On the contrary, that "Woman" character—flawed and messy just like any other human being—is absolutely vital to the story, because she gives the Daughter a chance to get a "firsthand" look at what a typical representative of the old human race actually looked like, a species that basically nuked itself out of existence thanks to its own ego, aggression, selfishness, dishonesty, and all those other lovely little traits that used to define us.
For some reason, you’re stuck in this weird middle ground where you take the plot way too literally on one hand (claiming the apocalypse is undefined or unrealistic based on the visuals) while simultaneously pushing this heavy-handed "metaphorical" angle on the other.
Mother isn't cruel; cruelty is a human trait, whereas she’s just incredibly efficient as she chases that ultimate, lofty goal.
And why on earth are you reaching for a forced word like "omnipresent" when there's perfectly good English right there? 😁
dustyfalcon122 said:I just can't agree with that.
The Woman feels totally unnecessary, and the apocalypse they show isn't even defined—it just doesn't feel real based on what we actually saw on screen.
And the whole idea of breeding a new race and colonizing a new planet? It’s way too oversimplified and practically impossible under those conditions.
The film doesn't work at all unless you view it strictly as a metaphor. "Mother" is everywhere, an absolute force of control, whose only motivation is supposedly love for humanity, yet she's simultaneously capable of such massive cruelty toward them.