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Posts by goldeneagle2

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Meditation - Made in America in Spirituality ·
Nice one, Jeremy Davis7—really solid stuff. Honestly, you’ve just got to make it a daily habit, like some kind of regular spiritual routine, rather than just testing the waters once or twice. It reminds me of something out of those ancient Buddhist texts—you know, those deep meditations on the infinite expanse of space (not to mention all the other ones involving the Earth's presence or basic elemental colors and whatnot). Seriously, kudos to you; that guy from the suburban neighborhood must have been some kind of master meditator in a past life to stumble onto observing infinite space just like that.
Is the Spirituality Forum actually any good? in Spirituality ·
Drake said:goldeneagle2,
what’s your take on actually changing things?
Like, what if we brought in some new people—spiritual, experienced, smart, people who actually lead with love?!

PS
Back where I grew up in Comanche, they have this rule—you only get a seat at the table to criticize if you
a ) genuinely believe you can do a better job and
b ) are actually putting in the work to make that happen.

The logic in Comanche is pretty sound, honestly. There isn't really a way to "fix" things here. People should just pick what works for them. Personally, I just stick to the first few topics at the top of the list. I glance at what Mona uploaded in those PDFs, skim through the new announcements, maybe chip in a thought here and there—and that's about it for me.
Is the Spirituality Forum actually any good? in Spirituality ·
Honestly, this forum is pretty much bottom-of-the-barrel—but not because of the platform itself, just because of the people and the absolute nonsense they talk about. I really only ever check out those first four pinned threads at the top. They’re actually decent and occasionally useful. Everything else? Not worth the bandwidth.
Just like Jerry Martin19 said—we’ve drifted way too far from actual cinema and true art. At this rate, maybe they'll start recommending we just enroll in philosophy classes instead?

Richard Howard2 said:I’m not saying morality doesn't exist—that would be a stretch—but let's be real, it certainly isn't being practiced in his version of transparency. The world operates on this double-layered strategy—a messy stack of illusions masking actual, hidden desires—and the whole thing hinges on the subconscious of the masses. People go about their business identifying with these grand moral principles, all while simultaneously sabotaging them deep down in their own minds. It's a strange loop, really.

Maybe you’re expecting too much from morality? It isn’t some grand, lofty metaphysical concept—it's not like we're debating the fabric of the universe here—but it’s pretty damn important for actually living a life. There isn't a ton of dense theory involved; it’s really just a conscious effort to live a life that’s a little more upright and, honestly, a lot easier on the conscience. I don't know if you've ever been in a spot where someone offers you a bribe or you're tempted to just swipe something that isn't yours. Obviously, there’s this internal tug-of-war between two extremes, but choosing not to do it is usually just the rational move—because the fallout ends up causing way more damage than whatever tiny benefit you get in the moment. The reason morality stays relevant—even if it is somewhat relative—is simply because most people are willing to follow rules they know are right (or, to be more precise, rules that are more useful than just acting on every primal impulse). Society aims for that middle ground, and it also acts as a sort of filter between those people who actually have the strength to lead and those who definitely don't. But let's not dive into the deep end of the psychology of true leadership just yet.

Richard Howard2 said:The system is fundamentally amoral—and the kicker is that it achieves this by loudly declaring itself to be incredibly moral. It’s actually quite clever, really; that constant performance of virtue acts as a sort of shield against any genuine moral backlash. You don't see any real contempt, only the staged kind—the sort where the actors aren't even aware they're playing parts. There is no actual practice of morality here. Every action is essentially a double act: on one level, we’re shouting about our values from the rooftops, but on the second level, we’re actively rejecting them.

The whole system is basically built on exploitation and undermining people—think Alinsky style. It’s funny, really—they go out of their way to broadcast this huge public image of morality, while behind closed doors, they’re doing the exact opposite. But that's not even the kicker. The real irony is that because there’s this persistent, manufactured sense of being "purely moral," there’s also this endless, driving urge to keep "improving" the system. It just goes in circles.

Richard Howard2 said:Society actually rewards immorality—it’s almost built into the system. We all cling to this collective delusion that we’re these incredibly moral people who actually give a damn about truth, justice, or looking out for one another, but honestly? All I see is a constant sabotage of those very ideals. If the scenario you're describing were actually the norm, the world would look nothing like it does now. For starters, George W. Bush wouldn't have cruised through two terms, and we wouldn't be stuck watching movies fueled by "wrong" morality—you know, those projects where they twist basic principles just to pad the profit margins. After all, Hollywood basically gives the audience exactly what they want, which, in a weirdly cyclical way, is how they manufacture those desires in the first place.

