#121 ·
bass:
.________________.__________.
insert l
l
l
l
kick: __ l
.________l_l______\/___________.
(compressor 1.) (compressor 2.)
e.g. 3:1
Here is a basic example of how you should set up sidechain compression between the bass and the kick. A decent studio engineer should have configured it this way to prevent the kick drum from completely drowning out the bass frequencies. Essentially, for every note played on the bass, you want to see about 3 dB of gain reduction on the kick.
🙂
.________________.__________.
insert l
l
l
l
kick: __ l
.________l_l______\/___________.
(compressor 1.) (compressor 2.)
e.g. 3:1
Here is a basic example of how you should set up sidechain compression between the bass and the kick. A decent studio engineer should have configured it this way to prevent the kick drum from completely drowning out the bass frequencies. Essentially, for every note played on the bass, you want to see about 3 dB of gain reduction on the kick.
🙂