Birds of Prey (2020)

Birds of Prey is the next installment in the MCU lineup, and if everything goes according to plan, we should be seeing it hit theaters around February 7, 2020.

The star of the show—though calling her a hero feels like a bit of a stretch, since she’s more of an anti-hero at heart—is going to be Harley Quinn.
The whole idea here is that this movie serves as the kickoff for a potential Harley Quinn trilogy..

It won't just be a solo act, though; alongside Huntress and Black Canary, we're getting some heavy hitters in the mix.

As for the bad guy, we've got Black Mask stepping into the spotlight, played by none other than Ewan McGregor.

The film is being helmed by Cathy Yan, but keep in mind that Margot Robbie is also on board as a producer, which basically means she'll have a massive say in the creative direction of the project.

Just dropped a super brief teaser trailer that basically just introduces the cast lineup.

A little behind-the-scenes shot from the set

A few more behind-the-scenes shots of Harley Quinn from the set.

They’re totally overhyping it, and honestly, most of it is just filler. Plus, that Harley Quinn character doesn't do anything for me—she feels like she was just cooked up to be some kind of Joker light.

Good grief—what kind of walking circus is this?

Look, she’s completely unhinged—that’s her whole thing. And honestly? That’s exactly why she’s so liberated and powerful... because she’s lost her grip on reality entirely. She doesn't need anyone, and frankly, she doesn't seem to care about anything either. She’s free because she’s gone off the deep end, and there’s no pressure for her to "grow up" or find some semblance of stability. She can just be totally detached, isolated, and chaotic—running away from everything until she eventually hits a wall... maybe even burns out from an overdose, if that's where the road leads. At this point, what does she even have left to lose?

The whole aesthetic—those long stockings, the "adult" vibe...

It reminds me of certain women I've crossed paths with in the past—just pure, unadulterated repulsion and rage.

placidwolf27 said:Look, she’s completely unhinged—that’s her whole thing. And honestly? That’s exactly why she’s so liberated and powerful... because she’s lost her grip on reality entirely. She doesn't need anyone, and frankly, she doesn't seem to care about anything either. She’s free because she’s gone off the deep end, and there’s no pressure for her to "grow up" or find some semblance of stability. She can just be totally detached, isolated, and chaotic—running away from everything until she eventually hits a wall... maybe even burns out from an overdose, if that's where the road leads. At this point, what does she even have left to lose?

The whole aesthetic—those long stockings, the "adult" vibe...

It reminds me of certain women I've crossed paths with in the past—just pure, unadulterated repulsion and rage.

I am absolutely disgusted by this sexism and the way you're mocking women. She isn't "crazy"—she's a self-aware, emancipated WOMAN...!!

Personally, I don't care how you label her, she's sexy. Say whatever you want, but I watched the movie specifically for that.

Black Canary behind-the-scenes shots from the set.

Mary Elizabeth Winstead playing The Huntress.







Harley Quinn sporting that customized dagger—which, if you're actually paying attention, is a direct nod to the recent comic book runs.

It looks like we might actually see Joker making an appearance in the movie after all.



So, Jared Leto just dropped this on his Instagram.

Why are these actresses dressed so provocatively? Is this a superhero movie or just a pornographic film?

DC just keeps doubling down on bad calls.

They could throw hundreds of millions at this nonsense and it still won't work—all they really need to do to make it worth it is get Batman and Superman right.

nimblemarlin6 said:DC just keeps doubling down on bad calls.

They could throw hundreds of millions at this nonsense and it still won't work—all they really need to do to make it worth it is get Batman and Superman right.

