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"Prayers for success / Always die in time..."

down Colorful Hill

Ashley Grant66 said:Lana Del Rey is great once you actually get into her vibe.
I checked out Angel Olsen - Aisles and some 80s covers—didn't really do it for me, honestly, plus she always feels a bit dull to me anyway.
Forever Young was best handled by Salem—that’s how a track should feel, just pure paranoia and the end of the world😁

Spirit of a Vampyre

What about these two?

All Mirrors
Lark

when you finally catch your breath

Dennis Hall41 said:Honestly, sometimes I feel like AI is already being deployed in songwriting, and people are just getting hypnotized by it. There’s no way we can flood the market with this much melodic, production, and lyrical genericness for another ten years straight. It just doesn't add up.

https://autochords.com/

And that's still giving off 90s old school vibes.

Jimmy

There are certain things you can only experience for the very first time once. Honestly, I wish my adult self—someone who actually understands just how brilliant this track is—could have heard it for the first time right now, instead of me whining about it for twenty years like some kid thinking a loud guitar riff is the peak of musical genius.

What's on your mind?

Gerald Jackson48 said:https://autochords.com/

And that's just some 90s old school stuff.

I've heard that whole thing about the four-chord thing—honestly, looking at modern pop, it feels like the lyrics, the arrangements, and the production were all just built by robots for robots. Here’s a quick breakdown of the theory behind it: https://www.classicfm.com/discover-m...very-pop-song/

against All logic - Penny

Just stating facts.

So, we're halfway through the first week with the new chicks... naturally, the start is always a bit of a struggle, but I suppose that's just how things go. ))
Also, there aren't 11 of them, there are actually 12. 😁

cheep cheep cheep cheep cheep

A bit intense, if I’m being honest

Belladonna

Loituma - Ievan Polkka

The Goat of Mendes

Dennis Hall41 said:I’ve heard this whole thing about the four-chord trick before. Honestly, being a fresh face in the pop scene, my gut feeling is that the lyrics, the arrangements, and the production are basically just robots making music for other robots. Here’s a quick breakdown if you want the theory behind it: https://www.classicfm.com/discover-m...very-pop-song/

It’s gone even further today. Especially in pop, but it's happening everywhere. People aren't even playing those chords on real instruments anymore. It’s all software suites now. That kills the dynamics. Everything ends up sounding mechanical.

Plus, whenever there's a human element involved, producers go crazy in post-production trying to scrub away every single mistake. It’s a paradox. By fixing everything, they actually kill the music. Those tiny little imperfections are what make us human. They provide the soul and the natural swing. Now, everything is just too polished and boxed-in. It just doesn't sound right.

Maximilian, Maximilian

morning ☕

Jamie Davis9, so you're saying the baby is actually getting in on the action? 🙂

Work week is finally dead. Heading out to hit the trails today. Screw pollen, I’m tougher than some damn weeds. 🙂

probably hitting Central Park ...

😁

They didn't even participate; they just brought someone in from a small town in Ohio at the last minute.

It’s been 20 years since the attacks on the World Trade Center—honestly hard to believe—so I’m spending the whole day spinning this classic in honor of them.