#1 ·
So, I thought to myself, Gilliam—that lucid cinematic charmer—actually gets a chance to make something decent once in a while. Why not head out and see what he’s cooked up lately? Uh, there would be plenty on that list, so maybe better to just get into why one should actually go...
Two brothers, Jacob and William Grimm, spend their time making a buck off the superstitions of the common folk, all while jotting down those fantastic tales they’re supposedly experts in—stories of good and evil doom. But during one of their travels, they end up becoming part of a story where all those motifs we grew up with through their magical tales start intertwining. It’s actually quite interesting how Gilliam managed to stitch together a coherent whole; it loses its thread and concept at times, sure, but hey, it's fantasy, so anything goes. Traveling through a world built like this becomes a stylistic adventure with a few decent bits where laughter and fear swap places effectively, if predictably. Add to that a certain lack of charisma from the two leads, and you've got an interesting afternoon at the theater that you'll likely forget in less than 24 hours. I have to point out Peter Stormare's performance as the Italian officer; it was quite good. But when directors start pushing their own kids into their movies, you know the film is in trouble.
A lot of people on IMDb compare this movie to Sleepy Hollow, and they're right—SH was done much, MUCH better, with a far better sense of rhythm and storytelling. I expected a little more from Gilliam, honestly.
Rating: ** of *****.
Two brothers, Jacob and William Grimm, spend their time making a buck off the superstitions of the common folk, all while jotting down those fantastic tales they’re supposedly experts in—stories of good and evil doom. But during one of their travels, they end up becoming part of a story where all those motifs we grew up with through their magical tales start intertwining. It’s actually quite interesting how Gilliam managed to stitch together a coherent whole; it loses its thread and concept at times, sure, but hey, it's fantasy, so anything goes. Traveling through a world built like this becomes a stylistic adventure with a few decent bits where laughter and fear swap places effectively, if predictably. Add to that a certain lack of charisma from the two leads, and you've got an interesting afternoon at the theater that you'll likely forget in less than 24 hours. I have to point out Peter Stormare's performance as the Italian officer; it was quite good. But when directors start pushing their own kids into their movies, you know the film is in trouble.
A lot of people on IMDb compare this movie to Sleepy Hollow, and they're right—SH was done much, MUCH better, with a far better sense of rhythm and storytelling. I expected a little more from Gilliam, honestly.
Rating: ** of *****.