Look, if we’re being honest here, almost every single movie in the DCEU has been a massive hit at the box office—with the glaring exception of Justice League. Just look at the numbers. I honestly don't know where to start with Aquaman, but I feel like we need to have a serious conversation about it because my head is spinning. It’s one of those movies that just leaves you feeling completely conflicted, isn't it? On one hand, you have this massive, sweeping spectacle that feels like it was designed specifically to be played on an IMAX screen in a huge theater in downtown Chicago, and on the other hand, there’s this underlying sense of "wait, what am I actually watching?" It’s such a bizarre entry in the DCEU. You look at the sheer scale of the underwater kingdoms and the visual effects—which, let's be honest, were pretty stunning in their own way—and then you realize the plot is essentially a high-budget summer blockbuster that could have been written by an AI programmed exclusively on superhero tropes. It’s flashy, sure, but does it have substance? I find myself sitting there, halfway through a bucket of popcorn, wondering if I'm being sold a masterpiece or just a very expensive collection of CGI bubbles. Don't get me wrong, I can appreciate the attempt to give the character his own space away from the heavy hitters like Batman or Superman, but it feels like it's constantly struggling to find its own identity. Is it a political drama about ocean kingdoms? Is it a family soap opera? Or is it just an action flick meant to move units? Sometimes it feels like all three, and because it tries to be everything at once, it ends up feeling a little scattered. I want to love it more than I do, I really do, but it’s hard to shake that feeling of emptiness once the credits roll and you're left staring at the screen in a dark theater. Look, I’m telling you, it wasn't Batman or even Superman, but this one managed to rake in way more cash than either of their movies has ever seen. I honestly don't know where to start with Suicide Squad, but my head is spinning just thinking about how much potential was left on the table. You have this incredible setup—this whole concept of a group of misfits being thrown together by the government—and yet, I can't help but feel like we were robbed of something truly legendary. It’s one of those movies that stays in your brain, not because it was perfect, but because you can't stop wondering "what if?" What if they had leaned harder into the chaos? What if the direction had been more cohesive? Don't get me wrong, there were flashes of absolute brilliance. The energy was there, the grit was there, and the visual style was unlike anything else we'd seen in the DCEU at the time. But then you hit those moments where the momentum just stalls out, and you find yourself sitting there, slightly annoyed, wishing the writers had just let the characters breathe for a second instead of rushing from one explosion to the next. It’s frustrating when you see talent being used as fuel for a runaway train that doesn't quite have its tracks laid down properly. And look, I’ll be the first to admit I’m probably being too hard on it—I tend to overanalyze everything until I’m basically yelling at my TV—but there's a real sense of missed opportunity here. We deserved a masterpiece, and what we got felt like a really high-budget fever dream that occasionally forgot it was supposed to tell a coherent story. It’s a wild ride, sure, but man, it’s a bumpy one. I mean, look at the numbers—they pulled in nearly $750 million worldwide just from the China market alone. Honestly, given that kind of massive haul, it’s not even surprising that we're being served this specific outcome. I honestly can't stop thinking about the whole idea of a Suicide Squad spin-off, and frankly, I’m feeling a little conflicted about where we go from here. On one hand, you have that chaotic energy that only a group of high-stakes misfits can bring to the screen, but on the other, I worry we're just spinning our wheels with the DCEU legacy. I mean, don't get me wrong, I love the concept of these characters being thrown together for some misguided government mission, but there's a fine line between a compelling character study and just more mindless explosions. I was reading some thoughts from neondriver7 earlier, and they made an interesting point about the direction the franchise should take, but I have to disagree slightly. It feels like if we're going to do this, it needs to be more than just another outing for the crew. We need something that actually builds the world rather than just recycling the same tropes we've seen since the early days. If James Gunn is involved in shaping the vibe, then maybe there's hope for something truly unique, but I'm always a bit skeptical when it comes to these massive studio mandates. It’s hard not to feel a bit cynical sometimes, especially when you've seen so many similar projects stumble right at the finish line. I want to be excited, I really do, but I also don't want to be disappointed when a potential masterpiece turns out to be just another mediocre blockbuster. So, here’s the deal: we’re actually looking at a real sequel to the Suicide Squad film dropping in 2021. And get this—that’s the same year we finally see the first major installment of the DCEU hit theaters. It's going to be a massive year for the franchise. So, I’ve been sitting here spiraling about this idea for a solo Batman film—specifically one that acts as a prequel, focusing on a version of Bruce Wayne who is about twenty years younger than what we usually see. Honestly, my brain won't stop chewing on it. Imagine getting to see the raw, unpolished origins, long before he becomes this seasoned, brooding legend. We wouldn't be looking at the polished icon; we'd be watching the messy, frantic evolution of a man trying to figure out if he can actually make a difference in a city that feels like it's rotting from the inside out. It’s such a massive opportunity to strip away the mythos and just focus on the grit and the mistakes of youth. I can already feel myself getting worked up just thinking about the potential for a much more kinetic, less "perfect" version of the Caped Crusader. It’s the kind of deep dive into his psyche that I think we desperately need. .

I honestly think Fiona Dourif would have been a far superior choice for the role of Harley Quinn. I realize she might not carry quite the same level of mainstream popularity as Margot, but isn't she arguably the stronger actress? This particular part feels like it was tailor-made for her talent. For anyone who thinks I'm off base here, I'd highly suggest checking out the series Dirk Gently's detective agency or the movie Cult of Chucky to see what she can really do.👍

They actually just wrapped filming on the movie recently. Honestly, the whole production process has been running incredibly smooth so far, which is a relief.

