CheckEmoji Community · the emoji forum
🏠 Home 🆕 What's new ❓ Unanswered 🔥 Popular 📡 RSS Members 👥 0 online log in · register
Home › Culture & Entertainment › Movies › What have we learned from movies?

What have we learned from movies?

Started by analogwolf2 · · 👁 7 views · 245 replies

📡 Subscribe to replies

Participants analogwolf2Acasualotter21graniteangler10driftingowl27lonescout2rapidstag74ruggedjackal46Timothy Cox2feralgardener502northernseal6Matthew Doyle73Richard Hernandez13driftinggull13Keith Robinson2Alex Ramirez40Elizabeth Garcia2George Cruz65goldentinker79Michelle GonzalezThomas Mendoza5Grace Mitchell22Susan Miller3Larry Campbell12 …
driftinggull13 driftinggull13 Active Member
61 messages
joined Apr 2020
#21 ·
In those horror movies, whenever some idiot wanders into an abandoned house shouting "Is anybody home?"
They always head straight for the darkest, creepiest basement because apparently, that’s where everyone’s hiding...
And when someone starts pounding on the front door, they don't run out the back exit, no, they always sprint upstairs right into a literal death trap...
Keith Robinson2 Keith Robinson2 Member
12 messages
joined Feb 2003
#22 ·
Look, I’ve learned one thing: after a heavy night of passion, when my partner heads to the bathroom first thing in the morning, I make sure to wrap myself in a massive sheet. I’m talking total coverage—making sure not a single inch of skin is visible. I'm not trying to give anyone a show before my coffee, you know?
I also learned that if I ever find myself in some high-stakes car chase, I better be driving toward the middle of nowhere. You have to be careful not to accidentally steer right into a police station. It would be pretty damn stupid to pull up to a precinct while some psycho killer is hot on my tail, wouldn't it? 😁
lonescout2 already mentioned this, but let's be real for everyone watching: everyone in the movies is gorgeous, fit, brilliant, and perfectly healthy. Just look at any soap opera and you'll see.
Alex Ramirez40 Alex Ramirez40 Newcomer
5 messages
joined Feb 2003
#23 ·
And then there's this thing; the car the main guy is driving always just keeps going straight, even if he’s busy looking over at the passenger or staring at the backseat...
Elizabeth Garcia2 Elizabeth Garcia2 Active Member
53 messages
joined Apr 2005
#24 ·
You know, looking at American war movies... it always seems like the hero’s whole purpose is to die for his country. It’s like this built-in script where they just have to go out in a blaze of glory... like that movie *We Were Soldiers*. And they always say those same dramatic lines right before the end... stuff like, "I'm dying for my country!" or "Tell my wife I love her!"... it's such a classic trope, isn't it?
You know, I’ve been thinking about this... after you finish a phone call, you really shouldn't bother with any of those polite little goodbyes. It’s just better to just cut the connection abruptly... slam the receiver down and be done with it. Just like that. No pleasantries needed...
Pistols usually come with mags that hold maybe 100 rounds, and once you've burned through that whole clip... well, you just gotta toss the gun...
It seems like Black Americans tend to say "fuck" quite a bit...
It feels like every single American speaks in this perfectly polished, textbook version of the language... it’s almost surreal how everyone seems to have mastered the formal stuff... just incredibly clean...
Some people... they just seem bulletproof. It's like nothing can touch them...
Richard Hernandez13 Richard Hernandez13 Regular
269 messages
joined May 2004
#25 ·
It seems like whenever you watch those gritty war movies—especially the ones set during the Vietnam War—there’s always that one Black soldier who gets handed the biggest gun available, usually some heavy-duty machine gun.
And I swear, in almost every single one of those films, there’s inevitably a scene where he just goes absolutely wild, emptying an entire magazine in one manic burst of gunfire.
Richard Hernandez13 Richard Hernandez13 Regular
269 messages
joined May 2004
#26 ·
In those typical teen movies you see on Netflix, women are always portrayed as being unattractive if they’re just wearing glasses, have their hair pulled back in a ponytail, or haven't spent an hour getting their eyebrows perfectly groomed.
George Cruz65 George Cruz65 Member
12 messages
joined Apr 2004
#27 ·
I’ve always been fascinated by those movie kisses in the morning—you know, right when someone wakes up? Even when you're pretty sure they didn't bother brushing their teeth the night before.
Matthew Doyle73 Matthew Doyle73 Active Member
107 messages
joined Dec 2002
#28 ·
Richard Hernandez13 said:In those typical teen movies, if a woman wears glasses, keeps her hair in a ponytail, or doesn't have perfectly manicured eyebrows, she's automatically cast as the ugly girl.

