Posts by Brenda Patel6

Statistically speaking, rather than these outlaws

Navajo Joe
A Pistol for Ringo
The Dirty Outlaws
The Grand Duel
Pray for the Dead and Kill the Living
Tepepa
The Ugly Ones
Django
Machine Gun Killers

we really ought to have
Face to Face
Companeros
Duck, You Called Me a Sucker
A Bullet for the General
Keoma
Cemetery without Crosses
My Name is Nobody
Django kill... If You Live, Shoot!
Run, Man, Run

Wait, am I seeing this right? Some of these films haven't even been unwrapped yet? 😁

They’ve been unwrapped; it’s just an optical illusion.

San watched Diabolik last night, and honestly, I can't believe how Mario Bava manages to craft such top-tier pulp nonsense. Absolute cult material.
Has anyone actually sat through anything by Lenzi? I caught Cannibal Ferox and it was fine, but nothing to write home about.

I feel the same way regarding Lenzi, though I might suggest the nihilistic Almost Human.

I am currently preparing myself to sit down and watch The Player - A Picture of the Times (Dr. Mabuse). I recently viewed Metropolis, which was truly a staggering piece of cinema. I cannot quite recall what else I have watched lately—perhaps Camille from 1921, though I suspect I didn't actually see it through to the end 🙄.
On various international forums, the most fervent recommendations tend to be Sunrise and City Girl by F.W. Murnau.

What on earth is this? What kind of list and breakdown is this if it doesn't even include Sergio Martin 😠? Fine, you could argue "Morte sospetta di una minorenne" is mentioned, but that’s just some hybrid mess.
And honestly, where else would you find a more obvious nod to Edgar Allan Poe than in the film "Your Vice Is a Locked Room and Only I Have the Key"?!

We really should have used the actual movie titles here. For 1970, we're talking about 'Scars of Dracula,' but based on the description, that doesn't even seem to be the film being polled. Regardless, 'Scars...' is such an odd one. It feels dated, and it's peppered with these totally unnecessary comedic bits, yet somehow more blood gets spilled in the first ten minutes than in all of Hammer's previous productions on this subject combined.

silentmarlin93 said:Absolutely nobody has anything to say? Honestly, I’d much rather have someone spit on me for my take than face this deafening silence. It just makes it look like everyone is completely clueless about what I was actually getting at... LOL

Pride comes before a fall, they say, but I simply couldn't help myself 😁. There are clearly still some enthusiasts of American genre cinema lurking here. Here is a small slice of my collection:

I’ll concede that *The Silence* belongs in the top ten absolute masterpieces of the genre, though I could never quite wrap my head around Jack Nicholson. Calling him "insane" might be a bit of an overstatement, but let’s just say he was a deeply volatile individual.
Regarding your search for a truly depraved character, you really ought to check out Al Pacino in *The Four Horsemen*.