Finally, we've got our first official look at the Harley Quinn costumes from the movie.

It looks like Katana (from Suicide Squad) and Vixen might be making appearances in this one too. Plus, the early buzz is suggesting that Black Mask is actually the best DCEU villain we've seen yet. https://www.google.com/amp/s/moviewe...ewan-mcgregor/

A few days ago, things finally started picking up a little bit. Look, I’m just going to say it because someone clearly needs to: if we actually get a reshoot for this, we better hope they aren't just putting more Band-Aids on a sinking ship. I know everyone is buzzing about the possibility, but honestly, my heart isn't in it. It feels like we're trying to fix a fundamental design flaw by just repainting the walls. I’ve been sitting here ruminating on this for hours, and part of me—the cynical, slightly exhausted part—thinks we're just spinning our wheels. But then again, maybe I'm being too hard on them? I tend to do that. I get a bit carried away with my own frustrations, I know. Still, a reshoot shouldn't just be about fixing technical glitches; it needs to address the soul of the thing. If they don't get the tone right this time, all the extra production budget in America won't save it from being a total wash.I honestly feel like these movies are just going to lean heavily on their action sequences—or more accurately, they're going to try desperately to polish them up and make them look better than they actually are.

The director is actually going to step into the trenches himself to design and shoot all those new action sequences alongside the stunt team. John Wicka Chad Stahelski.

I also heard that during the reshoots, they’re planning to squeeze in some extra little bits here and there, like a few more flashback scenes to flesh things out. I honestly can't stop thinking about the whole dynamic between Harley and Joker. It’s one of those cinematic relationships that just refuses to stay buried, isn't it? You look at how they were portrayed in the past versus how things are shifting now, and it's such a mess of chaos and obsession. It's hard not to get worked up about it because there's so much layers to peel back, yet every time we think we've figured out their connection, it just spirals into more madness.Also, they're going to be filming it. So, I just sat through that post-credits scene, and honestly? My brain is still trying to process what exactly I just witnessed. You know how it is—you’re sitting there in the dark, waiting for the lights to come up, thinking the ride is over, and then suddenly they hit you with one last little tease. It's such a classic move, isn't it? They pull you back in right when you're starting to pack up your popcorn. It felt like a total gut punch, though, maybe a little too much of a tease for my liking. I'm sitting here wondering if it was actually meaningful or just a way to get us hyped for whatever comes next in the franchise. Part of me wants to be excited, but another part of me is just exhausted from all the buildup! Which one should we use as the teaser? I honestly can’t stop thinking about "The Suicide Squad." It’s one of those rare instances where a director takes a massive, messy concept and actually makes it sing through sheer force of will and style. You have to give credit to James Gunn; he stepped into this chaotic sandbox and managed to find a heartbeat in all that madness. It’s vibrant, it’s violent, and it’s unapologetically weird, which is exactly what I needed. I know some people get hung up on the fact that it's part of the broader DCEU landscape, but honestly, if you go in expecting a standard superhero slog, you’re going to be disappointed. This isn't that. It's more like a high-octane, blood-soaked fever dream. There’s a certain level of self-awareness here that most big-budget studio films are too terrified to touch. They lean into the absurdity rather than running from it, and that’s where the magic happens. Don't even get me started on the character work. Even when things get incredibly dark or grotesque, there's this underlying sense of humanity—or at least, a very colorful version of it—that keeps you anchored. It’s easy to get lost in the spectacle, but the momentum of the story carries you through the chaos. It’s loud, it’s messy, and yeah, maybe a little over-the-top at times, but I'll take that over a polished, soul-less blockbuster any day of the week. It’s got guts, and in today's cinematic climate, that feels like a miracle. I honestly can't get over how much I love talking about movies, but sometimes I feel like I'm just shouting into the void here. Where do we even start? There are so many films that have shaped my entire perspective on cinema, and I find myself constantly looping back to the same discussions. It feels like every time I try to dive deep into a specific genre or a director's filmography, I end up going down a rabbit hole that lasts for days. I know I tend to ramble, and yeah, maybe I get a little too worked up about certain plot holes or casting choices, but that's just how I am! I just want to talk about the craft, the storytelling, and why some movies stay with you forever while others just vanish from your memory the second the credits roll. James Gunna.

In that scene... Harley So, word on the street is they’re supposedly getting a brand-new costume—the exact same look they'll be sporting later on in that movie.





Lana Del Rey It looks like she actually recorded a song for the movie!

A fresh little teaser just dropped:

I’m not really an optimist or anything, honestly, the guy was never much of a draw for me without The Joker in the mix...