Look, I don't think we should be getting this exclusionary about everything. Life isn't just black and white—it’s got way too many layers and nuances for that simple binary. For instance, Americans have this innate, almost hardwired urge to step up for their neighbors. It’s deeply rooted in the culture. Just look at those grassroots fundraising campaigns online—you’ll see people aiming to raise maybe a million bucks for a local maternity ward, only to end up hitting 3.5 million because everyone chips in. That drive to help? It’s definitely there. What we lack here—and honestly, what most disenfranchised communities struggle with—is any real trust in the system itself. An American will give you the shirt off their back, but they won't trust the bureaucracy to handle it. $0.33 You could show them a photo of a sick kid, and they still wouldn't cough up $3.25 every month for the rest of their lives to some nonprofit—mostly because they don't have this nagging feeling that the system actually works. It's funny—unlike certain other communities that share a collective sense that you can actually move the needle through official channels (because they see themselves as part of the machinery, I guess), we tend to view ourselves—much like any kind of laborer—as being entirely outside the system. We figure the people running the show aren't us, so we just go about our business on the sidelines.

Of course, if you want to exploit people, you have to mentally colonize them first. You have to drill into them this sense of inferiority. All exploitation starts on a psychological level—it happens when the exploited start believing (or even craving) that the values held by the exploiters are somehow superior to their own. Take our country, for example; people here often think imported goods are inherently better than anything made domestically, or that everything will be fine as long as we sell it all off to some foreign corporation that’ll swoop in and act as our benevolent overlord on our own soil. It happens everywhere. You see it with Native American girls wanting to look blonde because they think European features are the gold standard for beauty. That’s exactly why the garbage coming out of Hollywood doesn't bother raising people with high aesthetic standards. Developing an eye for aesthetics actually develops the human mind, and frankly, that’s bad for the people doing the exploiting. But hey, progress is a beast you can't really stop.

It makes perfect sense that exploiters push their own pseudo-culture, causing the lower tiers to swap out their own heritage for something else. Sure, George W. Bush had his terms, China has its Olympics, and women in Iran aren't allowed to drive—there will always be more exploiters in the wings, but people are waking up to it, and the outcry is getting louder. Eventually, the system shifts. It won't happen overnight; it’ll be incremental, leaving room for further refinement. Struggle is basically the essence of life. It’s pretty naive to believe in some ultimate set of moral truths—or the arrival of a Messiah—that will descend one day so we can finally just go to sleep. No more fighting, no more effort, just paradise where we get white robes and golden harps... That kind of expectation is a fantasy, likely born from a misguided desire to dodge the hard work and struggle of living.

Richard Howard2 said:This societal obsession with proving and detecting everything—with uncovering some "ultimate truth" or fixing every perceived injustice or inaccuracy, regardless of whether the action actually makes sense—to the point of obsessing over the technical minutiae of every media project (like a movie), is a symptomatic effect that actually sabotages morality itself.

Hmm, there's a catch there. In Space, nothing stays still. Everything is in motion. You either evolve or you decay. You can choose to view morality as a relative value—assuming you're capable of that, anyway—representing limited but useful improvements worth fighting for. Or, you can just get disillusioned with everything and spit on the whole thing.

That disillusionment comes from the fact that the human mind naturally craves infinity and freedom from all limitations. Obviously, you won't find that in morality, which is why I say morality is valuable precisely because it is relative. You won't find it in physical objects either, but that’s hardly a reason to reject food or clothing, right? There were plenty of people who preached various forms of asceticism, but they never reached that ultimate freedom the mind instinctively seeks through that path. It's the same deal with morality—it's another finite, relative thing. It doesn't lead to ultimate fulfillment, but it provides actual, immediate utility in the real world.

That’s where art becomes vital; on one hand, it gives us a glimpse into the eternal things that exist beyond the reach of the mind, and on the other, it fosters positive connections within our relative, yet very real, world.

Richard Howard2 said:Instead of experiencing Gladiator in a way that actually respects it as a piece of art—you know, looking at it as a conceptualization of humanity and society through a historical lens—we basically sabotage ourselves. We actively avoid that. Instead, we force ourselves to treat it like some mere technical manual, obsessing over tiny little flaws in the mechanics that don't even matter to the big picture.