The big exception is Sandra Bullock. She plays that exact type of character in almost every other movie, yet she’s hotter than all those other actresses combined. 😳
Richard Hernandez13 Richard Hernandez13 Regular
269 messages
joined May 2004
#29 ·
In Hollywood movies, hacking into any computer system looks incredibly easy; you can usually crack a secret password in just three or four tries before the screen flashes "Access Granted."
lonescout2 lonescout2 Active Member
57 messages
joined Dec 2002
#30 ·
When you're typing on a computer, there is absolutely no need to press the key.
It clearly presses itself.
goldentinker79 goldentinker79 Member
23 messages
joined Nov 2003
#31 ·
Sex scenes absolutely have to involve a mess of tangled bedsheets.

A man and a woman who spend the whole movie hating each other's guts? You can bet anything they’ll be saying "yes" to each other by the final credits.

I don't buy it when a horror movie shows a monster, a vampire, or some psycho dying. Not until they jump up from the grave at least three more times.

You could probably hack into the Pentagon using a mid-range office computer.

Every single good guy carries some heavy emotional baggage, whether it’s a mother who couldn't love them or a tragic lost romance involving a train wreck. 🙄

If you need some profound wisdom, the bartender is always The Guy.
Richard Hernandez13 Richard Hernandez13 Regular
269 messages
joined May 2004
#32 ·
In action movies, the Bad Guy never just gets slapped with handcuffs, dragged before a judge, or sentenced to a standard prison term. Instead, they always have to face some kind of "poetic justice," which usually manifests as a spectacularly violent and creative death—think being ripped apart, shredded, blown to bits, crushed, dissolved in acid, or burned alive. Honestly, sometimes it’s a terrifying combination of all of them at once.
casualotter21 casualotter21 Regular
264 messages
joined Feb 2003
#33 ·
What I am writing here is based solely on my modest experience watching movies, so please do not expect any miracles; in fact, prepare for boredom.
To begin, we shall analyze the protagonist and the circle of people they inhabit.
The protagonist can be crammed into two main categories:
1) A hero who specializes in BUTT K1CK1NG F0R G00DN355!!!111 and lacks fear or flaws, though he constantly finds himself arguing with his bosses.
2) A hero who is riddled with flaws and fears, but overcomes them specifically to engage in BUTT K1CK1NG F0R G00DN355!!!111, eventually becoming even more flawless than your standard Hero.
Naturally, there are always variations on this theme, though they are usually found in those bizarre European art films that nobody watches anyway because they are absolute TRASH, HAW HAW HAW!

The main character will also inevitably possess: 1) Comic Relief, 2) a Hawt Treba, and (potentially) 3) a Loyal Sidekick and 4) a Wise Teacher.

1) The role of Comic Relief is to be pathetic and useless, serving as a vessel through which we realize how lucky we are to have the Hero as the lead instead of this loser. Oh, and occasionally, he might be somewhat witty. But beware! Comic Relief is a powerful force that can turn against its creator! Just look at... > Jar-Jar Binks.
A specific variation of Comic Relief is the Wise Scientist, who is a bastardized blend of the Wise Teacher (providing the Hero with useful tools or directions) and a clumsy, inept scientist, much like all of them actually are. Because they are CLUMSY and INEPT and wear thick glasses and are pathetic and WEAK, unable to grasp five basic concepts in a single night like *REAL* MEN HAW HAW!!! And how STUPID it is to be a SCIENTIST!

2) The Hawt Treba is quite vital because she 1) provides the film with a necessary healthy dose of pornography and sexism; 2) she enables... err, what is the term?... Aha! Character development, or whatever, because the Hero falls in love with her or something similar. Furthermore, her function in the film will be to either constantly fall into trouble—which is typical for women, HAW HAW!—requiring the Hero to save her, or to assist the Hero in killing the villains at a crucial moment. In doing so, of course, the Hawt Treba should primarily kill only Hawt villainesses (because they are WOMEN, so they are EQUALLY INCOMPETENT HAW HAW HAW!) or some Random Stormtrooper (who is pathetic enough that anyone can take him out). If there happens to be a Jabba in the film, she can kill him too.

3) The Loyal Sidekick—usually dies within the first thirty minutes of the film so the Hero has an excuse to engage in BUTT K1CK1NG F0R G00DN355!!!111 and slaughter every lowlife in his path. Alternatively: the Loyal Sidekick helps the Hero fight against Evil. Naturally, they are never as capable as the Hero—you should probably find your own movie for that, HAW HAW!

