#21 ·
wiredraven82 said:I’m not making a mistake here—because I am speaking strictly in terms of cinema (since that is the subject of this PDF at hand)—so:
You’re getting the cinematic details wrong, even if you’ve actually got the history straight.
You’re right about that—I’m not disputing your point. But honestly, did you really expect them to obsess over specific Latin dialects from that era? Give me a break. You should be grateful they even bothered using official Latin at all, especially when you look at the track record of other "linguistically authentic" period pieces out there. 🙂silentviper19 As I was saying:
Everyone can get behind the idea that Aramaic was the spoken tongue, but trying to reconstruct its exact nuances is a massive uphill battle—it would be like claiming we know precisely how ancient Germanic tribes spoke just because we have the records left behind by Cyril and Methodius.
If we’re going to follow that line of reasoning, then we wouldn't be able to claim that so many extinct languages have been "reconstructed"—but they have. They're dead, sure, but they aren't gone. We can bring them back enough to make sense of them—not perfectly, mind you, but sufficiently to grasp their structure. Take the Etruscan language, for example; unfortunately, we still haven't quite cracked the code on that one.
I could agree with you there—but let’s be realistic. During that specific window of time, maintaining stability in Judea was absolutely not in Rome's best interest from a purely pragmatic military standpoint. If you look at the sheer logistical nightmare a rebellion would have caused their legions, it makes sense. Besides, we all know exactly what happened to the Jews just a few decades after they decided to stage an uprising.
P.S.: I really hope that while we’re hashing this out, you understand my intention here—I am not bringing Jesus into this discussion at all. We are sticking strictly to the linguistic, archaeological, and historical facts. 🙂
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That sounds a bit harsh, and I'm sure that wasn't his intention. Even if we agree that the Romans in that era wouldn't have been speaking official Latin, you'll have to admit—both you and I would much rather hear something resembling the period than standard modern English.
No, I don't find that quasi-authentic Latin or quasi-authentic Aramaic any better, because they just aren't authentic. That hack Gibson just declared them authentic because he's banking on the audience having empty heads—and, of course, on the believers.
That’s why I much prefer that good old California accent used in the old classics where both Jesus and Dracula spoke; there isn't that fake pretension of authenticity that was pushed so hard for the Passion.
When it came out, I immediately heard people saying, "Wow, it was exactly like that in the movie! The film is just so incredibly authentic!".
Personally, I’d say that 60s film with the styrofoam sets and the standard American accent was more authentic than this one, because the very attempt to be authentic ended up costing him all authenticity. And don't even get me started on the interpretation of the story itself, which is just plain nasty.
Technically, it’s okay, but he stuck to that old rule where all the white actors play both Jesus and the apostles. Meanwhile, the Romans are portrayed as pure Western European whites, rather than some Greek, North American, or Middle Eastern face wearing a Roman uniform—Gibson didn't slip up there like he did with the Jew.
Now we just wait for the new Gibson film about Dracula, where everyone will be wailing in medieval Old English, and the audience will just soak up the "authenticity."😁