So where’s the actual immorality in all this? Is it because the movie isn't technically flawless, or is it because we've reached a point where we demand technical perfection instead of searching for something substantive?

Look, fine, the movie is garbage. It can honestly be viewed as nothing more than a really poorly constructed mess. It’s great for zoning out to, which I guess is its primary social function. But even on that low bar, it still demands a certain level of intelligence because it’s genuinely insulting to the viewer. And maybe that’s why it fails its own purpose—by being so mediocre, it actually contributes to the general decline of everything from culture and ecology to religion and economics... though I doubt the filmmakers intended for that to happen; those things just sort of happen on their own.

Richard Howard2 said:Things aren't simple at all, and honestly, let's just avoid this debate here. Let's not "pollute" the thread with philosophy again.

Sure, we definitely earned a ten-day ban on this topic and an exile to the desolate wasteland of philosophical junk. Straight to the ninth circle of hell for me. 😂 I swear, I won't bother anyone with morality or my pseudo-philosophizing anymore!
Richard Howard2 said:I find this constant urge from the public—this desperate need to constantly prove to themselves that they’re actually practicing some kind of high moral standard—to be pretty fascinating. It manifests in all sorts of ways, including this obsession with nitpicking things like historical accuracy in a blockbuster movie, which, let's be honest, is almost always completely irrelevant to the actual experience.

It’s pretty obvious that this whole drive stems from the fact that morality just isn't part of the equation—it simply doesn't exist here.

We go to these ridiculous lengths to convince ourselves we aren't being played—as if all the media spin in the world could somehow manufacture a "fake" truth that actually sticks. It’s become this almost obsessive ritual, really—we bury ourselves in statistics, dusty archives, historical data, and that whole performance of "objectivity." We lean hard on rationalism and skepticism like they're some kind of shield, just trying to stay one step ahead of the narrative.

This list isn't really anything more than just another version of a million other debates—you know, like those endless arguments over which sci-fi flick is actually scientifically accurate and which ones are just pure fantasy.

It’s the same old tired pattern with these kinds of debates—you get these self-appointed "prophets" or our supposed saviors swooping in to lecture us. They love to drop these massive truth bombs about how movies are historically inaccurate, or they go on these long-winded rants about morality, acting all high and mighty by pointing out what *should* have happened instead of just accepting what actually is on screen. It's always the same.

It all leads to this weird spectrum of absurdity—you’ve got the banal stuff, where you start wondering if a movie should just be shot like a documentary just to earn some shred of legitimacy, whether you're viewing it as "art" or just another product on a shelf. Then you hit the more convoluted nonsense—like the idea that a film's primary job is to avoid offending anyone by being historically inaccurate. It's a ridiculous standard, considering how almost every major work of art throughout history has fundamentally reshaped the very history it was trying to depict.

This whole "political correctness" exorcism—which is really just a convenient excuse for why the world has become so obsessively nitpicky about everything ever created—is nothing more than a placebo. It’s a temporary fix for people like us, who just sit there passively and swallow whatever the media serves up on a silver platter without a second thought.
Honestly, the media has just conditioned us into this absurd obsession with seeking external validation—this constant, nagging need for legitimacy that we all seem so damn proud of.

I find the whole argument that morality doesn't exist in our daily lives to be pretty questionable, honestly. I mean, at its core, being human is about empathy—that basic connection to others—which naturally leads to the idea that we shouldn't go around causing unnecessary suffering. It’s pretty straightforward stuff; you’d get the same sentiment from Immanuel Kant as you would from Jesus—basically, don't do to others what you wouldn't want done to yourself. You don't really need a PhD to see that this is the foundation of goodwill. It’s a cardinal human value that drives progress and personal growth, or whatever. So, to me, morality isn't some abstract philosophical concept meant for high-society debates and salon arguments—it's just an everyday truth we live by.

This actually ties back to art, because that progressive way of behaving—you know, being rooted in truth and actual good intentions—eventually shows up in the filmmaking itself. If someone’s goal was clearly just to rake in a quick paycheck, then honestly, I don't even have anything left to say regarding the "artistic merit" of the project. It isn't just about whether the director nailed the technical minutiae—like, did the Romans hold their color formations correctly, did they have saddles, or were they sitting around eating ketchup and fries? No. It goes deeper than that. It bleeds into how shallow the emotional beats are, the character development, the pacing, the dialogue, all of it. One shallow deception leads to another, and you end up with a total pile of garbage that anyone with a shred of taste or intellect can barely stomach once, let alone ever watch again. Is that really the hallmark of a work of art, or is it just a failure? What exactly draws us back to a film like that? What feelings does it stir up in us? Nothing—maybe just a sense of disgust and a smirk.

