Alex Ramirez12
MemberOP
16 messages
joined Dec 2002
here's a copy-paste from davidlynch.de
Tiny Budget Creativity
Eraserhead
In: Peter Nicholls: The World of Fantastic Films. An illustrated survey. New York City 1984.
The absolute wildest of these low-budget, surrealist trips was David Lynch`s Eraserhead (1976). It follows Henry, portrayed with this wild-haired, wide-eyed, almost autistic vibe by John Nanac. He’s just... out of it. Polite, shut-in, totally unable to deal with normal people. He’s stuck in this filthy little studio apartment, barely hanging on with this thin, hysterical girl whose family—basically urban outcasts living in some wasteland—flip-flop between being totally checked out and having violent, seizure-like outbursts. He finds out he’s the father of her kid (Mother: "She`s having a baby." Daughter, freaking out, "Mother, they`re not sure it`s a baby!"), so she moves in. The baby? It’s a mutated, crying nightmare—disturbingly real—that looks like a skinned rabbit. It’s wrapped up tight in swaddling clothes like a damn mummy. The girl can't handle the kid and bails. Constant industrial noise fills the room. Everything is covered in slime, ooze, and these tiny, wriggling things. Henry just wanders through this hellscape trying to look after the thing. Suddenly, this pale, chubby vaudeville girl pops out from behind a radiator to dance, crushing these fetus-looking worms under her feet. Henry hooks up with the nympho from across the hall, and the bed literally turns into a swamp. The baby starts breaking out in gross spots. Henry tries to nurse it. Finally, losing his mind, he grabs scissors and starts cutting through the swaddling clothes. Turns out the bandages are actually part of the body, which rips open to reveal a mess of guts that start foaming up and filling the whole room. It’s like a mini apocalypse. Then, this quiet guy by a window (looks like he's got horrific burns in the dim light) pulls that same lever from the start, and everything just blows up. This man may be God. 😁
The movie is gross and you can't look away. The industrial and human desolation that IT evokes, and the way it shows disgust for the body, sex, and making babies, isn't for the faint of heart. But there's still this weird sense of pity and even a twisted kind of beauty to it all. WE cannot assume that The disgust shown in The film reflects Any hatred of The body on Lynch ` . One of The many points of this strange film May be political : that bodily disgust is in part born fra human depriviation. It’s not pure pessimism, though. Henry still has a soul.