future of the left // Curses, Too Pure, 2007

mclusky, jarcrew, noisy rock, distorted bass, angry vocals, roland juno-60,
I won't bore you guys too much about mclusky, I guess... 😈
Basically, after that powerhouse trio from Wales split up, everyone who loved them was just sitting around wondering what would happen to Falko—how he’d move forward and who he’d team up with. Chapple went a bit faster, actually; his group Shooting at Unarmed Men (where he handled guitar and vocals) quickly put out a mini album
soon there will be (2005) and then a full-blown album
yes! tinnitus! (2006), but unfortunately, those results didn't quite hit the same heights as the old radio days with Falko... shortly after Tinnitus, Chapple basically walked away from the crew and moved to Australia, where word is he's forming a new band under the same name to keep things going...
So we were all just waiting on Falko, who decided to keep moving with Jack (the drummer from Meklaski on the second and third albums), while the bass slot went to Kelson Louis Tregurtha Mathias from Jarcrew... earlier this year they dropped a solid single
fingers become thumbs, which wasn't quite on the level of the previous outfit, even though it had that great Lord Hates a Coward vibe, which eventually paved the way for a full album called
curses ...
And the result was this:
Even though (in my opinion, sadly) the future of the left didn't continue experimenting in the direction mclusky headed with
the difference between.., opting instead for a blend of sounds from the first two mclusky records (meaning simpler, more minimalist, yet still heavy constructions), all the right ingredients are there. Even the new bassist often "steps into" the songs with his vocals, much like Chapple used to do... despite the simplicity, similar to a mclusky album, this one doesn't necessarily grab you instantly, but after a few listens, you can see it's a really solid collection without too much filler, and they absolutely crush the already well-known
the lord hates a coward. Plus, thanks to the synths and that classic Meklaski melodicism, I think the biggest hits are
manchasm and the brilliant
suddenly it's a folk song. It's interesting, though—the future of the left works best on this album when Falko puts down the guitar and leans into that old analog Roland 👋. Still, even with the lack of guitar on several tracks, the sound stays very close to those first two albums; you've got the standard distorted bass, powerful drums, and it's honestly hard to even notice the guitar is missing 😬
The end result is that this new Meklaski incarnation drifts quite a bit into the territory of Les Savy Fav, so anyone who's been loving Les Savy Fav this year should definitely give this album a listen if they haven't already...
And finally, I have to mention that this album probably has the best "closer" of the year in the beautiful Contrarian, where Falko sings softly while playing the keys 😍... if I have to nitpick, I'd say the future of the left misses the mark slightly when it comes to the lyrics, if you're comparing them to the Meklaski era...
Overall, it's one of the better albums of the year as far as I'm concerned, and if the future of the left follows the same upward trajectory in quality that mclusky did with their releases, they have a real shot at being mentioned one day as a band just as talented as the genius, irreplaceable Meklaski 😬
edit: I can't seem to dig up who produced this, though it sounds very Albini-esque 😳