draža for his wartime contributions! And you're actually listening to them?🙂
Well, if you want to be a sheep, go ahead and let them shear you.🙂
Al Pacino... I didn't even realize it was you, Emily Torres2—so I guess your answer doesn't really surprise me. Honestly? You're going to have to show me some serious, undeniable proof before I buy into that.
Emily Torres2 said:NoWa, you really let me down here. There are some things you just don't mess with—in a civilized, rational society, you don't wear shirts featuring criminals, butchers, war dogs, or murderers, regardless of whether they’re considered icons by fringe groups or heroes by entire nations. Where do we draw the line on basic humanity and decency? What’s next—making jokes about cannibalism or pedophilia? Honestly, shame on you. 👎
😠 😠 Dammit, and how would you even know that? Since when does an accusation automatically make someone guilty? You absolute degenerates.🙂
Okay, now I feel like a total idiot. The movie is brilliant, but I didn't quite wrap my head around it—it feels more like something along the lines of Mulholland Drive, where there isn't one single "correct" explanation. Can you guys help me out here? I mostly caught the surface-level stuff—the tension between the artist and the industry, those creative spikes, and maybe the artist's own personal hell—but even that part remains a bit fuzzy to me.
Constantine said:That third episode—the one with the director in the haunted town—gave me actual chills when those cops smiled and showed their teeth. Man, I wish they’d bring that back.
That's exactly the scene I was talking about. Chills...
quietdriver3 said:Yeah, the story was solid—the fog, the small town, that whole gothic vibe
And that ending... man... I have to admit, it’s one of the creepiest endings I've ever seen. Not just because it's scary, but those faces were just straight-up unsettling... brrr...
quietdriver3 said:A friend recorded it when it aired on Fox and told me, "You've got to see this!" 😁 😁
He wasn't wrong.👍 👍 btw... is it still available anywhere? :wire:
I won't go so far as to say it's better, but I will say they failed to bake that sense of simplicity and logic into Nero that you just get with Las Vegas. If I had spent more time messing around with it, maybe I’d feel differently.
Look, I’ve spent a long time going back and forth with people on the Adobe vs. Las Vegas debate, and I usually end up siding with Adobe—but if you want to get technical, DVD Architect just doesn't hold a candle to Las Vegas for me. So, I’m sticking with my DVDLab solution.
Unbe-fucking-lievable—how many Americans were calling out 🙄 🙄
The Russian woman was the best one there🙏 🙏 Boris should have just stayed quiet and let the ladaricas sing the whole thing themselves; that moment he finally let them take over the chorus was just phenomenal.
Man, Skye isn't in the band anymore😢 😢 What a shock!
The new album is actually great—highly recommend it if you get the chance.🙏 It’s still that classic Morcheeba vibe; a little different, sure, but still hits the spot. The single "Wonders Never Cease" is killer—I've had it on repeat. The new vocalist, Daisy Martey, has an amazing voice, but let's be real, you just get used to Skye and it's hard to move on.😢
Anyway, I wish I had a better vocabulary so I could write a proper review, but since I don't: just listen to it. The album is solid.👍 🙏