4) The Wise Teacher: Winston Churchill once said, "Knowledge is power!" To ensure the Hero can better crush villains and manipulate the ladies, he is often aided by a Wise Teacher. He serves as a constant source of friendship, wisdom, composure, and similar nonsense that exists solely for the sake of character development. Additionally, there must be at least one scene where the Wise Teacher assists the Hero, allowing us to see how SUPER he is and how his BUTT K1CK1NG F0R G00DN355!!!111 is even more impressive than the Hero's.
That is, unless the screenwriters decide to kill off an old dog and assign that role to a Loyal Sidekick whom the Hero mourns.

Of course, every Hero has a secret flaw. Luke was tempted by the Dark Side, Superman had Kryptonite, and Achilles had the Trojan Horse. Similarly, our Hero must possess a fatal weakness that the Evil Supervillain will exploit at the exact turning point of the action. Moreover, such a flaw adds depth to the lead character, demonstrating that while he can deflect bullets, charm Kim Basinger, and wave a lightsaber, he is still just a man made of blood, midi-chlorians, and meat.

An example of this hero archetype would be something like "Under Siege" starring Steven Seagal. See, that is such a textbook archetype that even though I haven't actually watched the film, I know exactly what happens in it.
So, Steven works as a cook on a ship, and while everyone stares at him, he just stays quiet and acts like he doesn't care—mostly because he knows he could absolutely wreck them all if he wanted to, but he won't, because he’s a good guy, right? Then, a group of evil terrorists decides they want to rule the world, so they steal some nuclear bombs, toss them around just to terrify everyone, and then promise themselves a mountain of cash and every Playboy magazine imaginable to crown themselves the kings of Canada or some other nonsense. They storm the ship and start their villainous antics, and since everyone else is acting like a bunch of pathetic cowards, the terrorists just beat them all up and yell, "HAW HAW, YOU'RE SO PATHETIC!!!" Once they've taken over the vessel, they tell someone like Steven to get the galley under control. This guy keeps poking and prodding at Steven, who remains perfectly cool and collected, refusing to be rattled by such a loser. But eventually, the guy pushes too far and brings up Steven's mother—and since his mother is sacred to him, an electric guitar suddenly blares in the background, Steven snaps, rips the guy's head off, and honestly, he couldn't care less! Then, more evil terrorists show up, and Steven tries to have a calm conversation with them because he’s such a good person, but they're too stupid to realize they're facing Steven Galeb. They push him again, mention his mom, the electric guitar kicks in, and Steven goes berserk, ripping the heads off every single terrorist; he truly does not give a damn! Then Steven realizes these terrorists are pure evil and plan to hog all the Playbooks for themselves while forcing the rest of us to watch boring documentaries instead of Nikita, Baywatch, or anything actually decent. So, he grabs a fork and a knife from the kitchen, the electric guitar screams, Steven loses it, and he tears the heads off every last one of them! He kills them all, and for the main bad guy, he puts his head in a microwave while he's still alive, stuffs his mouth with garlic and seasoning, tosses him on the table, and says, “Dinner is served!” HAW HAW, man, I don't know if that joke was actually in the movie, but it should have been because it's hilarious, and man, am I good! In the end, Steven saves the crew, and the King of Scandinavia awards him a Nobel Prize for BUTT K1CK1NG F0R G00DN355!!!111, and he gets all the Playbooks he ever wanted because he's just that cool!

In my next post—if anyone is even remotely interested in this sort of thing—I might take a more detailed look at the phenomenon of supervillains.
graniteangler10 graniteangler10 Member
20 messages
joined Dec 2002
#34 ·
Heh, this description is basically Highlander 3. Totally spot on, except for one tiny detail.

But Con Air isn't even a bad example. You take one Hero. Give him a poetic name like Cameron Poe (wink, the guy has soul, wink wink) and toss him in prison. But nooo, he’s not the bad guy; he’s as pure as they come. He ended up behind bars because he was defending his wife from some primitive thugs. He's just a heart and soul kind of guy. So there he is, serving his time obediently, and of course, on the exact day he gets released, everything goes to hell. Oh yeah, he’s got a daughter out there he’s never met (ooooh, such a sad life story) who absolutely adores him (even though she hasn't seen him in 5 or 6 years). So, our Hero Cameron returns and ends up surrounded by the worst possible villains. Even if you gathered every villain from Batman in one room, they wouldn't touch this lineup. And leading them is the ultimate loser, a guy with a sinister techno name like Cyrus and an equally nasty nickname, Virus. Seriously, the guy is pure evil.