The human mind—mostly because it’s wired to crave truth and basic morality—can sniff out a scam like this from a mile away. It doesn't just see through the deception; it genuinely despises it. If you look at the whole trajectory of human culture, it’s basically just one long, messy search for truth and justice—the everyday kind, sure, but also that deeper stuff that exists far beyond what we can actually wrap our heads around or put into words. Art is much the same way as mysticism—it's a path toward that state where the mind finally stops its endless, noisy chatter. To borrow a thought from Aristotle, art should be about catharsis—a real cleansing. It should strip away the mundane, the petty, and the profane, leaving a person in a state of genuine awe and bliss. Or at least, it should try to.
Mezomorph said:Sorry, Rista, but that’s just nitpicking—you're basically just overanalyzing things to mask the actual experience of watching the movie. 👎

There’s this one movie about Cleopatra—I can’t quite wrap my head around the title right now—that I remember catching on the Hallmark Channel. There’s this one specific scene where she turns to Caesar and goes, "Look, the pyramids! Nobody even knows who built them or why..."😂

I mean... where’s the logic in that? You've got this Egyptian queen—who, let's be real, is actually part of Ptolemy’s Hellenistic dynasty, so her Greek family has been running the show in Egypt for generations, surrounded by Egyptians and priests and all that—and you're telling me she’s never once heard about who built the pyramids or why? It's just wild. Honestly, doesn't that kind of stupidity totally kill the whole cinematic experience for you?

I don't know—call it nitpicking if you want, but for me, that kind of thing just completely kills the vibe of the movie. 🤷

It’s just like that series by Fazli's Vrdoljak... you know, that absolute garbage—what was it called again? The one with Goran Visnjic, about those militias fighting in the Midwest... I can't even remember the title anymore.

It’s just a total distortion of historical facts—honestly, it’s offensive to anyone with decent taste, common sense, or even a shred of basic culture. It completely ruins that specific cinematic experience you're supposed to get from a movie like this.
If I can jump in here, dear Woody—*Gladiator* is absolute garbage because it completely butchers how people actually acted back in ancient Rome. Take that opening battle between the Romans and the Germans, for instance; it’s a total disaster. The Roman army looks less like a disciplined force and more like an undisciplined mob of street thugs. If you actually want to see what military discipline looked like, go watch the HBO series *Rome*. The Roman legions fought shield-to-shield; nobody was allowed to just break formation and charge out into a field to fight one-on-one against the enemy without permission. What were they, musketeers or something? In a real unit, their own centurion would have taken their head off after the battle for that, and during the fight, the line of legionary shields would have just closed up over them—they’d be written off as dead, and a soldier from the second rank would just step up to fill the gap. And then, after the fight, they’re all dancing around and rolling on the ground with joy? What is this, some kind of festival? It’s like watching a chaotic riot break out in Memphis. That level of breakdown in discipline would have been met with death. They should only have been allowed to celebrate if they were actually permitted to, not every time a soldier gets a little rush of adrenaline. And that’s just the first few scenes—after that, the Hollywood stupidity just keeps piling up for the rest of the movie. For a real look at Rome, watch *ROME*.
First US edition of Kabbalah Today - articles in Spirituality ·
So, what’s your take on this link from The New York Times:
http://www.grombol.com/pregled1.asp?kat=kabala
First US edition of Kabbalah Today - articles in Spirituality ·
Hey Harmonije, what’s the take on reincarnation from the folks over at The New York Times? If you don't mind digging into it—and you know where to find the good stuff...
First US edition of Kabbalah Today - articles in Spirituality ·
Great idea—I’ll drop some copies off at the top-tier coffee shops, bakeries, and tea houses around town so the local crowd can get their hands on them. I might even bring some by the local yoga studio, too. Could you include a general cover letter with them? Just a simple inquiry to see if they’d be interested in placing an order. We’ll give away the first issue for free so they can pass it along to their regulars and members, but after that, they'll need to subscribe. Now, if you feel like making these is becoming a bit of a money pit, we could always just ask people to toss a few bucks into a donation fund or whatever you're using for the project as a way to show support. What do you think? Send me about 10 to 20 copies along with that letter, and I'll make copies of it myself—we'll see how much interest we actually get before moving forward.
First US edition of Kabbalah Today - articles in Spirituality ·
Brian Foster3, is there any way to actually order or pick up those Kabbalah publications in print? Like, can I find them in a physical format somewhere?
First US edition of Kabbalah Today - articles in Spirituality ·
So, Brian Foster3, where can I actually pick up this magazine? You got a link or something? I actually went ahead and printed out your latest write-up—it was quite the read—and sat there sipping coffee with my wife during our morning routine, just taking it all in. It would be pretty great if they stocked this stuff at my usual spots—you know, my favorite local cafes and bakeries—so I could catch up on it when I drop by, and maybe even give the rest of the neighborhood something decent to read for once.
First US edition of Kabbalah Today - articles in Spirituality ·
Hey there, Harmony—good to see you back in the mix. I’ve been hoping you spent your time away actually hitting the books and making some real headway with your studies over these last few months. Honestly, it would be a crime to let this stuff just sit around, so do me a favor and get some of these writings posted on some other forum or two!
Patandjali IV, 15 in Spirituality ·
I stumbled upon this pretty interesting link regarding one of those original Kriya Yoga lineages that’s been steadily evolving and being nurtured over in India (Bangladesh) by followers—you know, the swamis—who decided not to head out to the West:

