Dennis Hall41 said:I’ve been diving into some stuff about Jamaica lately. I did take a quick break from my main project—you know, that "Rate This Song" thread that's actually the priority here—but I've been tinkering with this on the side.
Been listening to a lot of this lately. Huge shoutout to Dennis Hall41—I definitely wouldn't have even thought about touching reggae if it wasn't for him. Now I'm looking at my old opinions and realizing they were totally wrong. There is just a massive amount of incredible stuff out there.
Look, I haven't really gone down that deep rabbit hole myself. But listen, if you're looking for good music, there's plenty of soul out there beyond just Bob Marley. You've got legends like Black Uhuru, Burning Spear, and Peter Tosh. There is definitely more to hear.
Once you've finished that, go down the rabbit hole and look for some deeper, more introspective vibes. Check out Scientist, Mad Professor, and Lee Scratch Perry. They're essential.
Lisa Davis46 said:Haha!
What's the point of even bothering with it? Honestly. Just feels like a waste of time. 🙂 Honestly, this track might be my absolute favorite thing I've heard in a long time. Just top-tier stuff.
I still remember exactly where I was when *Born to Die* first dropped. It just stuck with me immediately. Everything about it—the production, those melodies, the lyrics—it all just clicked. But man, *Norman Fucking Rockwell* is something else entirely. It’s full of gems. You've got those beautiful ballads, and then there's "Venice Bitch" with that killer, single-synth melodic line. That use of portamento totally won me over right away, especially how seamlessly it fits into the whole track. It felt a little unexpected, but honestly? It works perfectly with the rest of the album.
That cover of Sublime’s "Doin' Time" was spot on. It felt like that perfect, melancholic summer vibe, and she really made the track her own. At the end of the day, music is totally subjective. It all comes down to what you're looking for and whatever mood you happen to be in. But if I had to pick, those two albums would be my top tier. Honestly, some of the stuff on *Ultraviolence* just didn't hit the mark for me.