Once the chaos starts, Cameron faces a massive moral dilemma; he could just run straight to his wife and kid, but noooo! Instead, he chooses to help his wounded, politically correct best friend—a black guy he spent a few long years with in prison—who urgently needs an insulin shot (you know, he's vulnerable, just a human being). Heart and soul, right? So Cameron Poe beats the villains, everyone is pretty much awful, but Cyrus is definitely the nastiest of the bunch and naturally, he's the final boss. Toward the end, there are those typical moronic scenes where a plane almost crashes into a car or whatever. You get hits of those classic Seagal-esque movies here and there; gems like when our Hero, the good father and perfect man with the sad life story, runs away from an exploding plane, only to dive onto the floor at the sight of an orange fireball while some forced electric guitar riff tries to tell us how incredibly skilled he is. It's all great. He chases the bad guy until the very end; when a few remaining bad guys hop into a fire truck, instead of hiding, they just chill on the roof and wait for Cameron's guy to show up on a motorcycle (not just any motorcycle, mind you) to start the fight. After an exhausting brawl where our Hero is obviously in over his head, he wins, and the bad villain Cyrus dies in the most pathetic way possible; he flies into a giant pneumatic hammer and wakes up from unconsciousness just in time to see it coming down on his head. Cameron returns to his wife and kid who have been waiting patiently, and everyone lives happily ever after. His best friend got his injection just in time, so he's all grateful, ready to shed a tear, congratulates our Hero, and they promise to stay best friends forever. All of this happens amidst flashing police lights and ambulances in the middle of Las Vegas, just fifteen minutes after a plane crashed.
Richard Hernandez13 Richard Hernandez13 Regular
269 messages
joined May 2004
#35 ·
Alright, alright!

It feels like we've drifted a little bit off track here.

The whole idea from analogwolf2 was for us to chat about what we've "learned about life, history, culture, nature... through all the movies we binge."

And obviously, the first thing anyone notices in movies are the clichés, the ridiculous tropes, and all that nonsense...

But still...

I think we should approach this topic much like a round of trivia from "Who Wants to Be a Millionaire" based entirely on stuff you picked up from watching films!

For instance, I was recently watching the musical "1776" on TV and actually learned a thing or two about the founding of the USA and the signing of the Declaration of Independence!
(Though I'm not quite buying that Adams, Jefferson, Franklin, and the rest were actually singing and dancing their way through the whole process)
Matthew Doyle73 Matthew Doyle73 Active Member
107 messages
joined Dec 2002
#36 ·
goldentinker79 said:you could probably hack the Pentagon using nothing more than a mid-range office PC

Forget the Pentagon—you could break into your neighbor's computer at any hour of the day. That's really the issue here.😛 🙂
Michelle Gonzalez Michelle Gonzalez Member
38 messages
joined Nov 2004
#37 ·
What kind of mediocre computer are we even discussing? If you just handed them a Commodore, they would perform absolute miracles.

And honestly, just imagine the sheer potential of what could be created using the Nisevski Eagle...
Matthew Doyle73 Matthew Doyle73 Active Member
107 messages
joined Dec 2002
#38 ·
Oh yeah, if things go south, I’m more than ready to take manual control of the autopilot myself. 😛 🙂
Thomas Mendoza5 Thomas Mendoza5 Member
27 messages
joined Mar 2003
#39 ·
1) If you really want to launch a car into orbit, all you have to do is point the gun at it and pull the trigger—boom, guaranteed explosion.

2) When someone starts chasing you, the best strategy is to whack them over the head with a vase, then just wait for them to get back up before you make a run for the nearest dead end.

3) During any police raid scene, the youngest officer in uniform always ends up getting killed on the right side of the screen... though if he's Black, you can bet he'll be on the left.🙄

4) An Arnold Schwarzenegger movie gun always seems to have a magazine that holds just enough bullets to last until that final scene where he suddenly runs out of ammo.

5) Americans buying a newspaper or some cigarettes at a convenience store always seem to leave their change behind, no matter how large the bill they used to pay.
ruggedjackal46 ruggedjackal46 Regular
775 messages
joined May 2007
#40 ·
I’ve been trying to follow these posts from this absolute clown, but I honestly can't wrap my head around what kind of complex, heavy plot he thinks he's spinning. I just can't keep up. You people are actually insane!!!!!

You must log in or register to reply here.

Log in Register

🔗 Similar threads