http://www.kriyayogabook.org/index.html

Since a lot of the Western branches of this tradition today have such questionable roots—to put it mildly—this could actually serve as a solid roadmap for anyone trying to dig into the real history of this kind of yoga.

As for the Bihari School of Yoga, here is one of their more high-quality links:

http://www.yogamag.net/
Patandjali IV, 15 in Spirituality ·
The reality that actually exists and the one you think you see are fundamentally the same thing. It’s just that an enlightened person perceives them as a single unit—while everyone else sees a bunch of separate, disconnected pieces.
Patandjali IV, 15 in Spirituality ·
John Doe said:"Wisdom belongs to the old, but a child's heart remains pure."

Kind of like what one of those big-shot New Age gurus would say—we basically have to become like a rose clinging to a wall, because if we don't truly grasp the essence of what a rose is... how are we ever going to figure out who we actually are?
Patandjali IV, 15 in Spirituality ·
There’s this idea floating around—sort of an old-school philosophical take—that reality is actually just one single thing. It’s only perceived by someone who has managed to rise above the noise of basic sensory input and all those mental loops our brains run based on whatever stimuli hit our senses. For anyone still stuck in that loop of seeing and thinking—you know, just reacting to what’s right in front of them—reality looks like this messy, fragmented collection of different things. People see differences everywhere, which leads to all sorts of conflicting thoughts... but honestly? They’re all missing the mark. None of it is quite capturing what reality actually is.
Patandjali IV, 15 in Spirituality ·
vastusamye cittabhedattayorvibhaktah panthah/

Matter-space, reality
samya — identical, level (used here in the locative case)
So, the translation would be: within the same space, in the same reality

cittabhedya—split, cleavage
(using the -ad, or rather -at suffix here, which denotes the ablative, meaning "from" or "due to")
Which means: due to the splitting of consciousness, the fragmentation of perception

tayor—of that
vibhaktah—separation, division
panthah — paths (plural)

A doslovan translation:
Due to the split of consciousness within the same reality, the separation of those paths.

The gist:
Reality and consciousness aren't the same thing. Reality stays singular, while the consciousness perceiving it isn't necessarily so—it can be multifaceted.
Lady Gaga (What a Wonderful World) in Movies ·
That was an incredible movie—definitely worth your time. Honestly, after being stuck wading through so much mediocre, big-budget Hollywood garbage lately, this really hit home. It feels like only independent American cinema can still produce something this raw and powerful. I’m not even sure what got to me more—was it the sheer intensity of the storytelling, or just the heavy reality of the artist's actual life? Probably both at once, if I'm being honest.
Siddhartha in Spirituality ·
I mean, I get it—spiritual enlightenment isn't exclusive to one specific lifestyle. You can find it whether you're living a quiet family life, following a monastic path, or just wandering through some desert somewhere. But here’s the kicker: you actually have to do the work. You need a practice. It doesn't matter if you're in a monastery, sitting in your bedroom next to your spouse, or just hanging out by a pool in Scottsdale—the setting is secondary. What matters is the actual spiritual discipline. That's a pretty huge distinction. And honestly, that’s where this book misses the mark. Hess doesn't really convey that because, well, he wasn't even conscious of it himself. In my opinion, that’s the fundamental flaw here.